Fine Art Print "Soft Floral" After Christine Zalewski

La Librette fine art print titled "Pomme de Terre" . Numbered 11/135 . Framed and matted depiction of fruit and floral still life

A Horrockses pale blue dress, with floral print, a grey day dress, with pink, green and white floral pattern, with pleated neckline and attached belt to the reverse, and a strapless white day dress, w

Three Hermès silk ties,to include a blue ground example with geometric print and a pale blue ground Hermès tie with floral print (3)

A pair of painted faux bamboo panels A pair of painted faux bamboo panels, late 20th century, each housing a pair of floral prints after Walter Fitch, inscribed 'FITCH DEL & LITH' 'REEVE, BENHAM & REE

UP, DOWN, AROUND, color etching, signed in pencil, from the numbered edition 30, image 14 x 17 ½”, sheet 19 x 24”, remnants of paper hinges on verso, some finger prints and soft handling creases

A pair of Beautifully designed antique silver lipstick compacts with floral prints. Marked "Italy 800". Measures: 3/4" W x 2-1/4" H. Local Pickup or Third Party Shipping Required.

A framed floral print in the style of Georgia O'Keefe. Framed in a weathered wood frame. Raymond & Raymond Inc. Fine Art Publishers tag to verso. Sight: 14" x 11"

'Ballerina' by Emo Raphiel, 2021 18 x 18 Inches 45.5 x 45.5 Centimeters Giclee print on 250gsm Soft White fine art paper. Limited Edition of only 25 (#21/25) Hand-signed, numbered and embossed by the

Wall cabinet for plates Siebenbuergen, dated 1836 Soft wood with polychrome floral decoration on red-brown background. Frontal decorated with carving and with two shovels. On the side inscriptions of

'Madonna' by C215, 2016 22 x 30 Inches 4-color silkscreen print on Conqueror Connoisseur Soft White 300gsm fine art paper. Limited Edition of 100 (#62/100) Signed, stencil-signed and numbered by the a

Norma Bassett Hall (1888-1957) "La Gaude, France''- woodblock in color, 1943, signed and titled in pencil, published by The Prairie Print Makers, areas of some soft light discoloration in paper. 7 x 9

Large lot of works on paper including drawings, engravings, etchings and other prints- Landscapes, Portraits, Still-Lifes, Floral Studies, Exterior and Interior Scenes and Figurative Studies; along wi

The pear-shaped vase decorated with an elegant openwork of floral scroll, neck and shoulder incised with Ruyi-shape pallets and leaves, covered overall with tone of soft green glaze, Qianlong mark. Qi

WINDOW SERIES (Girl on right), 1994, gelatin silver print, signed and titled in pencil on verso, sheet 20 x 16”, some soft handling creases, otherwise in good studio condition. Provenance: Bonni Ben

ROBERT SCHUMANN PORTRAIT, 1893, woodblock print, signed in blue pencil lower right, image 6 x 4 7/8”, sheet 17 x 12 ¾”, soft creases, mild toning and discoloration mainly at sheet edge, a few dis

TREE OF FATE WITH SELF-PORTRAIT, 1975, color woodblock print on artist’s watermarked paper, signed in white brush, number 7 numbered 85, image 19 x 27 ”, full margins, soft handling and printer’

C FROM GAUGE, 1969, color woodblock print, signed in pencil, from the numbered edition of 30, image 18 x 18”, sheet 22 x 22”, pale toning, a few soft handling creases, a few old paper tape hinges

PROCESSION, color woodblock print, signed in pencil, character stamp lower right, image 10 ½ x 14”, sheet 12 x 16 ½”, a few soft handling creases, otherwise in good condition.

EXTENSION A, 1969, color woodblock print, signed in pencil, from the numbered edition of 30, image 18 x 18”, sheet 21 x 21”, a few soft handling creases, a few old paper tape hinges on the verso,

WARRIOR, color woodblock print, signed in pencil, character stamp lower right, image 14 ½ x 10 ½”, sheet 16 ½ x 12”, a few soft handling creases, some pale discoloration, crinkling in upper and

JUNGE FRAU, 1949, woodblock print, signed in pencil, numbered 70/440, image 15 ¾ x 11 ½”, sheet reduced to 23 x 20”, partial blind stamp lower right, a few soft handling creases, pale toning in

FAN DESIGN, UME HAYASHI, 1978, color woodblock print, signed in pencil, from the numbered edition 50, image 10 ½ x 21”, sheet 12 ½ x 24”, hinges on verso, soft handling creases in the margins, o

FAN DESIGN, FUYU NUKUSHI, 1978, color woodblock print, signed in pencil, from the numbered edition 50, image 10 ½ x 21”, sheet 12 ½ x 24”, hinges on verso, soft handling creases in the margins,

SPLEEN, 1965, color woodblock print, signed in pencil, from the numbered edition 50, image 10 ½ x 2”, discoloration, stray printers ink and soft handling creases in margins, otherwise in good condi