IVES CHINAMAN WALKER

PAT'D SEPT 21, '75. Condition: sluggish but in working order. Missing original pants. Age loss to original jacket. Original key.

93. IVES ROPE WALKER CLOCKWORK TOY | 10" h. | (Exc. Cond.) for this piece. | $800 - $1,200

1344. BOXED IVES SANTA CLAUS WALKER | 9.5" h. | Some old touchup to face primarily at white beard, no lid for box, overall displays in (Excellent Condition) | $2,000 - $3,000

1375. IVES SANTA CLAUS WALKER | c. 1893, hand painted lead head and hands with cast iron feet, clockwork activated walking motion, sack on his back contains toys. 10" l.

1263. IVES GENERAL BUTLER WALKER | One of the series of the Hotchkiss early clockwork toy walkers, made of cast metal, wood and composition, with cast iron shoes. Provenance: The Schroeder Collection.

1570. IVES THREE WHEELED WALKER HORSE | Ex. Max Berry Collection to Edward & Norma Lotz Collection. | 8" l. | Missing original tail. (Exc. Cond.) | $2,000 - $3,000

IVES OLD BLACK JOE WALKER | Patented by Arthur Hotchkiss, c.1875, the eighth in a series of nine walking figures that are known to exist, the clockwork mechanism allows the figure to ambulate by the u

Later printing silver gelatin photograph produced by and from an Ives-Sillman portfolio under Evans supervision of a C1936 image of his Penny Picture Display, Savannah (GA). Edition numbered 56/75 LL;

Rare and early jappaned cast iron floor toy, similar in style to the rest of the animal ramp walker series. Purchased privately from Donal Markey. 6.5" l.

Later printing silver gelatin photograph produced by and from an Ives-Sillman portfolio under Evans' supervision of a C1936 Evans' image of J.C.Lincoln's Sunny South Minstrels torn poster on a brick w

Chinese jade and hard stone fruiting and flowering tree issuing from a rectangular gilt-metal jardiniere with canted corners, raised on four bracket feet, decorated with scrolling foliage, the front a

“Plan of the Approach and Attack on Fort Sumter, by the Federal Iron Clad Fleet 7 April 1863.” Signed [in type]: Wm A Walker, C.S. Eng. Corps. Charleston.Walker (born March 11, 1839 in Charleston,

RARE WILLIAM AIKEN WALKER (AMERICAN, 1839-1921) PORTRAIT TRIPTYCH, oil on board, each a fine full-length depiction with excellent detail of a cotton picker in the field, two men flanking a woman

Kara Walker (American, b. 1969) The Emancipation Approximation (scene 18), 1999-2000 screenprint on Somerset 500G paper signed, dated, and numbered XII/XXV in pencil, verso 43 7/8 x 33 7/8 inches.

IZANNAH WALKER (RHODE ISLAND, 1817-1888), ATTRIBUTED, FOLK ART PAINT-DECORATED CLOTH CHILD DOLL, an expressive example with brown eyes and painted boots. Fitted in period attire, including printed cot

(NEW YORK CITY.) Currier & Ives; after Charles R. Parsons and Lyman Atwater. The City of New York. Large chromolithographed aerial panorama of New York City with scores of locations referenced below t

Kara Walker (American, b.1969) 'Resurrection Story without Patrons' Etching with Aquatint 2017, signed lower right, X/XXX, etching with aquatint, sugar lift, spit bite and drypoint depicting a large f

William Aiken Walker (American, 1835-1921) Cotton Pickers, A Man and Woman (a pair of works) oil on academy board signed WAWalker. (lower left) each 12 x 6 1/4 inches. We would like to thank John Fowl

(American, 1839-1921)Signed l.r. and titled verso "Field." 9"h x 11 1/2"w

Salvador Dali (Spanish, 1904-1989) Five Prints from Currier & Ives as Interpreted by Salvador Dali (including New York Central Park Winter; American Trotting Horses No. 2; Les Fleurs et Fruits; Americ

WILLIAM AIKEN WALKER (AMERICAN, 1838-1921) SOUTHERN GENRE PAINTING, oil on academy board, depicting an elderly African-American man and woman in a field picking cotton, she is carrying a basket of cot

CURRIER, Nathaniel (1813 - 1888) and IVES, James Merritt (1824 - 1895), after Parsons and Atwater.The City of Philadelphia.Lithograph with original hand color.New York: Currier & Ives, 1875.24" x 34"

Kara Walker (born 1969) Excerpt, 2014 Lithograph on Somerset satin paper, signed in pencil, dated and numbered PP 2/5 (a printer's proof, aside from the edition of 50), published by the Institute of C

framed to 17" x 12" - paint on board, signed. 100% authentic. Period frame.