Turner Gallery Architectural Remains, Etchings 1838

Pair of late 18th or early 19th century Italian architectural etchings after Giovanni Battista Piranesi (Italian, 1720-1778), the first titled 'Una della due Fornici di Stertinio nel Foro Boario,' the

A group of three 19th century architectural etchings by Letitia Byrne (1779-1849) and Elizabeth Byrne (19th century). Published 1813 and 1814 by T. Cadel & W. Davies, Strand, London. Comprised of 1) T

An 18th century antique architectural etching on paper after Giovanni Battista Piranesi (Italian, 1720-1778) from "Della Magnificenza ed Architettura de' Romani" depicting the ancient aqueduct of the

Tanaka Ryohei (Japanese 1933-2019), "City Wall 75" 1966 from A Fool's Life by Akutagawa Ryunosuke, architectural etching on paper, pencil signed, dated and editioned 91/100 at lower margin, framed. Ap

An 18th century antique architectural etching on paper after Giovanni Battista Piranesi (Italian, 1720-1778) depicting the Arch of Marcus Aurelius in Tripoli, Libya. It is marked "Tab. XXXVI" to the u

An 18th century antique architectural etching on paper after Charles Le Brun (French, 1619-1690) depicting the Arc de Triomphe in Paris, France. It is marked "Liv. IV. No. XI. Pl 2" to the upper right

Italian School (20th century), "Palazzo Pontificio a Mte Cavallo Cominciato da Greg: XIII..." architectural engraving, overall (with frame): 15.5"h x 23.5"w

Architectural etching with doorway with market scene on other side. Signed in pencil lower right and titled lower left. Etching 12.75 x 9.75, Frame- 19.75 x 16.

An etching depicting an architectural image of Florence, Italy, and the Brunelleschi Dome. It is Signed in the lower right, but the Signature is indecipherable. It is Numbered lower left "27/100". The

Elizabeth O’Neill Verner (America/South Carolina 1883-1979), "Eveleigh Gates, Charleston", undated, architectural landscape etching depicting the entrance to the George Eveleigh House, titled a

J.P. LUCIEN AFTER A.L. CAILLOUET ANTIQUE ACANTHUS LEAF/ARCHITECTURAL SANGUINE ETCHING BEFORE 1806, 9.75" X 15"

Two antique etchings of architectural landscapes by Raoul Varin (French, 1865-1943), including: N.W. Corner of La Salle and Randolph Streets Chicago: Showing Court House Square, in the Year 18

4 ETCHINGS; 2 ARCHITECTURAL & 2 LANDSCAPE, SIGNATURES ILLEGIBLE 19" X 14 1/2" OVERALL

Seven prints comprising: 1.) Joseph Pennel (1857-1926), "Grace Church and Court" etching. Schwartz Galleries label on verso. Signed in pencil lower center. [Sight: 10 1/2" x 6 1/4"; Frame: 16 3/4" W x

Four Louis Orr (American, 1879 - 1961) Etchings, all of architectural buildings, all pencil signed lower right, largest 11 3/4" x 8 3/4".

A group with two etchings on paper. Architectural landscapes depicting cathedrals, portrayed from exterior and interior. Includes: one (1) work by John Taylor Arms (1887-1953) titled "North Portal Sen

Erik Desmazieres (French, born 1948). Etching on paper. Architectural interior portrait or Zimmerbild scene with stairs and balcony, purportedly a representation of Erte's atelier, created during that

Erik Desmazieres (French, born 1948). Etching on paper. Architectural exterior of a building with garden and tree, produced in a Surrealist or Magical Realism style. Signed and dated 1978 lower right,

Elizabeth O’Neill Verner (America/South Carolina 1883-1979), "Ravenel Doorway, Charleston", undated, etching - second state, architectural landscape print depicting the entrance to the Daniel R

Group of five, antique architectural British prints: frontispiece etching titled 'Ifley Church, Oxon, S.W.', for the Gentleman's Magazine, vol. 88, Pt. 2, 1818; hand colored engraving titl

Architectural Print, Building with Column, etching, pencil signed indistinctly lower right, overall (with frame): 19.5"h x 14.5"w

NAPOLEON COLORED ETCHING PAINTED BY PAUL DELAROCHE 1838. Printed by Aristide Louis 1841. Image: 16.5''H x 12.5''W. Frame: 20''H x 15.5''W.

Assorted European and American prints and etchings, some colored, depicting architectural, landscape and other images; two in frames. Provenance: Phyllis Lucas Gallery, NYC.

Artist: Stastny, Joseph Jr. (American 1896-c.1980) Title: Harrisburg State Capital Entrance, Study of Architectural Relief Sculptures Date: 1932 Medium: etching and aquatint Dimensions: 6.8 x 5 inches