Abraham BLOEMAERT (Gorinchem 1566 - Utrecht 1651) Le

Jan Saenredam, Vanitas, Vanitatum et Omnia Vanitas. 1600 ca. Da Abraham Bloemaert (Gorinchem, 1566 - Utrecht, 1651) Bulino. mm 259x203. Hollstein, 112. Sotto l’immagine da sinistra “

Manner of Abraham Bloemaert (1566 - 1651), Drawing. Old Master Drawing of possibly the Holy Family, signed "A. Blomart" lower right. 7 5/8" x 6 1/4" unframed. Notation in pencil verso "Abraham Bloemae

Followers of Abraham Bloemaert (1566-1651) pen and brown ink, brown wash, heightened with white. Sight size: 11"h x 7-7/8"w Overall: 21-5/8"h x 16-1/8"w Provenance: Collection Joseph van Haechen (Lugt

Frederic Bloemaert (1614 - 1690) after Abraham Bloemaert (1566-1651) Engravings 33 x 21 cm 15 x 20 cm - 15,5 x 11 cm Frederik Bloemaert (ca 1614 - 11 June 1690) was a Dutch printmaker and draftsman. B

after ABRAHAM BLOEMAERT (Dutch 1566-1651) AND JAN SAENREDAM (Dutch 1565-1607) A PAIR OF DUTCH NORTHERN MANNERIST STYLE PAINTINGS ON DOORS, 17TH/18TH CENTURY, oil on wood panel with engraved wrought ir

After Abraham Bloemaert, Old Master engraving, After Abraham Bloemaert (Dutch, 1566-1651), The Worship of the Shepherds, dated 1599, black and white engraving on paper laid on paper, engraved by Nicho

A full-length portrait of Saint Gregory of Utrecht (700-770's), engraved after the work by Abraham Bloemaert (1564 - 1651). Together with an 18th century etching after Luca Giordano depicting the Rape

Manner of Abraham Bloemaert (Holland, Netherlands, 1564 - 1651) Old master drawing of a figure. Graphite/Paper. Appears to be unsigned. Provenance: Private California collection.Paper Size: 7.75 x 3.7

Engraving After Abraham Bloemaert (Dutch. 1564-1651) Pastoral Scene copy printed by Cornelis Bloemaert (1603-1684) in Rome around 1629. On vellum laid paper. Measures approx 6" x 4" Good con

Baptism of Christ - 8 1/8 x 12 1/2"

Sacra Eremus Ascetriarum. 55 engraved plates after Abraham Bloemaert by Boetius Adams Bolswert depicting saints. Published 1619, Antwerp. Plate sizes approximately: 145mm x 95mm. Each partially mounte

By Abraham Le Blond, likely mid 19th century. The pair of watercolor prints have meticulously rendered details featuring male and female on horseback alongside the side castle. Each framed in conformi

Abraham von Cuylenborch (Utrecht, 1620-1658). Verso with wax seals. Monogrammed lower left, illegible date. Frame size: 18 1/4" high, 21 1/8" wide. Frame rub in margins, scratch at lower right.

Description française: ÉCOLE HOLLANDAISE XIXe À la manière de Gerard SEGHERS (1591-1651) Sans titre - Le Reniement de Saint Pierre Huile sur toile Provenance: Succession de M. Meir

BRUEYS, David Augustin. Histoire du fanatisme de notre tems, par m. de Brueys. Tome premier (-troisieme)A Utrecht, Chez Henry-Corneille Le Febvre, 17372 parti in tre volumi in 8vo, 153x100 mm; Legatur

olio su tela, W. 66 - H. 58 Cm, Expertise: Prof. F. Arisi

Abraham Bosse (1602 - 1676) From Le Jardin de la Noblesse Francaise, 1629. Etching with engraving. Measures 5 1/2" x 3 1/2". Frame measures 16" x 14". Good condition. In house USA continental shipping

Hendrik Hondius (1588-1651) "Freti Magellanici ac novi Freti vulgo Le Maire exactissima delineatio," Amsterdam, ca. 1630. This hand colored map depicts the southern tip of South America, featuring Tie

Henry (Henri) Abraham Chatelain (Dutch, 1648-1743), "Carte Contenant le Royaume du Mexique et la Floride, Dressez sur les Meilleures Observations & sur les Memoires les Plus Nouveaux", engraving from

LC4 chaise with white pad in the style of Le Corbusier.

Claude Lorrain (1600-1682)Le Bouvier (The cowherd)Etching, circa 1650-1651, a well inked impression of Mannocci's fourth state (A), with tree study in black chalk verso tracing the etched tree, on lai

Le port Gouache sur papier, signée en bas à droite 52 x 40 cm

DELLA PORTA, Giambattista (1535-1615). Magiae Naturalis. Leiden Peter Leffen, 1651. 12 mo. 5 ¼ x 3”. Woodcut title device and initials. Illustrations. Near contemporary vellum over boards,

Manner of Abraham Bosse (1602-1676), "El. Oido and L'Ouie," and "El Gusto and "Le Gout," 17th c., pair of colored copper engravings, presented in gilt frames with wide silk mats, H.- 19 1/2 in., W.- 2