A JAPANESE MEIJI PERIOD BRONZE TRIPOD CANDLESTICK, the

Japanese bronze jardiniere/ planter, Meiji period (1868-1912), having meandering rim over fretworked-ground, one side depicting birds in flight, the reverse with deities appearing in auspicious clouds

Japan,Meiji Period Globular censer with flared rim and foot decorated with genre cartouche panels of a man and boy in relief and figural foo dog handles. Bronze,9 1/2" x 8 1/4" dia., From the collecti

A LARGE PAIR OF 19TH CENTURY JAPANESE MEIJI PERIOD BRONZE CANDLESTICKS formed as rabbits. 51 cm high.

A PAIR OF 19TH CENTURY JAPANESE MEIJI PERIOD BRONZE CANDLESTICKS formed as birds. 31 cm high.

A PAIR OF 19TH CENTURY JAPANESE MEIJI PERIOD BRONZE CANDLESTICKS. 30 cm high.

A PAIR OF 19TH CENTURY JAPANESE MEIJI PERIOD BRONZE CANDLESTICKS formed as a dragon upon a shaped base. 18 cm x 11 cm.

A pair of antique Japanese Meiji period bronze shokudai candlesticks. The base and top of each flares out and is lobed in a chrysanthemum form with scalloped edges. Circa the early 20th century. Antiq

A pair of antique Japanese Meiji period bronze monkey motif candlesticks. Each depicts kids catching monkeys in the stairs. Circa the early 20th century. Antique Japanese Candlesticks And Lightening C

A GOOD PAIR OF JAPANESE MEIJI PERIOD BRONZE EGRET / CRANE CANDLESTICKS, both stood holding the sticks in their beaks, with young aside, 32cm high.

Nogawa bronze tripod censer Japan Meiji period (1868-1912), the shallow rounded sides supported on three short feet and rising to an incurved rim applied with three naturalistically modeled crabs with

Pair of Japanese bronze candlesticks, Meiji period. 19 1/2''

A 19TH CENTURY JAPANESE MEIJI PERIOD IRON TEAPOT AND COVER and a Japanese bronze candlestick. Largest 20 cm high. (2)

Antique Japanese Meiji period cast bronze Ikebana vase. Features an amazing woven bamboo design captured in bronze. Features chrysanthemum flowers in high relief climbing the front. Tripod footed base

pierced lid with hawk and snake decoration on tripod base. Dent, two partial small cracks to lid rim, crack to hawk's wing. 21 1/2" high, 9" wide. Property of a Connecticut Estate.

An Japanese mixed metal bronze tripod censer, Meiji period. A large mixed metal censer with straight walls. The mixed metal is placed in an abstract way and not figurative. Three tripod legs inspired

Dating back from the Meiji Period, this pair of bronze Japanese candlestick holders are unique in design with rounded shapes and three curled feet that are attached the base. The lower half of the can

Pair of antique Japanese Meiji period mixed metals vases. Bronze with copper, silver and gold ikebana floral inlay. Tripod attached bases with engraved details. Unsigned. Measures 10 1/2" x 4 1/2" Goo

A Pair of Japanese Bronze Oni Demon Candlesticks Meiji period (1868-1912), oni, Japanese demons, cast as candlesticks holding koro pots over their heads, four character seal script mark to underside o

This patinated Japanese tripod koro (incense burner) dates to the late Meiji period (1860-1912) and is decorated with a phoenix and leaves in high relief. All of three feet are shaped like lion paws.

Meiji period bronze and cloisonne miniature lidded jar decorated with dark green dragon. Flower form finial to lid, 3 tripod feet, and turquoise enamel interior. Good aged patina with no apparent dama

Japanese bronze tripod vase with rooster form handles, decorated with relief floral and bird designs, late 19th c. to early 20th c. Meiji period, 15" high x 7" x 4"

A PAIR OF CANDLESTICKS Edo period (1615-1868) or Meiji era (1868-1912), 19th century The silvered-bronze shokudai candlesticks with circular bases supporting cylindrical uprights and conical drip cups

A JAPANESE PATINATED BRONZE KORO CENSER, MEIJI PERIOD, LATE 19TH CENTURY, on a compressed bulbous body raised on tripod supports, with sides centering an applied deep relief roaring dragon enclosing c

Meiji period; in three parts Overall: 27 x 8 in. (68.6 x 20.3 cm.) Provenance: Property from the Estate of Professor Harry Stone, Brentwood, California. Recipient of a Guggenheim Fellowship in the 196