Karen Carson (b. 1943) Californian

Karen Carson ( B. 1943) American Arylic painting on paper Signed lower right. Year : 1984 Gallery label verso - provenance: Rosamund Felsen Los Angeles. Other important provenance was this was part of

WHEN TWO SPACES EXPAND, 1985, acrylic painting on canvas, signed and dated on verso, 48 x 84”. Provenance: Rosemond Felson Gallery, Los Angeles.

WHEN TWO SPACES EXPAND, 1985, acrylic painting on canvas, signed and dated on verso, 48 x 84”. Provenance: Rosemond Felson Gallery, Los Angeles.

TWO SPACES, ONE CENTER, 1984, acrylic painting on paper, faintly signed lower right, 19 x 24”, frame 21 ¼ x 26 ¼” with Plexiglas. Provenance: Rosamund Felsen, Los Angeles. Fr

CENTRAL PARK, SPRING, 1979, gouache on paper, signed and dated on verso, 9 x 12”, frame 10 ¾ x 13 ¾” with Plexiglas. Provenance: Rosamund Felsen Gallery, Los Angeles. From th

DRUNK & CANCER from Dangerous Drawings, 1990, each an ink drawing with collage on paper, sheets 10 ¼ x 8”, frames 14 x 11 ½”, both with tinted Plexiglas. Provenance: Rosamund

Karen (Hansen) Carson (American, b. 1943). Lithograph titled "Holy Virgin Mattress" depicting a bed, seemingly extending out from the framed space, topped by a depiction of the Virgin Mary flanked by

BIG BLUE, pigment, cement and glass on wood, 60 x 96 x 2 ”, purported studio glass crack upper left, otherwise in good studio condition. Provenance: acquired directly from the artist by present owne

UNTITLED, 1988, pigment, cement and glass on wood in two parts, approximately 30 x 77” overall, in good studio condition. Provenance: Doris Sosin Art Resources acquired directly from the artist.

UNTITLED GREY, pigment and cement on wood, signed and dated April 1975 on verso, 32 x 48”, in good studio condition.

BIBS, pigment, cement and glass on wood, 48 x 48 x 2 ½”, in good studio condition. Provenance: acquired directly from the artist by present owner.

UNTITLED, cement, pigment and glass on wood construction, 19 ¼ x 68 x 2 ¼”, in good studio condition. Provenance: acquired directly from artist by previous owner.

UNTITLED, pigment, cement and glass on wood, 30 x 20 x 1 ”, in good studio condition. Provenance: acquired directly from the artist by present owner.

UNTITLED, 1982, pigmented cement and glass and on wood, signed and dated on verso, 48 x 108”. Note: Although very large, of more manageable weight than usual works by Dill of this size. Provenance:

UNTITLED, a pair of pigmented cement and glass wall sculptures on wood, each 9 x 7 1/2 x 1 3/4". (2)

UNTITLED, 1987, color woodcut print, signed and dated in pencil lower right and inscribed artist’s proof 8/12, sheet 46 x 38”, framed, in apparently good condition.

UNTITLED, acrylic and mixed media painting on canvas, 28 x 20â€. From the collection of Paul J. Coady.

STILL LIFE, 1992, color lithograph, signed and dated in pencil, numbered 82/250, image 22 x 27 1/4", full margins, framed with glass.

Acrylic on canvas, "Easter", pencil signed and dated 1980 en verso. Provenance: Hunsaker/Schlesinger Associates, Los Angeles. 42" round

Karen Bennicke (Danish, B. 1943) A Vase. Glazed ceramic vase. Signed on the underside "K.B. Denmark" 7 3/8" c 5 1/4" c 1 3/4"

Mihail Chemiakin (Russian, b. 1943)Carnival at St. Petersburg, 1990Oil on canvas

Joseph Marioni (American/New York, b. 1943), "Black Painting", 2003, acrylic on Belgian linen, signed, titled and dated en verso, 24" x 20". Unframed. Private collection, Santa Fe, New Mexico.

Edward Dwurnick (Polish, b. 1943) Beautiful Heads, 1984 oil on canvas signed E. Dwurnik, titled and dated (lower edge); signed, titled and dated (verso) 55 x 62 1/2 inches. Provenance: Provenance: Ing

PAUL STANKARD (AMERICAN, B. 1943) BOTANICAL ASSEMBLAGE LAMPWORK STUDIO ART GLASS PAPERWEIGHT SCULPTURE, comprising multiple connected blocks with the top right containing a bouquet featuring red berry