Full Plate, Framed Ambrotype of an Armed Militia

Quarter plate ruby ambrotype full standing portrait of a Union sergeant wearing a non-regulation belt plate and armed with a Model 1840 non-commissioned officer's sword. N.p.: n.p., n.d. (Good clarity

[CIVIL WAR]. Ninth plate ruby ambrotype portrait of a young, armed Confederate private.Full standing portrait of a young southern soldier wearing a vernacular ad-hoc battle shirt trimmed together with

FULL PLATE AMBROTYPE OF NIAGARA FALLS IN FULL LEATHER CASE. SOME SMALL FLAKES ON RIGHT SIDE, AND MARK IN CENTER, AS PICTURED. FROM THE COLLECTION OF HARVEY ZUCKER, THE PROPRIETOR OF "A PHOTOGRAPHER'S

Dramatic image! All kinds of motifs to study: the cross, the triangle, the skull and bones, the banner, the hat. Excellent tonality and lots to look at. Unfortunately, when tilted, there’s a ha

Full plate tintype (approximately 8½ x 6½ inches) of a boy and a girl in matching outfits. We have examined this tintype without the glass (which is modern low-iron glass) and there are

7.25 x 6.25 inches, in excellent condition.

A family portrait circa 1850 displayed in a water-gilded cove molded frame of the period, most likely the original. Measures 6.75 x 8.5 inches, 8.25 x 10 inch frame. We happily provide seamless in-hou

Half plate ambrotype. Full leatherette case. Impressive half plate ambrotype of a man clad in Native American clothing and holding a large stemmed ceremonial pipe. Intricately tinted, nearly every bea

[MILITIA]. Sixth plate ambrotype featuring a 3rd US artillery officer. Ca 1850s.  Sixth plate ambrotype bust portrait of a second lieutenant, 3rd US Artillery. (Some flaking/wear to emulsion in u

[CIVIL WAR]. Sixth plate ruby ambrotype of an armed soldier, possibly representing the 3rd or 4th New Hampshire Infantry.  Sixth plate ruby ambrotype. (Strong clarity, few spots and light edge we

FULL PLATE UNION CASE WITH AMBROTYPE PORTRAIT OF A GENTLEMAN. CASE DEPICTS WASHINGTON CROSSING THE DELAWARE. DAMAGE AT THE HINGES .91/4" X 71/4"

[MILITIA]. Ninth plate ambrotype of a New England militia private. [Boston: G.L. Whitaker], n.d. Ninth plate ambrotype half portrait of an antebellum militia private with light tinting to cheeks. (Som

Nathan Oliviera (1928-2010) RYAN 42 Color monotype, 1981, signed, dated and titled in pencil, with full margins, framed. Plate 19 1/4 x 17 3/4 inches; 489 x 451 mm. Sheet 26 x 22 1/2 inches; 660 x 572

Chuck Close (1940-2021) Self-Portrait, 1992 Aquatint on wove paper, signed in pencil, dated and numbered 43/70, published by Pace Prints Inc., New York, with full margins, framed. plate 6 3/4 x 4 15/1

Eduardo Chillida (1924-2003) ARGI IV (KOELEN 88015) Etching and aquatint, 1988, on Rives BFK paper, signed, and numbered 46/50 in pencil, with full margins, framed. Plate 8 3/8 x 5 inches; 213 x 127 m

UNTITLEDColor monotype, 1995, on handmade paper, signed and dated, also inscribed TPP/JH #13 (verso), in pencil, with full margins, framed.Plate 21 1/8 x 21 1/8 inches; 537 x 537 mm.Sheet 23 x

John Sloan (1871-1951) TURNING OUT THE LIGHT (MORSE 134) Etching, 1905, on laid Arches paper, signed in pencil, from New York City Life, with full margins, framed. Plate 4 7/8 x 6 13/16 inches; 124 x

Eduardo Chillida (1924-2003) ARGI V (KOELEN 88016) Etching and aquatint, 1988, on Rives BFK paper, signed, and numbered 37/50 in pencil, with full margins, framed. Plate 5 1/2 x 5 1/4 inches; 140 x 13

Saul Steinberg hand-colored lithograph 1975 on wove paper Signed and numbered 32/75 in pencil, Full margins, framed: Plate 17.5”x 21”, Sheet 23.5” x 29.75” Frame: 28” x 3

Édouard Vuillard (1868-1940) LE SQUARE VINTIMILLE (ROGER-MARX 66) Etching and drypoint, 1937, from the third state of four, with full margins, framed. Plate 13 1/4 x 10 inches; 337 x 254 mm. Fram

Anders Zorn (1860-1920)WET (ASPLUND 240; HJERT/HJERT 260)Etching, 1911, on cream laid paper, signed in pencil, with full margins, framed.Plate 6 1/4 x 4 5/8 inches; 159 x 117 mm.Sheet 13 x 10 inches;

Pierre-Auguste Renoir (1841-1919) BAIGNEUSE DEBOUT, À MI-JAMBES (DELTEIL 23) Etching, 1910, on laid paper, with full margins, framed. Plate 6 5/8 x 4 3/8 inches; 168 x 111 mm. Sheet 13 1/8 x 10 i

Maurice de Vlaminck (1876-1958) L'OISE À SERGY (WALTERSKIRCHEN 110) Aquatint, 1924, on cream wove paper, signed in pencil, with good or full margins, framed. Plate 9 1/4 x 12 1/2 inches; 235 x 31

Marc Chagall (1887-1985) JACOBS'S LADDER; DANCE OF MIRIAM, SISTER OF MOSES (SEE CRAMER BOOKS 29) Two etchings, 1956, on wove paper, from the Bible, with full margins, framed. Plates 11 3/4 x 9 3/4 inc