Beckmann, Max: Die Fürstin

Max Beckmann (German 1884-1950), "Die Nacht", 1922 from Trip to Berlin (Berliner Reise) portfolio, black and white figural lithograph on sepia paper, signed lower right, and editioned 57/100 lower lef

Max Beckmann (German, 1884-1950) Die Bettler (The Beggars), Plate 7 from Berliner Reise 1922, pencil signed and numbered 59/100, with full margins, I.B. Neumann, Berlin, publisher. Lithograph on velin

Excellent, framed and matted under glass. The image size approx. 9" x 11 1/2". Titled PROSIT NEUJAHR, printed in 1917. The total edition size is 100 (including 40 printed before steel-facing on "Japan

Beckmann, Max Hofmaier, James Max Beckmann. Catalogue raisonné of his Prints. 2 Bde. Mit zahlr. tls. ganzseitigen Abbildungen. Bern, Gallery Kornfeld, 1990. 469 S., 2 Bll., S. 470-894. 4°. J

(1884 Leipzig - New York City 1950). "Der Überfall" aus der Serie "Der Mensch ist kein Haustier". Lithographie. 1937. Ca. 15 x 9,5 cm. Aufl. 100. A.d. ob. Ecken auf Kart. mont.

this set is new in the box never opened 

New Motor Max Die-Cast 1960 Chevrolet Impala Car

Max Beckmann (German, 1884-1950), one of Beckmann's last works, "Kopf" ("Head"), executed in 1959, bronze with dark brown patina, captures most of his signature "Angst". Exhibited and illustrated: Cat

Heading: Author: Beckmann, Max Title: Das Theaterfoyer (The Theater Lobby) Place Published: Publisher: Date Published: 1922 Description: Lithograph on wove paper. Image si

Max Beckmann (German, 1884-1950) In the Tram (In der Trambahn) 1922, pencil signed and numbered 27/40 bottom left (from the total edition of 100 in this state (Hofmaier's state III.B.d. of III.B.d.)),

Max Beckmann, German, 1884-1950, "Main River Landscape", 1915, drypoint, from a portfolio of 19 prints entitled Gesichter (Faces) printed by Franz Hanfstaengl, Munich, published by Mar_es-Gesellschaft

Max Beckmann (Germany, 1884-1950) Lovers II (Liebespaar II) from Faces (Gesichter), 1918 drypoint signed in pencil 8 7/16 x 10 1/16 inches. Property from the Collection of James and Edythe Cloonan, Ch

Max Beckmann, German, 1884-1950, "Zwei Autooffiziere" (Two Auto Officers), 1915, drypoint from a portfolio of 19 prints entitled Gesichter (Faces), printed by Franz Hanfstaengl, Munich , published by

Heading: Author: Beckmann, Max Title: Prosit Neujahr 1917 (Happy New Year 1917) Place Published: Publisher: Date Published: 1919 Description: Drypoint etching. 23.7x29.7 c

Max BeckmannGerman, (1884-1950)Reclining Woman, Portrait of Johanna Loeb, 1922lithographsigned lower right, framed.12 x 18 inches

Max Beckmann (German/American, 1884-1950), "Dame with Knabe (Lady with Boy)"-1923, drypoint etching, pencil signed lower right. Modern figural print depicting a woman in a hat and jacket beside a youn

Heading: Author: Beckmann, Max Title: Theater Place Published: Publisher: Date Published: 1919 Description: Drypoint etching. 12.8x18 cm (5¼x7¼") on larger sheet, approxim

Max BeckmannGerman, (1884-1950)Reclining Woman, Portrait of Johanna Loeb, 1922lithographsigned lower right, framed.12 x 18 inches

Max Beckmann (German, 1884-1950) Der Schornsteinfeger (from Berliner Reise), 1922 lithograph signed, dated, and numbered 54/100 in pencil 17 3/4 x 13 1/8 inches. Property from the Private Collection o

Max Beckmann (1884-1950): Weather-vane (Wetterfahne); and Circus (Zirkus), from Day and Dream Two lithographs in black on buff paper, 1946, both signed in pencil, numbered 30/90 and 53/90. Both 15 3/4

Max Beckmann, (1884-1950) Resurrection. 1918. Drypoint etching on Japanese paper. Plate 24.5 x 33.4 cm. Edition 18/80. Verso estate stamp: Beckmann Nachlass, P.B. signed by the executor. In the passe-

MAX LIEBERMANN 1847 Berlin - 1935 ebenda DIE JUDENSTRASSE IN AMSTERDAM (1906) Radierung mit Kaltnadel auf Maschinenbuetten. DM 19 x 25 cm, SM 27 x 32,5 cm (R. 29 x 34,5 cm). Unten rechts handsigniert

Engraving by Max Klinger, Die Schlange, c1898 (from Eva und die Zukunft) Image: 4.75" x 9.75"Plate: 6.25" x 11.75"Frame: 18.25" x 23.5"

Max Beckmann, German- American (1884-1950). Fully Signed Lithograph. Circa 1912, Fully Signed and Titled "Das Bad Der Straflinge" with Paper Label From 2 Galleries on the Back. Framed Under Glass. Not