Pencil-Tration. New York: Richard Himber, ca. 1964. A

Laff Riot. New York: Richard Himber, ca. 1964. The key for a padlock is looped over the lock's hasp and the lock is snapped shut. Even so, the key penetrates the hasp repeatedly. With original leather

Duolette. New York: Richard Himber, ca. 1950. A see-through Lucite houlette that doubles as a deck-switching device. Switching mechanism built into houlette. 4 x 4 ¾ x 3 ¾". Very good. Uncommon in t

Solid Gold Gimmick. New York, Richard Himber, ca. 1959. Any number of chosen cards rise from the case. 14-karat gold plated gimmick, cards, and original instructions. Very good.

Fifth Dimension Card Frame. New York: Richard Himber, ca. 1943. A vanished card reappears in the frame piece by piece. Each quarter of the card visibly appears in the frame one at a time. 5 ½ x 7". W

Improved Bill Fooled (with Polaroid Money). New York, Richard Himber, ca. 1959. Attractive leather wallet can be used to switch, vanish, or produce bills and other objects. With original box. Includes

Improved Bill Fooled Wallet. New York: Richard Himber, ca. 1959. Morocco leather wallet (7 x 3 ½") used to switch, vanish, or produce bills, cigarettes, and other objects. With instructions in facsim

Ann Nooney (1900-1964) ''Emmons Ave. Booths''- lithograph, ca. 1935-43, signed and titled in pencil, stamped 'New York City- WPA Program', edition of about 25. 10 1/2 x 13 1/4''

Richard Haas (American, b. 1936). Group of three lithographs including:"View, 55th and 5th Avenue," depicting a view of New York City buildings, ca. 1980. Pencil signed along the lower right

Richard Lindner (American, 1901-1978) Lithograph In Colors On Wove Paper 1964, Salute, H 29.5'' W 20'' Signed in pencil and numbered 9/50, printed by Pratt Graphics Center, New York, with margins. Fra

Porta-Copier. New York: Richard Himber, 1965. English Morocco wallet allows the magician to visibly print real dollar bills from blank slips of paper. Original box, enveloped, plate, and instructions.

Overall- 24" x 28" Buyer is responsible to arrange shipment of this lot with 3rd party shipper. Please view our list of 3rd party shippers. All lots must be picked up or shipped by

Christian Dior New York by Marc Bohan Ivory & Red wool Tweed Suit, ca. 1964. It was purchased from Tal Saunders The Ritz Carlton Boston.

Nutty Mad Indian. New York: Marx & Co., Inc., ca. 1964. Tin litho, fabric, and plastic stereotyped depiction of a Native American; battery-operated toy with original drum head. 12 tall. Light soiling

Waterman’s Fountain Pen and Mechanical Pencil Set. New York: Waterman Pen Co., ca. 1934. Fountain pen and mechanical pencil in matching design (model 94). Pen has nib (possibly original). Pen an

Ernest D. Roth (New York 1879-1964) original pencil signed etching. Signed, titled and dated in pencil 'Ernest D. Roth Venezia '05' lower right. Measures 7" x 8" (plate size) and measures 8.75" x 9.25

Bernard Buffet (French 1928-1999), "Skyscraper or New York IV" from Album New York, 1964, lithograph on arches paper, pencil signed at lower right, editioned 53/150 at lower left, framed. Approx. Pape

Lorayne, Harry. Richard Himber's Best of Bill-Fooled. [New York]: [Author, 1958]. Quarter leather over red cloth, gilt stamped. 4to. Fine.

Louise Nevelson (American, 1899-1988) Dawnscape, 1975 cast paper relief signed, dated, and numbered 25/75 in pencil 24 x 27 inches. Provenance: Pace Editions, New York Richard Gray, Chicago Van Straat

Hyatt Quiet, ca. 1964; Polyester and ball bearings; 9 1/8" x 8 5/8" x 2 3/4"; Provenance: Mr. and Mrs. Max Wasserman, Boston; Christie's, New York, February 23, 1985, lot 95; Private Collection

Samuel Hart & Co. Linen Eagle Faro Playing Cards. New York, ca. 1900s. 52 + OB. Backs green plaid. Box depicts the NYCC factory building on one side. Back of AS skinned in a few spots; old pencil nota

Stefan Hirsch New York,1899-1964 Portrait of Clarence Darwell at the age of thirteen in side profile. Hirsch studied at the University of Zurich in Switzerland and taught at Bennington College and the

Harold Anchel (1912-1980) ''Sitting in the Sun''- lithograph, ca. 1935-43, signed and titled in pencil, stamped 'New York City WPA Art Project', edition of about 25. 9 x 7 3/4''

Beatrice Mandelman (American 1912-1998)- ''Coal Yard''- lithograph in colors, ca. 1938, signed and titled in pencil, stamped 'New York City WPA Art Project', minor foxing and staining throughout, some

George Segal, American (1924-2000) Woman Brushing Her Hair from the portfolio New York Ten (1964, published 1965) screen print. pencil signed lower center, numbered 64/200 21 15/16 x 16 15/16 inches.