[William Barret Travis] Broadside Titled at Top

William Dunlap, American (Born 1944). Oil wash and pastel on paper with gilt flecked background, signed and titled top margin. Mounted in gilt and faux finished wood frame. Measures 42.75"H x 17"W fra

(CIVIL WAR--RHODE ISLAND.) Militia recruitment broadside titled "General Orders No. 8." Illustrated letterpress broadside, 23¼ x 18½ inches, signed in type by Governor William C. Cozzens and

Georgian tall case clock, brass works signed William Travis. Mixed woods with line inlaid waist section, flat-top hood with shaped cornice, two inlaid shells at frieze and square tapered inlaid column

Mountain Landscape...signed lower right...McCoy in red...this piece titled Chimney Tops and Little Pigeon River..#1148, dated 1984....11 1/4 x 8.5 inches sight...gold washed frame..McCoy Knoxville art

each pastel on paper, framed under acrylic; each signed lower right; the first: "From the Cliff-Tops", titled to label verso (13 x 19 inches; 21 1/2 x 26 inches frame); the second: untitled (13 x 19 i

Canadian. 1870s. Oil on canvas. Original gilt frame. Period framer's label at top rear frame. Titled, "Colpoy's Bay" on a label on the top rear stretcher. Frame: 26" x 44" x 4.5". Sight: 15.5" x 33.5"

William H. Littlefield (1902-1969), Girl reclining inside boat, ink on paper, signed and dated 1929 top right. Signed titled and dated rear. Reclining Figure, ink on paper signed bottom right, signed

Broadside, 18” x22”, uncolored titled, “The ‘Big Five’ of Tammany Hall” as appeared in the N.Y. World Supplement of Oct. 16, 1892, long after William “Boss” Tweed held sway over the po

Augustus William Dunbier (American, 1888-1977) The Depths of Winter, #541 oil on canvas signed lower left titled and numbered on canvas, top edge of stretcher 24" x 28" Provenance: R.H. Love Galleries

(English, 1851-1931), oil on canvas Lake District scene, signed lower left, titled verso. Craquelure, small loss to top right edge. 14" high, 12" wide.

PORTRAIT PAINTING OF MAN TITLED "THOMAS SHORTREED" PAINTING BY WILLIAM NICHOLSON. DATED 1826. SMALL HOLE IN TOP. CHIPS TO FRAME. TOP OF FRAME IS SPLIT. SIZE INCLUDING FRAME IS 36” x 41”. T

William Flowers.Killer Clown.2010. Signed, dated and titled.Masterpiece example.1 of only 3 known similar works.Multi-glazes with knife top and mixed media.Mint condition.31" h. Extra large.Est.

DREXEL "NEW TRAVIS COURT" COLLECTION, HEPPLEWHITE STYLE MAHOGANY PEDESTAL BASE EXTENSION DINING TABLE WITH (3) 12" LEAVES AND PADS; (6) SHIELD-BACK DINING CHAIRS EN SUITE. HEIGHT 30"; TOP 42 X 60"

Abstract depiction of roof tops with many geometric shapes in a sepia tone palette. Signed, dated, and titled, Hultberg 1952, Roofs, on verso. Unframed. Canvas 32.5”H x 39.5”W.

William Phelps Cunningham (American 1903-1980)- ''Ohio Canal''- wood engraving, 1934, signed and titled in pencil, done for the Cleveland Print-A-Month Club, a few foxing spots in margin near top left

William Phelps Cunningham (American 1903-1980)- ''Ohio Canal''- wood engraving, 1934, signed and titled in pencil, done for the Cleveland Print-A-Month Club, a few foxing spots in margin near top left

Lithograph of work by William Gore Ouseley, J. Needham, Lithographer, circa 1840's. Titled Corrientes- On the Parana. Lithograph is hinge mounted at top corners only on thin folio which measures 20-in

Early - mid 20thC silver plated souvenirs : A pair of circular silver plated pill boxes, one with image to top of William Shakespeare, the other with scene of house titled 'Shakespeare's House' 1 3/4'

G. (Gerald Harvey Jones) Harvey(American, 1933-2017)Carriages On Canal Street, New Orleansoil on canvassigned lower left G. Harvey ©, titled to top stretcher bar, titled and signed again to reverse.<

''Trees Along the Foothills'', signed lower right: William Wendt, titled on an exhibition label affixed verso, oil on canvas, 25'' H x 30'' W, est: $30,000/40,000

Fern Coppedge Oil painting on canvas winter scene Titled on top stretcher "Wind Gap Hills" Wind Gap PA one small hole as pictured It is roughly 12 x 12" Condition as pictured, unless otherwise noted.

James Havard Hopi Studying Mimbres 1988acrylic, oil stick and collage on canvas66 h &times; 66 w in (168 &times; 168 cm) Signed and dated to lower right 'Havard 88'. Titled to top edge 'Hopi Stud

Sister Gertrude Morgan (American/Louisiana, 1900-1980), "Resurrection on Dry Bones," 20th c., pen and tempera paint on board, signed upper right, titled center top, float-mounted in a black wood frame

Cut glass two handled vase in a pretty amethyst color cut to clear by Stevens & Williams. The top has a sterling rim by Theodore B. Starr, New York, NY. This design has concave fingers surrounded by a