JAMES CAMPBELL, SAGINAW BAY CANVAS BACK

Upper Chesapeake Bay, c. 1870 15 1/2 in. long A large canvasback decoy with a slight ridge down the tail. The underside for tail bears an incised "H" and the body has a second head by James T. Holly (

Chesapeake Bay canvas back duck decoy, painted and carved, 15" L. Condition - tight crack, original old paint.

Carved wooden duck decoy from the Chesapeake Bay area. Comes with custom wood stand. 16" x 7"

James Campbell painting on canvas of a young boy. Signed lower left. Measures 24" x 20" and 29.5" x 25.5" w/ frame.

CURRIER, Nathaniel (1813-1888) and IVES, James Merritt (1824-1895).Canvas-Backs.Lithograph with original hand color.New York: Currier & Ives.9 1/4" x 12 1/2" sheet.Gale Number: 0878.Rare, last seen at

RARE AND EARLY CANVASBACK HEN, Upper Bay, MD. Very good working paint, some which may be original. Good structural condition with check to back and tight check on lower neck. Retains keel weight, ring

EARLY CANVASBACK DRAKE, UPPER BAY. Very old weathered working paint with some possible original paint remaining. Good structural condition with old repair at mid-neck. Some tight checks to back. Retai

EARLY CANVASBACK DRAKE, Upper Bay, MD. Very good original paint and condition. Typical mid-neck hairline check. Retains strong feather paint pattern on back. Retains keel weight and staple. Branded MA

EARLY CANVASBACK DRAKE, Upper Bay, in very good working paint and good structural condition. Typical mid-neck crack. Filler missing from back of head. Eyes appear to be replaced. Retains unusual botto

CANVASBACK DRAKE attributed to R. Madison Mitchell, Havre de Grace, MD. Excellent original paint and unused condition. Head turned slightly right. Retains bar feather paint to back and painted tail fe

EARLY CANVASBACK DRAKE, Upper Bay. Retains old working paint, some which may be original. Very good structural condition. Painted feather detail to back. Retains weight and leather rigging strap. 100-

RIGMATE PAIR OF CANVASBACKS, Upper Bay, MD. Very good original paint and unused condition. Hen with nail filler loss to top of head. Both with painted brush work to backs. Both with fine bill detail.

DECORATIVE CANVASBACK DRAKE by James Brockman, Pongo, VA. Very good original paint and structural condition. Some paint crazing back and underside. Multiple wing tip carving. Fluted carving to tail. N

FINE CANVASBACK DRAKE by Chip Allsopp, Bay Head, NJ. Very good original paint and structural condition. Three minor paint smudges to painted feathers on back. Hollow construction. Carved wing tips. Re

TWO DECOYS by Capt. Chip Allsopp, Bay Head, NJ. The first is a CANVASBACK DRAKE. The second is a RED HEAD DRAKE. Both in excellent original paint and condition. Both with stipple paint on backs. Hollo

James Campbell Noble(1846-1913)"The Windmill on the Marsh"Oil on canvasSigned lower right: J. Campell Noble; titled on a label affixed to the frame, verso12" H x 16" W Provenance:

John James Audubon (American, 1785-1851), "Mountain Mocking Bird", "Comumbia Magpie or Jay", "Canvas Back Duck" and "Californian Partridge", 4 hand-colored lithographs, from Birds of America, Bowen oc

Lot 2 Canvas Back painted wood decoys from Chesapeake Bay area - 16 in long with glass eyes; and 15 in (no eyes) with lead weight initialed RKB.

Oscar Carroll (1868-1946) Back Bay, VA, c. 1930 16 in. long A graceful, high-head canvasback drake likely made from cypress wood which was rot resistant and lightened considerably as it dried. Caroll

Detroit, MI, Rare Back Bay Mdl, Glass Eyes, Premiere Grade, Solid Body, From the St. Clair Flats Club, Combination of Mostly Original Paint w/Enhancement to Neck Area, Light Damage to Bill on Right Si

MASON BACK BAY BLUEBILL DECOYS, LOT OF TWO, each solid-body form with applied eyes, weights and rigs to the underside. Old working surfaces. Circa 1920-1930. Canvasback 9 1/4" HOA, 14 1/2" LOA.Provena

Premier Grade Back Bay Model, Length 19". Condition: Good, some paint wear.

Flying Canvasback Pair John Glenn (1876-1954) Rock Hall, MD, c. 1910 14 1/2 in. long, 15 in. tall on stand Glenn was among the early Upper Bay decoy makers who made birds in the regional style. Settin

"Dawn Across Wheeler Bay", oil on canvas, signed lower left, also signed and dated '09 canvas back, depicting a muted early morning seascape in St. George, ME, in an ebonized wooden frame, OS: 22 1/8"