HELEN ESCOBEDO, a) Homenaje a Matisse, b) Algunas de

Helen Haas de Langley, mixed media portrait, 1962, Helen Haas de Langley (American, b. 1904), Portrait of Helen MacWilliamson, watercolor and gouache on paper, signed and dated "H. Haas, '62" lower ri

Antonio Joel Garcia (Mexico, B. 1955) Dia de los Muertos Skeleton (Calaca) Cane. Wood, Mixed media and papier mache. Stand not included. Property from the collection of Helen Cunningham and Ted Newbol

Antonio Joel Garcia (Mexico, B. 1955) Dia de los Muertos Skeleton (Calaca) Cane. Wood, mixed media and papier mache. Stand not included. Property from the collection of Helen Cunningham and Ted Newbol

Rupert Garcia (American, b. 1941), "Homenaje a Frida Kahlo," 1978, screenprint exhibition poster for the show at Galeria de la Raza, pencil signed and dated upper right, overall (with frame): 27"h x 2

Henri Matisse 1950 Exhibition Poster. An original, four-color lithograph poster, printed by Mourlot, for a September 1950 exhibition of the works of Henri Matisse at the Maison de la Pensee in Paris.

Helen Bacon Hoffman (American, 1930-2017) oil on canvas depicting woman reading newspaper, bearing signature "Hoffman" upper left. Image: 19" H x 27.5" W; frame: 25.75" H x 34" W x 2" D.

Bernard Boutet de Monvel (French, 1881-1949) Portrait de Miss Holmes oil on canvas signed Bernard B. de Monvel (lower left) 27 x 13 inches. Provenance: We would like to thank Stephane-Jacques Addade f

HELEN PASHGIAN (B. 1934) Sphere, 1970 polyester resin 8 x 8 x 8 in. 20.3 x 20.3 x 20.3 cm. Footnotes: Provenance Felix Landau Gallery, Los Angeles Acquired directly from the above by th

Jean-Baptiste Auguste Clésinger (French, 1814 -1883: A bronze group entitled 'Jeunesse de Bacchus' the young Bacchic putto seated on a striding jaguar, the rectangular base inscribed, signed and

UBALD KLUG (b. 1932) DE SEDE Two Terrazza Furniture System sofas, Switzerland, 1970s Leather Unmarked 26 1/2" x 63" x 36" ea.

A large Chinese blue and white baluster vase with floral design, Kangxi H.: 50 cm Provenance: Collection du Comte de B., Paris.

brass and Plexiglas 72 inches wide; 41 inches deep; 18 inches high Provenance: the Gelbart Family Trust, Beverly Hills, California Condition: Oxidation to brass surfaces. The top with marks, scratches

Roberto Ferri (Italian, b. 1978) Morte de Amore (Death of Love) oil on canvas 19 3/4 x 43 1/2 inches. Property from the Collection of Frank Movizzo

1990; wood and acrylic on canvas; Provenance: The Estate of Barry Tarlow, Los Angeles; 54 x 45 inches; 12 inches deep

1990; oil on canvas; signed lower right; dated and titled to label verso; Provenance: Jan Baum Gallery label verso; 72 x 72 inches unframed

Leslie De Chavez (b. 1978) The Substitution of Innocent Ramon signed and dated 2010 (lower right) oil on canvas D: 77" (196 cm) EXHIBITED:ManilART '10, SMX Convention Center,Pasay City, July 30 - Augu

Cura dated 2018 mixed media (acrylic, oil, found obje ctsand paper on wood) 47" x 52" (119 cm x 132 cm) PROVENANCEPintô International, New York Kawayan de Guia’s collage and mixed-media work

Henri Matisse (1869-1954): Portrait de Mme. Matisse Drypoint in black on wove paper, 1914, signed and inscribed 'a Pierre' in pencil, numbered 4/10. 12 x 9 in. (sheet), 27 1/2 x 25 in. (frame). The E

δ Henri Matisse (1869-1954)Portrait de Claude D. (Duthuit 585)Lithograph, 1946, signed in pencil, numbered from the edition of 75, on annam appliqué supported on Arches wove paper, with full

Two works: "Boyhood Dreams," 2007; and "'Napoleon' The Lie," 2007 Each: Acrylic on canvas over wood Each: Initialed, titled and dated verso: RGM Each: 12" H x 12" W

Francois Decorchemont, a pate de verre bol ovales et nervures glass vase, model 291, designed circa 1926, blue turquoise marbled with green fissures, intaglio moulded mark FDecorchemont, incised A995,

Lucy Lyon (Colorado, Born 1947) Kibitzer 2012 The substantial sculpture of contemporary subject matter is cast from powdered glass in something of a lost-wax technique also known as pate de verre, whi

Unsigned, oil on canvas. Helen Bershad's work is devoted to exploring color, form, space, and line as they exist on the surface of the canvas. Considered an abstractionist, the nature of her work dire

pochoir stampato a colori su carta Arches in una edizione di 100 pubblicato da Tériade Éditeur, Parigi, W. 65,3 - H. 42,3 Cm, Duthuit books, 22