F. A. Muller, Landscape

F. A. Muller, landscape, oil on panel, signed LRC "F. A. Muller", info verso "Zermatt by F. A. Muller 1878". Work 10" x 13 1/2".

"A Mountain Torrent", a mountain landscape with figures, depicting a bridge over a rough river, by William James Muller (British, 1812-1845). Bears Malcolm Innes Gallery label. Provenance: Christie's

F. Muller, oil, Still Life with Fruit & Vase, signed and dated 1925, on board, image area 13" X 20" plus frame.

Oil on board depicting a landscape. Signed "Mullers" lower right. Dimensions:  Art: 20" H x 16" W; Frame: 21" H x 17" W;

2 Toy Sewing Machines, c. 1920 Germany, both with well-preserved decoration. 1) Cast-iron, no. 6775, height 10 5/8 in. – And: 2) By F.W. Müller, embossed tin, no. 19727, height 7 in. 2 Kindernähm

FRANK MULLERDenmark/Washington, D.C., 1860-1938A farmhouse by a dam. Signed lower right "F. Muller".Oil on canvas, 18" x 26". Framed 24" x 33".

children`s sewing machine, F.W. Müller, No. 4467: PAT No. 4157 heavy cast model, 15 cm, worn, stucks a bit German Description Kindernähmaschine, F.W. Müller, Nr. 4467: PAT No. 4157 schwere Gussausf

Oil on canvas painting, signed "F.K. Muller", possibly for Fritz Muller, of a maritime scene with shipwrecked dog and girl adrift on a piece of wreckage, dated June 1922 verso (in Roman numerals). [Fr

5 19th century marine algae herbarium specimen mounts from Australia and New Zealand , identified and collection info, 4 were collected in Australia 1 in NZ. W G Farlown and Dr F Muller r collectors,

Jan Muller Vertical Landscape 1953-55oil on wood panel 13.875 h x 7.625 w in (35 x 19 cm) Provenance: Betty Krulik Fine Art, Limited, Irvington, NY | Collection of Tom Hannan

J. F. Cropsey (Jasper Francis Cropsey, American, 1823-1900), landscape, watercolor, signed and dated 1889 L/R, 10" x 14 1/2" (sight), framed 19" x 23". Provenance: From a Chicago, Illinois estate.

Newcomb Pottery, Anna F. Simpson Landscape vase, c. 1925, American, decorated in the round with carved trees in blue tone glaze, stamped with pottery cipher, pottery registration OZ 57, faint artist i

J. F. KENSEH LANDSCAPE OIL ON CANVAS IN GILDED FRAME. Height: 35 in. by Width: 47 in.

Frederick A. Spang, American, 1834-1891. Oil on canvas, depicting an early morning setting with two cows in the fore, a cluster of trees to the left. Signed "F. Spang" lower right, fitted within a 19t

Painting, twilight landscape, F. T. Sibley, 1894, oil on canvas, sloop, small boat in river with trees in background against sunset sky, relined, canvas is 48" by 32"

Framed painting by Francisco Cordero of an extensive landscape with a house in the background. Signed lower right. [Art: 28" x 44"; Frame: 35" x 52"]. Repairs.

Measures 14" by 18" . As found estate condition . Please use photos as part of the description. The absence of a condition report does not guarantee excellent condition. Please contact us for an in ha

A fine and rare vintage mid century modern 1950s abstract oil painting on canvas. Signed by the artist F. Forlonge at the verso. A finely painted harbor and architectural scene with motion. Measuring

Framed oil on canvas depicting a man in a rowboat at the edge of a mountain stream. Signed lower left and to the reverse of stretcher. Two old hole repairs upper right area. Some paint lifting along b

F. Dehaven Landscape Oil on Canvas. Abrasions and needs a cleaning. Sold "as is". Dimensions:  Art: 10" H x 14" W; Frame: 20.5" H x&nbs

OIL ON CAVNAS, SIGNED LOWER LEFT F. MURPHY (FRANK MURPHY) PAINT LOSS TO CENTER LEFT. IN GOLD GILT FRAME. 24" x 16" IMAGE SIZE / 32 1/2" x 24 3/4" IN FRAME.

Title: Landscape, Fruit and Flowers Artist: Fanny F. Palmer (1812-1876) Published by Currier & Ives, 152 Nassau St, New York.Two-color lithograph hand colored, 1862. Large folio - Image size 19 15/16

Three (3) European School paintings. 1st item: Watercolor and gouache on paper landscape painting attributed to Christian Friedrich Fues (Germany, 1772-1836) depicting a stream flowing through a hilly

Kant's Critique of Pure Reason by F. Max Muller. McMillon and Co. 1881. Condition: Good. Volume 1 and 2. Translated into English by F. Max Muller. With an Historical Introduction by Ludwig Noire. Hard