John Wesley Jarvis (British, 1781-1840)

Portrait of Henry Eld 30" x 24 3/8" oil on panel signed in pencil verso

Early 19th Century Oil on Wood Panel Portrait of a Woman by John Wesley Jarvis. Signed lower right Jarvis, 1806. (John Wesley Jarvis,1781-1839). Labeled on back "Portrait of Mrs. J.E. Beekman, 61 east

Attributed to John Wesley Jarvis (1780-1840): The Dempsey Children Oil on canvas, unsigned, attributed to Jarvis and titled on a paper label on the stretcher, with label from the collection of Charles

Attributed to JOHN WESLEY JARVIS (American 1780-1840) "Portrait of a Man" (Traditionally identified as John Quincy Adams (1767-1848)) Oil on canvas. 30 x 25 inches; Frame: 37 3/4 x 32 inches. Unsigned

JOHN WESLEY JARVIS (AMERICAN, 1780-1840), ATTRIBUTED, PORTRAIT OF A YOUNG GENTLEMAN, depicting a waist-length depiction of a sitter wearing a black frock coat with wavy hair, no signature located. Hou

(American, 1780-1840) Portrait of a Lady in White, 1807, signed lower right "Jarvis Pinxt Sep 1807", also inscribed verso "J.W. Jarvis New Haven Sept 1807", oil on canvas, 30 x 25 in.; period carved g

After John Blake White (American/South Carolina, 1781-1859). "General Marion in His Encampment Inviting a British Office to Dinner" -1840, mezzotint. Engraved by William Sartain (American/New York, 18

After John Blake White (American/South Carolina, 1781-1859). "General Marion in His Encampment Inviting a British Office to Dinner" -1840, mezzotint. Engraved by William Sartain (American/New York, 18

John Wesley Jarvis (American, 1780-1839) Portrait of Brigadier General Daniel Lee. Oil on canvas, no visible signature Canvas: 30" x 25" Frame: 34" x 28"

Attr. John Wesley Jarvis (American, 1780-1838), oil on canvas half length portrait of a woman identified en verso as Maria Holmes. The subject is depicted in a black dress with lace shawl, her body an

OIL ON CANVAS PORTRAIT Mary Letitia Kirkman Call, wife of Florida Territory Governor Richard Keith Call, who lived at the Grove Plantation near Tallahassee, attributed to John Jarvis (1780-1840), depi

After William John Huggins (British, 1781-1845). Hand colored nautical engraving Sir David Scott. Engraved by E. Duncan. 12" x 18" (with frame 22" x 27"). Discoloration to paper.

After Fitch, John Nugent, (British, 1840-1927), "Galeandra Baueri" and "Phaleanopsis Grandiflora," two hand-colored lithographs of orchids from "The Orchid," published by Benjamin Samuel Williams Imag

“A Letter to the Printer of the Public Advertiser Occasioned By the late Act passed in favour of Popery..”, by John Wesley, printed at London by J. Paramore, 1781. Pamphlet of 22 pages complete in

O'Leary, Arthur; Wesley, John. MISCELLANEOUS TRACTS BY THE REV. ARTHUR O'LEARY… IN WHICH ARE INTRODUCED THE REV. JOHN WESLEY'S LETTER, AND THE DEFENCE OF THE PROTESTANT ASSOCIATIONS. Dublin: Joh

John Clayton Adams (British 1840-1906) Surrey Hayfield, oil on canvas, signed lower left, framed. Condition: 1 inch tear in upper left sky area, some sagging of canvas on stretcher. Some very minor s

JOHN NUGENT FITCH (British 1840-1927) The Orchid Album (six works) Lithographs with handcoloring 11.3 x 8.7 inches / 28.6 x 22.2 cm Created between 1882-1897 Provenance: Property From a Miami Beach Re

John Hinton (British, 1739-1781), "The Tamarind", Hand-Colored Engraving on Wove Paper, circa 18th century, titled above, marked "Printed for J. Hinton in Newgate Street" below. Image: 7.5" H x 4.5" W

JOHN NUGENT FITCH (British, 1840-1927). Four Botanical Prints, Colored lithograph or plates entitled as follows: Cypripedium schroderae, Trichocentrum Albo-Purpureum, lycaste smeeana, and Rodriguezia

1840 1ed Life of John Wesley Methodism Methodist Evangelism Calvinism Watson “Do all the good you can. By all the means you can. In all the ways you can. In all the places you can. At all the times

Prideaux John Selby (British, 1788-1867), Robert Mitford British, 1781-1870) and another, three (3) colored etchings, of a Black Tern, a Sea Eagle and a Rail. Provenance: Phyllis Lucas Gallery, NYC.

Staffordshire Bust of the Reverend John Wesleycirca 1860, hand-painted and gilt pearlware, modeled after the original sculpture by Enoch Wood in 1781, the shaped plinth with marble finish and gilt lin

Group of vertically oriented ornithological etchings, comprising six (6) by Prideaux John Selby (British, 1788-1867) and one (1) by Robert Mitford (British, 1781-1870) and another. Provenance: Phyllis

Group of ornithological etchings, comprising four (4) by Prideaux John Selby (British, 1788-1867), two (2) by Robert Mitford (British, 1781-1870) and another by an unknown. Provenance: Phyllis Lucas G