MARTIN LEWIS "Rainy Day, Queens" Etching/Dry Point.

Martin Lewis (American, 1881-1962) Rainy Day, Queens (McCarron 94) Drypoint, 1931, on laid paper, signed in pencil, one of 70 recorded impressions, with margins, framed Plate 268 x 300mm (10 1/2 x 11

Leslie Cope "A Rainy Day" dry point etching signed and numbered #3/100, image size 8" x 6", some damage on frame

Martin Lewis pencil signed unframed dry point etching, 1927 - 7 3/4" x 9 3/4" image

A Gangs of New York Movie Poster, Autographed by Leonardo DiCaprio, Daniel Day-Lewis, Cameron Diaz, Henry Thomas and Martin Scorsese,Framed in a shadow box together with signatures from Liam Neeson an

Bucking Horse Etching/Dry Point on Paper Unsigned with Plaque Attribution 7 x 5.5 inches (sight) 20.25 x 16.5 inches (frame) Overall good condition. Minor stain to paper mid right side.

A large collection of stamps, lot includes 41 Grenada Kings and Queens of England stamps, 88 American Revolution Bicentennial First Day Cover stamps book, 50 stamps or one sheet of Amateur Radio 5c U.

Pale gold and ivory velvet cut to cream satin with satin trim, front-lacing day bodice having 3/4 cuffed sleeve with bow detail, deep front and back points, sleeveless back-lacing evening bodice, trai

MARTIN LEWIS Relics (Speakeasy Corner). Drypoint, 1928. 302x252 mm; 11¾x9¾ inches, full margins. Edition of 111. Signed in pencil, lower right. A brilliant, luminous impression of this impor

Wook Kyung Choi. South Korea. "The Rainy Day in July". 1966. Large abstract oil on canvas. Signed and dated upper right. Titled with New York address on reverse. Craquelure in lower center burgundy pa

Martin Lewis (1881-1962) Which Way? 1932 The fine aquatint etching from an edition of 53 prints or fewer is signed by the artist in pencil below the image lower right. An exceptional example of Americ

MARTIN LEWIS Subway Steps. Drypoint printed in dark brownish black, 1930. 345x205 mm; 13x8 inches, full margins. Second state (of 2), after the reduction of the plate. One of only 8 artist's proofs in

Title: Winter Morning, Connecticut. Martin Lewis (1880-1962) Medium: Watercolor, c.1932. Signed in watercolor lower right. Stamp on verso "Collection Patricia Lewis" and "ML 174." Image size 17 7/8

MARTIN LEWIS Veterans. Lithograph, 1935. 250x342 mm; 9¾x13½ inches, full margins. Edition of only 8. Signed in pencil, lower right. A very good impression of this extremely scarce, first-kno

MARTIN LEWIS Yorkville Night. Drypoint, 1947. 216x290 mm; 8½x11½ inches, full margins. Signed in pencil, lower right. A superb, richly-inked impression of this scarce print. Lewis (1881-1962

MARTIN LEWIS American Nocturne. Lithograph with scratchwork, 1937. 250x366 mm; 9x14 inches, full margins. Edition of approximately 17. Signed in pencil, lower right. A very good impression of this ext

MARTIN LEWIS The Passing Freight, Danbury. Drypoint and sand ground, 1934. 227x363 mm; 8¾x14¾ inches, full margins. Artist's proof, aside from the edition of 47. Signed and inscribed "Trial

MARTIN LEWIS Subway Steps. Drypoint printed in dark brownish black, 1930. 345x205 mm; 13⅝x8⅛ inches, full margins. Second state (of 2), after the reduction of the plate. Edition of approxi

Earl Biss (Native American, 1947-1998) Rainy Day on Smoke Mountain Oil on canvas 57 x 64.5 (in) 57.75 x 65.25 x 1.75 (in) Framed Signed Biss, upper right

Martin Lewis (New York, Connecticut, Maine / Australia, 1881 - 1962) "Stoops in the Snow" Drypoint and sandpaper ground on cream wove paper, 1930. Second state (of 2). Edition of 115. Signed in pencil

Martin Lewis etching Bedford Street Gang. Pencil signed and titled. Dry mounted, unframed; visible image 8 3/4" x14 1/4".

Stoops in Snow  1930 signed in pencil outside plate l.r., signed within plate l.l. hand watermark u.r.  framed 10 x 15 in. (plate), 18 x 22.25 in. (frame)  Included are two

MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY", drypoint etching on paper, a fine, crisp impression, pencil signed and inscribed "Trial Proof #2 / Martin Lewis" in lower

MARTIN LEWIS Chance Meeting. Drypoint, 1940-41. 265x187 mm; 10½x7½ inches, full margins. Edition of 105. Signed in pencil, lower right. Published by the Society of American Etchers, New York

MARTIN LEWIS Shadows, Garage at Night. Drypoint, 1928. 250x303 mm; 9¾x11¾ inches, full margins. Edition of approximately 49. Signed in pencil, lower right. A luminous, richly-inked impressio