Francisco de Goya, The Custody is as Barbarous as The Crime, Etching and burin on cream laid paper

Two (2) posthumous etchings, Goya and Cezanne. 1st item: After Francisco de Goya Lucientes (Spanish, 1746-1828) etching and burin on laid paper titled "The Little Prisoner" or "Tan b·rbara la segur

Francisco de Goya Y Lucientes or Goya. El Agarrotado (The Garrotted Man) (The Executed Man). Antique hand pulled copper plate etching on laid paper after the 1778/1780 original by renowned master engr

Etching on laid paper. Printed by Lienard for l'Art, printed publishers mark in plate. Francisco de Goya y Lucientes (Spanish, 1746-1828). Plate dimensions: 9 1/2" high x 13.75" wide, sheet dimensions

"Portrait d'Alberto Foraster" by Francisco de Goya (Spanish, 1746-1828); Etching in black ink on fine watermarked laid paper. Hand pulled from the copper plate executed in Paris. Extremely rare. First

Francisco de Goya (Spanish, 1746-1820). “Ysele Quema la Casa” from Los Caprichos (plate 18), etching and aquatint on laid paper, first edition. Provenance: Private Collection, Cashiers, NC.; Sothe

(Spanish, 1746-1828) [Allá vá eso] (There It Goes), from [Los Caprichos], Pl. 66, 1799, first edition (Deltiel 108), etching, drypoint and aquatint on laid paper, no watermark, with deckled edges, 8

Francisco Goya, Spanish, 1746-1828, "Muchachos al avío ("Lads making ready"), plate 11 from "Los Caprichos", 1799, likely 9th edition, etching, burnished aquatint and burin on laid paper, watermark w

FRANCISCO JOSE DE GOYA Y LUCIENTES (Spanish, 1746-1828). No hay quien nos desate? (Can't Anyone Untie Us?), First published in 1799, etching and aquatint with burnishing on laid paper. This is plate 7

Goya, Francisco de (Spanish 1746 - 1828). Plate 11 from La Tauromaquia: The Cid campeador spearing another bull. c.1855. 3rd edition. Etching and aquatint in sepia on laid paper. Plate: 13 5/8" x 9 5/

DESCRIPTION: Francisco Goya (Spanish, 1746-1828). Etching with drypoint on laid paper. "Tristes Presentimientos do lo que ha de Acontecer (Sad Forebodings of what is going to happen)". Plate 1 of Los

FRANCISCO DE GOYA (SPAIN, 1746-1828), ETCHING ON PAPER, H 8.5", W 12.75", "LAS EXHORTACIONES, PL.16" Matted and framed under glass. Number 16 in upper right. Unsigned. Frame measures H 21" x L 24.25".

FRANCISCO DE GOYA, POSTHUMOUS PRINTING, ETCHING & AQUATINT, WOVE PAPER, C. 1881-1886, PLATE: 8 1/2" X 5 3/4", "ALL WILL FALL":"Todos Caeran"; plate #19 from Los Caprichos; framed. For a high resolutio

La Tour de l'Horloge. etching and engraving on cream laid paper, 1852, from the edition of 600 printed for L'Artiste (Vol.V No. 9, 1858), Hudelist watermark. 10 3/8 x 7 1/4" Schneiderman 23 vi/X <

Francisco José de Goya (1746-1828), Le Prisonnier, etching on paper imprinted with "Gazette des Beaux-Arts" and "Imp. Delatre,Paris" below image; matted and framed. Visible height of paper with art 5

(Spanish, 1746-1828) Margarita de Austria, Reina de España, 1778, posthumous edition, engraving on laid paper, 14-5/8 x 12-1/4 in. (plate), 18-3/8 x 15-3/4 in. (sheet); gilt wood frame,. Condition: f

Francisco Jose de Goya (Spanish, 1746-1828). Etching and aquatint on paper, #46 from a series by the artist, titled l.c. margin. 7.75" x 5.25" (plate size).

after FRANCISCO DE GOYA (Spanish 1746-1828) AND EUGÈNE DELACROIX (French 1798–1863) A GROUP OF TWO PRINTS, Francisco De Goya, "Episodio del dos de Mayo 1808," etching on paper, 9 1/2" x 11 3

Francisco Goya y Lucientes (Spanish, 1746-1828). A rare 18th Century antique aquatint etching on laid paper. Titled, "Linda Maestra" ("Pretty Teacher"), produced circa 1799 as plate 68 of the "Los Cap

Francisco Goya appears in Lower right. Attribute to Francisco Goya Technique: Etching Measures: 8 X 11.50 inches Image size and 20 X 22 Frame size Medium: Paper. Provenance: Private Collection. Lived

Francisco Lucientes y Goya (Spanish, 1746 - 1828) "La Tauromaquia" - Plate 10 Drypoint Intaglio Etching on Paper. Charles V Spearing a Bull in the Ring at Valladolid. Plate Size: 9 7/8 x 13 9/16 in. O

FRANCISCO DE GOYA Y LUCIENTES (Zaragoza, 1746 - Bordeaux, 1828). Folder with 15 etchings on paper, based on paintings by DIEGO VELÃZQUEZ (Seville, 1599 - Madrid, 1660). Published by the Calcografí

Francisco Jose De Goya, Spanish, 1746 to 1828, etching and drypoint on paper, Obsequio a El Maestro, from Los Caprichos, a set of 80 aquatint prints created by Goya in 1797 and 1798, and published as

Camille Pissarro (1830 - 1903). Vue de Rouen (View of Rouen). Hand Pulled Copper plate etching with drypoint, printed in Bistre ink, on cream laid paper after the original by Auguste Marie Lauzet (186

Francisco de Goya, Los Caprichos etching, Francisco de Goya Lucientes (Spanish, 1746-1828), Plate 1, "Self Portrait", likely a later impression, on smooth wove paper, glued into mat along left edge of