Adriaen Brouwer (1605-1638)-after, Portrait of a

Adriaen Brouwer (1605-1638), portrait, oil on wood panel, 13 1/2" x 10 1/4" frame 20" x 17". Provenance: Cooperstown, New York.

Style of Adriaen Brouwer (1605-1638). Antique Flemish School medical art painting after 'The Back Operation'. Oil on wood. Framed. No visible signature. Sight: 13.25 in. H x 9.75 in. W, Outer Frame: 2

Attributed to Adriaen Brouwer (Flemish 1605-1638), seated woman with figures behind her, oil on panel, work 8 1/4" x 6 1/2". Plaque on front of frame reads "Adrian Brouwer 1608-1640".

The Smoker in Manner of Adriaen Brouwer Adriaen Brouwer (Flemish 1605-1638) oil on canvas showing a humorous man of the 17th century smoking his clay pipe upside down. This type of work is typical of

After Adriaen Brouwer (Belgian, 1605-1638). Oil on board painting depicting an interior scene of men at a table playing cards. Signed faintly along the lower right corner.Unframed; height: 11 1/2 in x

Late 19th Century, European, Oil on Copper Panel, Genre scene of Tavern Interior. After Adriaen Brouwer (Belgian, 1605-1638). 9.5 x 11.75 (panel), 13.75" x 15" (frame). Provenance: From a prominent Pr

Circle of Adrian Brouwer (Flemish, 1605-1638) Three Men in a Tavern. Oil on panel 6.75" x 5.75" Frame: 10.25" x 9.5"

Likely 19th century, Britain. Oil on board with the artist name in plaque at the center of the frame. The piece depicts early golfers. Frame looks to be early 19th century. Framed: H19" W15 1/2" Sold

Antique oil on panel painting. Features a cliff side landscape scene with several figures in the foreground playing golf. Plaque on frame attributes the work to Adriaen Brouwer. Work measures 11" x 8

We believe this to be an antique student rendering of Adriaen Hanneman's portrait of Princess Mary. Apparently unsigned. Approx. board size 12 1/4" x 10 1/2". Shipping: We do not provide in-house ship

Circa 1880 Restrike of Self-Portrait Engraving dated 1638, probably a Louvre production, housed in a black and gold ranked frame, under black mat, glazed, OS: 15" x 14", impression: 5 1/2" x 4 7/8". F

16th/17th C. comprising a portrait of Adrian Brouwer by Antoine Van Dyck, a portrait of Ferdinando Carlo Duca di Mantou di Monferrato, J. Franck, portrait of a man with a hat, signed in pencil along l

Attributed to Adriaen Van Der Werff Dutch 1659-1722 Portrait of a Gentleman oil on canvas unsigned Sight: 28 x 23 1/2 in. (71.1 x 59.7 cm.), Frame: 36 x 31 1/2 in. (91.4 x 80 cm.)

Attributed to Adriaen Hanneman (Dutch, C. 1601–1671) Portrait of a Lady in Mourning Wearing a Pearl Necklace, Bust-Length Oil on octagon-shaped canvas 28 7/8 x 23 3/8 in. (73.3 x 59.4cm) Executed ci

Circle of Adriaen Hanneman (Dutch, c. 1601-1671) Portrait of a Lady, 1652 oil on canvas monogrammed and dated (center left) 40 x 30 inches. This lot is located in Chicago. Provenance: Leslie Hindman A

Circle of Adriaen van der Linde (Bruges circa 1560-1609) Portrait of a girl, full-length, in a black embroidered dress, holding a posy, with a dog at her side inscribed and dated 'A*tatis Sua*3/ An.16

LOT (3) OLD MASTER ETCHINGS (FIGURES/PORTRAIT MINIATURES) 17th c. SIGNED A.O. (ADRIAEN VAN OSTADE, DUTCH-HOLLAND, GERMANY, NETHERLANDS 1610-1685) LARGEST 2 5/8" X 2 1/8"

Artist: Chuck Close Title: Self Portrait (tapestry) Year: 1993 Dimensions: 50in. by 38in. Edition: From the rare limited edition of 150 Medium: Silk jacquard we

oil on canvas, unsigned, attributed to S.S. Clarkson on verso, 28 1/2 x 20 in., framed.

(1923-2009 American) Portrait of seated man, framed marker drawing, signed and dated 1955 lower right, approximate work size 16" x 13 1/2", frame 20 1/2" x 16 1/2". Provenance: From the Estate of Fran

Oval gilt metal mounted watercolour portrait miniature of a lady wearing a white blouse

Etching. New Hollstein's third state (of 4). 1638 135x105 mm; 5 1/4x4 1/8 inches, narrow margins. Bartsch 20; New Hollstein 170.

After Cristofano dell Altissimo, Italian, 1525 to 1605, an oil painting on a wood panel after the original painting of Brunetto Latini depicting a male portrait from the Collection of Paolo Giovio kno

17th century Italian School oil on canvas portrait of a doge, possibly Marino Grimani (Venetian, 1532-1605), 89th Doge of Venice, after the original by Domenico Robust Tintoretto (1560-1635). Signatur