Circle of William Hogarth (1697-1764), Lady’s Portrait,

Circle of William Hogarth (British, 1697-1764) Portrait of a Gentleman oil on canvas 30 1/4 x 25 inches. This lot is located in Chicago.

Attributed William Hogarth (British, 1697-1764), Portrait of a Boyoil on canvas (lined), retaining a label for William & Philip Evans at 37 Beak Street in London (1884-1907), also retaining remnants o

Circle of William Hogarth (British, 1697-1764) A Mother and Son. Oil on panel Panel: 15" x 17.5" Frame: 22.5" x 15"

After William Hogarth (English, 1697-1764). Reproduction detail of "Tete-a-Tete" from his series "Marriage a la Mode" depicting a lady in repose, stretching. 19th century. Oil on canvas. Signature not

after William Hogarth (British, 1697 - 1764) Lot (5) original engravings including: Dog and Bear, The Reward of Cruelty, Gin Lane, Cruelty in Perfection, Second Stage of Cruelty. Condition: Very good

WILLIAM HOGARTH (1697-1764). Rare Group of Six 18th Century Engravings. Marriage A La Mode, featurings plates 1 through 6. I'm showing plate IV out of frame and I'm showing close-ups of plate IV. Each

Benjamin Smith (British, 1754-1833) after William Hogarth (1697-1764), engraving titled "Sigismonda mourning over the Heart of Guiscardo," published June 4, 1795, overall dimensions including frame 31

Complete set of six framed engravings by William Hogarth, (1697-1764) comprising the satirical series, "Harlots Progress". Below print: "Designed by W. Hogarth, Engraved by T. Cook, London Published b

Three antique etchings include: William Hogarth (1697-1764) 'Paul before Felix'; Luigi Rossini (1790-1857) 'Veduta del Tempio di Antonino, e Faustina'; and after Albrecht Durer (1471-1528) 'Christ Car

Thomas Cook (1744-1818) British after William Hogarth (1697-1764) British. "The Rake's Progress", Coloured Engraving published by J Robinson 1796, London, 16.25" x 14", and seven others in the series,

William Hogarth (1697-1764), 19th c. engraving "A MIDNIGHT MODERN CONVERSATION". Sight 14" x 19".

Five etchings to include (1) Charles Platt, moored sailboats; (2) Charles Platt canal boats and tugs; (3) After William Hogarth (1697-1764) Fisherman; (4) Samuel Chamberlain Haslams 16/100; and (5) Bi

An engraving by William Hogarth (1697-1764), "A Chorus of Singers, or the Oratorio", printed at London 1732. 6,5 x 6,75" (overall 8.5 x 10". Open mount with notes. Fine, the engraving can be easily re

Artist: William HOGARTH (1697-1764). Medium: print multiple. Subject: Boys Peeping at Nature. Size: 6 1/4 x 5 1/4 in. (paper size). Condition: lite toning, foxing to paper.

After William Hogarth (1697-1764): John Wilkes Esq; The Bruiser; and France, Plate 1 Three engravings in black on laid paper, the first two on the same sheet, 1763 and 1756. 141/8 x 9 1/8 in. (plate),

William Hogarth (1697-1764) engraving of David Garrick with his Wife Eva-Maria Veigel circa 1757-64. Image measures 9.25 in. x 7.5625 in., sheet measures 21.125 in. x 16.125 in. VG-EX. Unframed, loose

After William Hogarth, (6) engravings, After William Hogarth (1697-1764, British), "Marriage A-la-Mode", (6) engraved plates (I-VI), published April 1, 1745, 15" x 18" (sight), matted and framed

Artist: William HOGARTH (1697-1764). Medium: print multiple. Subject: The Stages of Cruelty. Size: 15 x 12 1/4 in. (paper size). Frame size: 22 3/4 x 19 1/4 in. Condition: lite toning, foxing to pape

Artist: William HOGARTH (1697-1764). Medium: print multiple. Subject: The Stages of Cruelty. Size: 15 x 12 1/4 in. (paper size). Frame size: 22 3/4 x 19 1/4 in. Condition: lite toning, foxing to pape

Artist: William HOGARTH (1697-1764). Medium: print multiple. Subject: The Bruiser. Size: 17 x 13 in. (paper size). Condition: tear along the border and, some staining and toning to paper.

Large engraving by William Hogarth, (1697-1764) showing a chaotic scene at the Southwark Fair, an event described as "devoted to every thing loose and irregular". At lower left margin: "Invented, pain

The Enraged Musician, engraved by Ebenezer Stalker Stalker (1781-1847) after the original design by William Hogarth (1697-1764) England.; Freshly matted and framed in a new burl-wood veneer frame meas

After William Hogarth, 1697-1764. An 18th century engraving on paper titled "Marriage A-la-Mode" Plate II. Signed "Wm Hogarth" in the plate lower left. Some toning and rippling to paper, slight foxing

Plate one only of the two-plate set entitled "The Times", a dire view of the political and economic situation by satirist William Hogarth (1697-1764.) Below the print: Designed & Engraved by W. Hogart