Anders Aldrin: La Tuna Canyon, 1950

Anders Aldrin would perhaps not have described his painting as visionary. He painted what he saw, how he saw it. But there is no other way to describe his investigations and downright transfigurations

LA still has 3000 active oil wells, now mostly camouflaged, but from the 1920s through the even the 60s large swathes of the urban landscape bristled with many more thousands of these oil derricks, to

A totally original take on one of the most breathtaking and over photographed and over-depicted views of San Francisco. And in the title, he called it. Sorry, but it’s true. Anders Aldrin painted li

Anders Aldrin’s take on San Francisco in the 1950s. Unexpected, but perfect. Oil on Canvas. Provenance: Aldrin Estate Measurement: 16 x 20 This item ships from Los Angeles, CA

GUSTAVE CARIOT (1872-1950) La cueillette des fleurs signé et daté 'G. Cariot 1927' (en bas à droite) huile sur toile Peint en 1927 signed and dated 'G. Cariot 1927'(lower right) oil on

Louis Icart (French, 1888-1950)La Vie des Seins by Docteur Jacobus , 1945Portf

Edward Boubat (French, 1923-1999) L'Arbre et la Poule, 1950 gelatin silver print signed in ink lower right (recto) and inscribed, titled, and dated (verso) 10 1/2 x 13 1/2 inches. Property from the Gi

Charles Pabst (American, b. 1950) 'Canyon Storm' ; Oil on Canvas ; 15 x 30 (in); Signed Chuck Pabst, lower right.

Yoshida (1876-1950) "Grand Canyon" Wood Block Print Marks: signed lower right Dimensions: 10" x 15" Date: ca. 1920

Clyde Forsythe (American, 1885-1962) Golden Canyon, Death Valley, 1950 oil on board signed Clyde Forsythe and dated (lower right) 20 x 28 inches Property from the Estate of Peter Bergh, Edwards, Color

An Henri Matisse signed exhibition poster for the "Maison de la Pensee Francaise", 1950. Signed in pen lower middle left, and framed under glass. Frame opening: 29-1/2 in tall x 20-3/4 in wide.

GE BA, Chine vers 1950 Composition à la colle de riz et tissu. Art brut éphémère et de récupération. Les Ge Ba sont de magnifiques collages qui ont les mêmes qualit&

GE BA, Chine vers 1950 Composition à la colle de riz et tissu. Art brut, éphémère, les « Ge Ba », sont de magnifiques tableaux, qui évoquent étonnamment les pei

GE BA, Chine vers 1950 Composition à la colle de riz et tissu. Art brut, éphémère, les « Ge Ba », sont de magnifiques tableaux, qui évoquent étonnamment les pei

GE BA, Chine vers 1950 Composition à la colle de riz et tissu. Art brut, éphémère, les « Ge Ba », sont de magnifiques tableaux, qui évoquent étonnamment les pei

GE BA, Chine vers 1950 Composition à la colle de riz et tissu. Art brut, éphémère, les « Ge Ba », sont de magnifiques tableaux, qui évoquent étonnamment les pei

Line Vautrin(1913-1997)"La Reconnaissance est la Mèmoire du Coeur," circa 1950Brass and enamel cigarette case with cork liningUnmarkedReads "La reconnaissance est la mèmoire du coeur," which transla

Curt Walters (American, b. 1950) Unadorned, Oak Creek Canyon, Arizona oil on canvas signed Curt Walters (lower left) 40 x 40 inches Property of a Lady, Sedona, Arizona Provenance: Jones Gallery, LaJol

Alexander Phimister Proctor (American, 1860-1950), "Lower Falls, Yellowstone Canyon," 1911, oil on canvas board, signed, titled and dated verso, board: 17"h x 14"w, overall (with frame): 20.5"h x 17.5

[Photography] Adams, Ansel Morning, Merced River Canyon, Yosemite National Park, California 1950, printed later. Gelatin silver print. Initialed by Adams in pencil below print, on mount bottom right;

Curt Walters(b. 1950)Clouds Over the Canyons, 1972oil on canvas boardsigned lower right: Curt Walters 197230 x 40 in. (76.20 x 101.60 cm.), Frame: 41 1/2 x 51 1/2 x 2 1/2 in. (105.41 x 130.81 x 6.35 c

Pablo Picasso Signed Lithograph "La Casserole Émaillée", No. 89/150 1 sheet, measuring 18.25" x 14.25", No place [Paris], dated March 21, 1950. A lithograph print of "La Casserole Émail

Bob Reporter - Giovedì ENG Fine/mint; nn.8,9 with slight marginal yellowing; n.15 with misprint (n.14). ITEd. A.CO.L. Ventimiglia 1950. Collezione cpl. 1/21 (la “Guida al Fumetto” di Gianni Bono

Vaso e brocca Metallo argentato. Prod. Christofle, 1950 ca. Firma impressa sotto la base: Coll. Gallia Christofle. cm 17x27x5; cm 25x9x5