63. Devil Glass and Thayer-turned Pedestal. ca. 1936.

Turntable Stand. Indiana, PA: Bob Kline, ca. 1950. Hardwood pedestal secretly rotates. Used in conjunction with a mirror glass. Includes Donald Holmes Mirror Glass. Modeled on the Thayer design. 7 ½"

Circa 1915. Early red and green finished, turned pedestal for the appearance of a silk handkerchief in a glass tumbler (silk and tumbler not included.) Uncommon color combination. Condition: Very good

Turned wood pedestal for the introduction of a silk handkerchief into a bottomless glass (not included), while covered with a borrowed handkerchief or tube. Thayer quality. Condition: Good. Some wear

New Tumbler Pedestal. Los Angeles: F.G. Thayer, ca. 1925. Silk handkerchiefs appear in a glass tumbler placed on top of the wooden pedestal. Novel operation (not spring loaded). 10” high. Very good.

Enchanted Tube. Los Angeles: F.G. Thayer, ca. 1936. A small metal tube (7" long) is shown empty, yet silk handkerchiefs are produced from inside. Red finish with gold and black trim. Minor paint chips

Bonus Genius. (Vanishing Devil). Los Angeles: Thayer Studios, ca. 1946. A Larsen-era version of the venerable vanishing doll effect. Red cloth ″cape,″ two Mephistophelean dolls (one gimmic

Glass Penetration. Los Angeles: F.G. Thayer [?], ca. 1935. A piece of glass held in a wooden frame is pierced by a metal rod or pen, yet is shown unbroken a moment later. Finely made of hardwood, corn

White Painted Center Table, with glass top, shaped frieze, baluster turned pedestal, set on scrolled feet base, 30" high, 32" diam.

Eli's Die Box. Los Angeles: F.G. Thayer, ca. 1920. Handsome turned hardwood box allows the magician to control the roll of three fair dice, no matter how vigorously the box is shaken. 2 ½" diameter.

Devil's Mail Box/Devil's Card Rise. Los Angeles: F.G. Thayer & Co., ca. 1944. A lacquered picture frame on an elaborate base allows the performer to visibly yet secretly switch one envelope for anothe

ART NOUVEAU SLAG GLASS TABLE LAMPEarly 20th CenturyCaramel frame holds an ivory glass shade in flowering branch motif. Baluster-turned pedestal base with relief floral and foliage motifs.Height approx

Vintage Round Accent Table, with glass top, single drawer, set on a turned pedestal and curved reeded legs, 26 1/2" high, 22 1/2" diam. Veneer chips, surface wear and shrinkage cracks.

Rouge Marble Pedestal, Ca. 1900, H 2' 1'' W 1' 2'' | The pedestal offers a square cap and matching base. Boasting an unusual deep red color. Well turned and polished. Provenance: From the Estate of Le

Roman, Imperial Period, ca. 3rd to 4th century CE. A stunning transparent glass plate of a pale-green color, free-blown, with raised walls on an applied ring foot and with a large but smooth pontil sc

DESCRIPTION: Glass sculpture by Elio Raffaelli depicting an egg resting atop and of one piece with a slanted, cylindrical base. Egg contains bubbles in its lower have and textured layers in its upper

John Snyder, Jr. Ca. 1936. Jumbo version of the steel ball through glass but works differently than the standard effect. Very cleverly gimmicked for incredibly smooth operation. Includes exquisite fit

A 19th century, ca. 1880's fine carved and turned cherry wood pedestal stand seated on four ornate copper claw feet with wood ball. Either by George Hunzinger or Merklen Brothers. Measuring approx 32"

A skeleton wood box atop a turned pedestal is shown empty and covered with a handkerchief. When it is removed, the box is filled with a large red and white die, approximately 5 inches square. Die may

a large rectangular tilting top with reeded edge, turned pedestal on 4 down swept grooved legs ending in brass caster feet, 29”H top 42” x 56”.

a square top with stepped rounded corners and a bold urn turned pedestal on Queen Anne cabriole legs. 27”H x 18.5”sq. top.

Early 20th century iridescent art glass compote attributed to Durand ca. 1920s. Flower form circular bowl, knopped stem and domed pedestal. Iridescent amber, opal and green colored glass with a double

The Atom. Norwood, John Snyder, Jr., ca. 1936. A steel ball passes through a sheet of glass locked securely in a handsome wooden frame. In a felt-lined wooden carrying case for the ball and frame, as

Victorian mahogany framed game table,England, late 19th c., a square top with an inset etched glass checkerboard including the etched name 'Lavinia E. Lewis", set on a turned pedestal with four outtur

An American Federal Mahogany Candle Stand, ca. 1800, Having a rounded rectangular top on a turned pedestal and tripod base. H: 17 W: 22 in. The Collection of Oliver and Joyce Murphy.