Martin Rosenthal. Sleepy Eye. Study for larger work.

has crackling to composition, sleepy eyes work

Architectural study for larger work. Figures and pencil notations. 4.5" X 20" (each panel) (27.5" X 28.5") From artists who worked on Victory Day parades held in Red Square

(21) Pieces in total. Many appear to be studies for larger works, including "High Summer", "Crater", and "Summer Door". An interesting grouping of (11) abstract works in oil paint on cut paper circles

Lynne Drexler (American, 1928-1999) Manner of: Abstract Composition, 1968. Oil on canvas, signed verso. Possible study for a larger work. A member of the second-generation of Abstract Expressionist ar

RANDAL M. DUTRA (American b. 1958) A PAINTING, "Black on Gold," oil on canvas, signed L/L, "RDUTRA," verso signed, with gallery label and note from artist, "Study for a larger work," 12" x 16", f

unsigned, attributed to Aldro Thompson Hibbard (Am. 1886-1972). Snowy town scene with church in the background, perhaps a study for a larger work "Vermont". Frame size: 21 5/8" high, 25 5/8" wide. Sma

Pen and brown ink sketch on wove paper, river with bridge, signed* (Vincent van Gogh, 1853-1890). Possibly a study for a larger work. 3 1/4 x 5 1/8 inches. Very good condition overall, having no appar

Oil on paper, mounted to board. Framed. Image size, 12L x 16H. Circle of Parmigianino, possibly a study for a larger work.

Graphite and colored pencil drawing on fine wove drawing paper, possibly a study for a larger work or painting, attributed* to Rene Magritte (1898-1967). Signed lower right and dated 1961. 6 x 8 inche

Brown ink drawing with traces of pencil on wove paper, wheat field with distant farm houses (possibly a study for a larger work), signed* (Vincent van Gogh, 1853-1890). 4 5/8 x 5 1/2 inches. Good cond

Large figural scene, possibly Biblical, not signed, probably a study for a larger work, depicting a young man addressing a group, with sheep in front of a well. [Image: 28 1/2" H x 38 1/2" W; Frame: 3

Woman Reading. Oil on canvas. 20 x 12 inches. Unsigned. Beautifully painted Impressionist painting on an American canvas is possibly a study for a larger work. No in paint detected under black light a

Bruce Robbins, mixed media on panel, 2005, Bruce Robbins (American, b. 1948), "Wall Study", study for a larger work, acrylic, wood, resin and jute, signed, dated and titled on verso, unframed, 10"squ

Likely a study for a larger work or sculpture. Marked to back John W. Bower, Chile Butte, California and framed with a handwritten poem. Partial label to back. Measures approximately 12-1/4" in height

Pablo Picasso (Spanish, 1881-1973) Manner of/ Attributed: Dinard Studies. Pen and ink on heavy paper, five small studies for possible larger works, unframed. Picasso was the most dominant and influent

Léon HERBO (1850-1907) 'Portrait of a girl' een schilderij, oil on panel. 19th century. The work is a study for a larger and later work 'Longchamp Fleuri' Signed in the lower left a

Moylan attribution acrylic on canvas. A topiary gate takes this viewer out to a crimson sky. Painted with a realistic view with surreal elements emerging as the eye studies the depth of the work. Moyl

CORDRAY SIMMONS (NEW JERSEY, 1888-70), OIL ON CANVAS, H 17", W 24", STUDY FOR "RED, WHITE AND BLUE" An oil on canvas study by Cordray Simmons for his larger work, "Red, White And Blue." Depicting an a

Figural Studies Two Works Size: [Larger] 21" L x 16" W (frame dimensions); 17" L x 12" W (sight dimensions)

THOMAS HART BENTON (1889-1975) Shallow Creek, 1939 Pencil on artist paper 7 3/4" x 5 3/4" window; frame: 14 1/2" x 12 3/8" Signed lower right side Draft for the larger work titled "Shallow Creek" c. 1

CHARLES WHITE (1918-1979) Sammy Davis Jr. Pencil on paper 9" x 7" Signed lower right side Provenance: Private collection, California Executed circa 1959 for a larger work of Sammy Davis Jr., previousl

Lot of 2 19th century Old Sleepy Eye blue gray stoneware crocks / bowls with bust of Old Sleepy Eye Native American Indian on front- salt crock with scroll work on reverse side, incised "E" on bottom,

Surrealist figures in an empty landscape. Early work c. 1930. Signed lower right. Dimensions: H 28" x W 36" Condition: Edge rubbing.

Does show some spidering throughout glaze, with one larger chip on bottom. 8 1/2'' tall.