FILIUS BACCHI (STUDIO OF A. CANOVA MDCCCIX) A GOOD

THE GARDEN GATE, 1946, watercolor on paper, signed and dated lower right, sight 28 ¼ x 24 ¼”, framed, laid down on mat board, otherwise in apparently good studio condition. Subject to article I in

PIO PER MARI E MONTI (Pious by Sea & Mountains) 62’/28, c.1985, color embroidery, signed and inscribed 62’/68, on the verso, 6 ½ x 6 ¾”, in good studio condition. Provenance: Artist’s signed

TRIAD, bronze, wood and mixed media sculpture in five parts, 24 x 30 x 18 ½†assembled, in good studio condition.

LE PONT DE SIX JUIN, oil painting on canvas, signed lower left, inscribed and titled on verso, 19 ¾ x 24 ¼”, framed, in good studio condition. Provenance: photo-certificate from the artist.

WOMEN IN CASE, oil painting on canvas, signed lower left, 51 x 39", framed, in good studio condition.

LE BARRAGE DU MOULIN DU VIN, oil painting on canvas, signed lower left, inscribed and titled on verso, 15 x 18”, retains 1994 auction tag on verso, framed, in good studio condition.

MARILYN, oil painting on canvas, signed lower center right, 30 x 24”, framed, lacquer slightly yellowed, otherwise in good studio condition. Provenance: From the estate of Zeke Zekley, Los Angeles.

MUJERS CON REBOZOS, 1970, watercolor with color pastel, signed and dated lower right, 25 5/8 x 19 5/8” or 65 x 50cm, with studio pinholes in all four corners, in apparently good studio condition. Sp

CAT FISH POND, 1979, oil painting on canvas, signed and dated lower right, signed and dated and titled on verso, 36 x 40”, framed, hairline scratch near left edge, otherwise in good studio condition

MVD #4, 1989, vapor and airbrush painting on Watson hand-cast paper, signed and dated lower center and upper center left (for reversible hanging), 37 x 25 ¼”, framed, in apparently good studio cond

BOUQUET ON BLACK, 2010, acrylic painting on canvas, signed upper right, 24 x 20”, artist’s copyright stamp and date on verso, artist’s inventory number #321037, framed, in good studio condition.

UNTITLED, acrylic and vapor painting on fabric, signed and dated lower center, 32 x 21 ¼”, framed, in apparently good studio condition. Provenance: acquired directly from artist by previous owner.

CAF GAULOISE, 1958, oil painting on canvas, signed lower left, signed, dated and titled on verso, with pencil drawing on verso, 13 x 22”, framed, in good studio condition.

STATUE OF LIBERTY, 2014, acrylic painting on canvas, signed upper right, with artist’s stamp and date on verso, inventory number M338613 on verso, 16 x 8”, framed, in good studio condition.

THE APPLE TREE, oil painting on board, signed lower left, 36 x 30 ”, framed, a scuff and scrape lower left, minor surface soiling, otherwise in good studio condition.

HARLEQUIN, 1988, cold painted bronze sculpture, signed and dated and numbered 8/40, size 12 ¼ x 12 ½ x 6 ½” including stand, in good studio condition.

PATRIOTIC MASK, c.1976, acrylic painted multi-layer foam core, signed lower right, 30 x 14 x 2” including wood handle, in good studio condition.

VENICE DRACULA, 1973, watercolor on paper, signed and inscribed Venice 1973 lower center in ink, 15 x 15 ”, framed with glass, in apparently good studio condition. Provenance: Texas Gallery, Houston

TEAPOT, a large welded steel construction with color enamel finished appointments and removable lid, 33 x 33 x 9”, in good studio condition. Provenance: Acquired directly from the artist at a charit

BOATS, 1987, oil painting on canvas over panel, signed and dated lower right, 19 ¾ x 39 ½”, framed, in good studio condition.

UNTITLED, 1963, pen and ink drawing on paper, signed lower right, 13 ¾ x 16 ¾”, minor toning, otherwise in good studio condition. Provenance: Photo certificate from the artist, Tasende Gallery, La

GARDEN PATH, oil painting on canvas, signed lower center, illegibly titled and inscribed ‘SD 09’ on verso, 43 ¼ x 47 ¼”, framed, hairline cracking throughout, in good studio condition.

CELESTIAL BODY (CONTROL OF THE SECRET), 1998, oil painting on canvas, signed and dated lower right, signed and dated and titled on verso, 24 x 18”, Martin Lawrence label and COA, in good studio cond

MOCA TORSO, 1992-1995, cast bronze with patina, signed underneath by Graham and his assistant and a participant, 11” tall, miniscule accretion on backside, otherwise in good studio condition.