Betye Saar

JADED GARDEN, 1962, etching, signed and dated and titled and inscribed proof in pencil, plate 12 ¼ x 15”, sheet 14 ¼ x 16 ¼”, frame 18 ½ x 21” with glass.

Color Etching and Aquatint. "To Catch a Unicorn". Signed lower right. Inscribed "proof" lower center. Titled lower left. From a Bronx, NY collection. - Dimensions: Plate - 14.75" h

BETYE SAAR (1926 - ) Women with Flowers & Umbrella. Mixed media collage on paper, 1997. 102x152 mm; 4x6 inches. Titled and dated in ink, verso.Provenance: acquired directly from the artist, Los Angele

BETYE SAAR (B. 1926) Lovers with Twilight Birds, 1964 signed, titled and dated 'Betye Saar 1964 Lovers with Twilight Birds' (lower right) watercolor, ink and wash on paper mounted on illustration boar

Color etching and aquatint 1967. Hand signed and numbered 14/25. Image: 10"x15" Frame: 19"x24". Frame and image in good condition. Not inspected outside of frame. Betye Irene Saar (born

Betye Saar The Long Memory 1998screenprint in colors 14.625 h × 11.875 w in (37 × 30 cm) Signed, titled, dated and numbered to lower edge '95/100 The Longest Memory Betye Saar 1998

Betye Saar The Long Memory 1998screenprint in colors 14.5 h x 11.75 w in (37 x 30 cm) Signed, titled, dated and numbered to lower edge '86/100 The Long Memory Betye Saar 1998'. This work is nu

Betye SaarKeep For Old Memoirs lithographLos Angelesink on papersigned, numbered, dated 197613.75"h x 18"w

Betye Saar (American b. 1926) Hearts mixed media collage unsigned collage: 9.5""h x 8""w overall (with frame): 18.75""h x 15.75""w

"Takin' A Chance On Luv" Pigment print. Signed with artist stamp. From the edition of 150. 19 1/4 x 13 in.

FLORA AND FAUNA HANDKERCHIEF from The Fix-Up Show, 1977-1981, mixed media on fabric with paint and applique, signed and dated by each artist, also signed on frame verso by Jeffrey Vallance, 13 x 13”

(American, b. 1926). Artist's proof, signed and dated "Betye Saar, '60" lr, sight size: 14 3/4 x 10 in., framed

Betye Saar Takin'A Chance On Luv, 2017 Materials:Pigment Print Size:19 * 15 1/2 in | 48.3 * 39.4 cm Rarity: Limited edition Medium: Print Signature:Hand-signed by artist Frame: Not included

Betye Saar (American, b. 1926), The Long Memory, 1998, 18 color screenprint on paper, pencil signed lower right and dated, titled lower center, edition: 11/100, (image/sheet/overall/unframed): 14.5"h

An Early and rare Mid century proof by artist Betye Saar, Signed by the artist in pencil. Signed Lower Right Betye Saar. Title on left in pencil, Two Beasties. Signed in the middle "Proof." It is a li

Betye Saar (American, B. 1926) Takin a Chance on Luv. Digital print, 2012, edition of 150 Sight: 14.75" x 11.25" Frame: 19" x 15.5"

Betye Saar: In Service, A Version of Survival March 9 - May 6, 2000, Michael Rosenfeld Gallery, 2000, essay by Dr. Lizzetta LeFalle-Collins, 24 pages, 15 color reproductions. Softcover. SIGNED Very ra

"Freedom or Slavery: The Paul Robeson Portfolio," 1998, a portfolio of fourteen (14) silkscreens, including works by Elizabeth Catlett, Betye Saar, Erique Chagoya, Rupert Garcia, Raymond Saunders and

7.5X6 B&W vintage photograph signed in black felt tip ink, "To Jim Wiggins, Best Wishes, Betye Saar, 1980." A ding to the image, otherwise nice.Betye Saar is an African American artist known for her w

A group of six Los Angeles Bicentennial 1781-1981 commemorative postersAfter David Hockney, Betye Saar, Carlos Almaraz, Milton Glaser, Marvin Rubin, and Deborah SussmanEach color images on poster pape

Featuring: Alex Katz, Dick Higgins, Louis Kahn, Raymond Saunders, Alexander Hollweg, Leah Feldon, Katharine Gilbert, Betye Saar, John Furnival, Abbie Zabar Each: 4" x 6"

(LIMITED EDITIONS CLUB.) SAAR, BETYE. Bookmarks in the Pages of Life. By Zora Neale Hurston. 6 serigraphs by Saar. Folio, publisher's ½ morocco and handmade paper-covered boards; publisher's fold

Alison Saar (Born 1956) Outsider Art. Mixed media assemblage, Savage's Secrets - 1985. including painted tin, plaster, wood and various found objects, 12 x 12 inches

Small Pox Demon; Wood, plaster and tin roofing; 34" high; Exhibition: Strange Fruit, Phyllis Kind Gallery, New York, 1996; Provenance: Phyllis Kind Gallery, New York; Literature: Art Review: Behind Fo