Attributed to William James Bennett (American)

In the style of William James Bennett (American / English, 1787-1844), late 19th / early 20th century. A group of three port view scene hand colored aquatints comprising of "City of New York From Broo

William James Bennett, American, 1787-1844; after John William Hill, New York for Brooklyn Heights, hand-colored aquatint and engraved view of lower Manhattan across the East River, New York: L.P. Clo

Two Cabaret Women oil on canvas unsigned Fletcher Gallery, Woodstock NY, label affixed to reverse framed 15.25 x 12.5 in. (sight) Provenance: Ex Collection of Rosella Hartman (1894-1993)

An attributed to William James Glackens (American, 1870-1938) oil on canvas panel portrait of a girl in a pink dress. Signed lower right and gilt framed. Panel: 20in x 15-1/4in. Provenance per consign

Attributed to William James Hubard (British/American, 1807–1862) 19th Century Silhouette 1820-1840. Gold highlights, birdseye maple frame. Framed 7 x 6 Hubard Gallery label on reverse. (CHECK??

(American, 1784-1844) View of Troy, New York, circa 1838, after the hand colored aquatint published by Henry J. Margery, New York City, 1838, watercolor on paper, 16-1/2 x 26 in.; period wood veneer f

Attributed to William Sylvester Carter (American, 1909-1996) Woman, 1951 oil on board initialed and dated lower right 8 1/4" x 11 5/8" Provenance: The Estate of Lerone Bennett Jr., Chicago, Illinois C

(NEW YORK CITY.) William James Bennett; after Nicolino Calyo. View of the Great Fire in New York, Decr. 16th & 17th 1835. [and] View of the Ruins After the Great Fire in New York, Decr. 16th & 17th 18

(NIAGARA FALLS.) William James Bennett. Niagara Falls from the Table Rock. Large folio aquatint and engraved view of the cascading falls with a man and his dog providing perspective in the foreground.

William James (American, 20th century) Springtime, Lincoln Park (Chicago, Illinois), 1951 oil on canvas signed and dated lower left and signed verso 12" x 15"

White Star Line ca. 1932  artist's name printed in image; printed O. De Rycker, Brussels-Forest 41.75 x 28 in.

WILLIAM JAMES GLACKENS (American, 1870-1938) At a Quick Run They Skidded Him on His Heels signed 'W. Glackens' (lower left); inscribed and titled 'Voucher #5672/June 20, 1918/Bill - On the Beach - by

ATTRIBUTED TO WILLIAM BENNETT (BRITISH 1811-1871) The Thames from Richmond Hill Black chalk and grey wash 41.5 x 56.5 cm (16 1/4 x 22 1/4 in)

Attributed to William James Hubard (English, 1807-1862) Portrait Miniature of a Gentleman Inscribed on verso, "Taken at the Hubard profile Gallery St. Peters Norwich," watercolor on paper, framed. (3

William James Glackens, American, French, 1870 to 1938, oil painting on canvas depicting a genre scene in a townscape. Signed lower left. Framed. William Glackens is known for Genre, figure, landscape

DESCRIPTION: An attributed William Grosvenor (American, 1912-1998) oil painting on board depicting a cityscape with a cathedral as a central motif. Signed on the lower right bottom corner. William Gro

William Glackens (attrib.), oil on canvas, William James Glackens (American, 1870-1938), Flower Still Life, signed "W. Glackens" lower right and initialed lower left, 19.5"h x 15.5"w (sight), 23"h x 1

William James Glackens (American, 1870-1938) charcoal pencil depicts a lady in a hat walking with a bag in hand. Titled to verso illegible. This piece was purchased from Davis Galleries in New York Ci

William James Glackens (American, 1870-1938) charcoal pencil titled "Woman Walking." This piece was purchased from Davis Galleries in New York City. Measures 4 3/4" (12cm) height x 3 1/4" (8.2cm) widt

Attributed to: William Chadwick (American 1879 - 1962) oil on canvas, Old Lyme Conn. Spring Blossoms. 16 x 22 inches overall framed 24 x 31 inches

William James "Father of American psychology" 4 ALS Framed A group of four autograph letters signed "Wm. James" from a collection of correspondence to one of his Harvard students, J.R. Roberts. Dating

(Attributed to) William Slaughter (American, 1923-2003) Oil on Canvas Undated, signed lower right, depicting a Texas landscape with bluebonnets Condition: Good, canvas mounted on board, small warp on

Attributed William Ashby McCloy (American, 1913 - 2001), "Stone Equations # 11: Demonstrations", c. 1981, acrylic, chalk and collage on linen canvas, depicts large red abstracted figure facing viewer,

Pastel on paper glued to board. Mid-19th century. A three-quarter view of a woman, her arms resting on a table and holding a red book in her hand. She wears a puffy sleeve dress with delicate lace col