GEORGE HENRY SEELEY (1880–1955) ‘Blotches of Sunlight a

Artist: GEORGE H. SEELEY Print Title: The Burning of Rome, 1906 Printing Date: 1970’s Medium: Photo-lithograph Printed in: Italy Image Size: approx. 10 x 8.5” George Henry Seeley (1880–1955) was

Signed and dated lower right, full-length print of the artist's sister holding a bouquet of hyacinths. Sight: 18.75" high, 14" wide; modern mat and frame. Provenance: Swann Galleries, NY (4/15/91). Th

George Henry Seeley, American, 1880 to 1955, photo gravure on platinum paper, Spring. Circa: 1910s. Matted, Inscribed on the back. Covered with Non-Glare glass. Non-Glare Glass is produced by etching

"Dancing Down the Hay". Signed and dated "G.H. Boughton 1887" l/r. Oil on Canvas on Board. Measuring 42 1/2" by 59 1/2". Framed. (25000/35000) Provenance: Frederick W. Thom Limited, Toronto Purchased

(American, (1825-1913)Signed and dated l.r. George Henry Hall, 1875. 10"h x 14 1/4"w

"George Henry Harlow (British, 1787–1819) Full-Length Portrait of a Boy and a Girl and Their Dog Inscribed with Artist's name on upper stretcher verso, oil on canvas56 1/8 x 44 1/4 in. (142.5cm

George Henry Clements (American, 1854 - 1935), "Nassau", 1913, framed watercolor of sailboats at dock, lighthouse in distance, cloudy sky, signed, titled and dated at lower left, matted and framed beh

George Henry Clements (American, 1854 - 1935), "Sailboat", 1899, watercolor on paper, depicts the rear view of sailboat headed towards the shoreline, mountainous horizon with stormy clouds, signed and

GEORGE HENRY WALTON (1867-1933) (ATTRIBUTED DESIGNER) ARTS & CRAFTS CEILING LIGHT, CIRCA 1900 brass, copper and opalescent glass(56cm high to fitting, 51cm diameter excluding shades)Literature: Walter

GEORGE HENRY WALTON (1867-1933) FOR ELMBANK, YORK WARDROBE, CIRCA 1920 satin birch, stained and leaded glass, with silvered metal fittings, bears ivorine label verso GEORGE WALTON & CO. / 150 AND 152

VIEW OF WESTMORELAND, ENGLAND" SGND G.H. BOUGHTON 1853, OIL / CAVNAS 30" X 44 De accession of the Albany Institute Collection late 70s early 80s. SPECTACULAR FRAME

60 hand-coloured stipple-engravings, (watermarks, 1805), light spotting throughout, repaired tear to plate XII, contemporary straight-grained half red morocco, gilt, rebacked, contemporary bookplate,

Oil on canvas, "Miss Charlotte Woodward", unsigned. Seated portrait of the lady. 29"h x 25"w and 38"h x 32"w framed

George Henry Hall (1825-1913), still life with berries and collard greens. End of Civil War Memorial. oil on panel. Signed LRC. 20" x 26 1/2".

George Henry Harlow (British, 1787-1819), Young Girl with Lamb, oil on canvas, unsigned, artist plaque affixed to frame lower center, canvas: 29"h x 24"w, overall (with frame): 36"h x 31"w. Provenance

George Henry Burgess (1831-1905) Campfire Scene with Settlers and Native Americans unsigned oil on paper laid down to board 8 x 11 1/2 in. unframed

(American, 1825-1913)Appears unsigned. 10 1/2"h x 12"w

Dated 1858 Impressive Oil On Canvas Painting 'The Landing Of Cleopatra'Copied and Painted By George Henry Yewell (American 1830-1923).Original Painting is By Claude Lorrain.Measurements of The Paintin

AFTER GEORGE HENRY PAULIN (1888-1962) SOLDIER OF THE 51ST HIGHLAND DIVISION cast as a Highland soldier in full uniform, on a square naturalistic base, inscribed G.H. Paulin, 1924, mounted on an ebonis

George Henry Boughton (1833-1905): Woman Gazing at the Sea oil on canvas, relined; signed with initials right center; 36 1/4 x 24 1/4 in. (92.1 x 61.6 cm.), Frame: 43 x 30 1/2 in. (109.2 x 77.5 cm.)

This pretty painting is by artist George Henry Melcher (1881-1957). It appears to be of one of his favorite subjects, Topanga Canyon. Signed with last name only, lower left. Approx. 6" x 10". Melcher

A rare 1907 REO Model A 5-Passenger Touring Car. This early and unusual automobile was born in the golden age of the horseless carriage. It first caught the imagination of George Henry Grey of Bury, Q

George Henry Smillie New York, California,1840-1921 Depicts the sun setting over a distant town bathing fields and a glistening lake in warm orange light. Smillie studied art with James McDougal Hart

Oil on board. Marked "George Henry Newhall, 1850-1923" on reverse of frame. Lineage noted in the back inside cover of the family history titled "About Antiques", included with the painting. Oval