Attributed to Thomas Baston (act.1715-1721) British. A

Travelers On A Path At A Spring, Oil On Canvas, Unsigned, Paper Labels Verso With Attribution Including Joseph Sartor, Canvas 21 x 28, Frame 28 x 34.5 x 3.5 Inches, Canvas Relined, Varnish Layer Clean

"Attributed to Thomas Hand (British, 1771–1804) Extensive Landscape with Figures, Cattle, Horses and Donkeys, with Building in Distance Oil on canvas16 3/8 x 20 3/8 in. (41.6 x 51.8cm) Provenan

Attributed To Thomas Hand (British, 1771-1804) Travelers Passing A Cottage. Oil on canvas 25" x 30", Frame: 34.25" x 39.5"

ATTRIBUTED TO THOMAS LANDSEER (British, 1795-1880) The Monarch of the Glen, After Sir Edwin Landseer Engraving Unsigned H 24½ x W 22½ inches

ATTRIBUTED TO THOMAS GAINSBOROUGH (BRITISH 1727-1788), OIL ON CANVAS, UNSIGNED, H 29", W 24", PORTRAIT OF ELIZABETH GOODIN-HAUGHTON TAYLOR :A Thomas Gainsborough (British 1727-1788), a portrait of Eli

Attributed to Thomas Buttersworth (British, 1768-1842)Shipping off Gibraltaroil on canvas34 x 48in (86 x 122cm)

Late 18th century. Attributed to Thomas Gainsborough (British, 1727-1788) on adhered label on verso, oil on canvas, unsigned, 29 x 24 in., framed

Attributed to Thomas Gainsborough (British 1727-1788). Oil on board landscape depicting a villa on a hill with figures in the foreground, apparently unsigned, framed. (Sight) approx. h. 10.75",' w. 14

Attributed to Thomas Hudson (British, 1701-1779), Portrait of a Young Gentleman, oil on canvas, unsigned, canvas (oval): 30"h x 25"w, overall (with frame): 38"h x 33"w. Provenance: Purchased from Doug

Attributed To Thomas Luny, British, 1759-1837, Marine Scene, Oil On Canvas Laid On Masonite, Unsigned, 14 X 17 Inches, Giltwood Frame 19 X 24 X 3 Inches, Discolored Varnish Layer, Scattered Craquelure

Attributed to Thomas Rowlandson (British, 1756 - 1827), Noble Man, watercolor on paper, bears pencil signature, overall (sheet/unframed): 7.25"h x 5.25"w

Attributed to Thomas Sidney Cooper (British, 1803-1902) , "Cows Watering at Stream", oil on canvas, unsigned, handwritten label en verso, 48 1/4 in. x 78 1/4 in., unframed . Provenance: Property deacc

Attributed to Thomas Walker Bretland (British, 1802-1874) Chestnut and White Horses with Dog in a Landscape signed indistinctly 'T. Bretland 1863' (lower right) oil on canvas 64.25 x 85.25cm (25 5/16

19th century framed oil on canvas painting of a gentleman, attributed to Sir Thomas Lawrence (British, 1769-1830), bearing labels verso. [Art: 30" H x 25" W; Frame: 37 1/2" H x 31 3/4" W]. In good con

Attributed to Thomas Jefferson Scott (British, 1854-1927), portrait, 28 1/2" h x 23 1/2" w (view), 36" h x 31" w (frame). Provenance: from the estate of the late William Kester of Los Angeles and Palo

Attributed to Sir Thomas Lawrence (British, 1769-1830), portrait of a woman, pastel and graphite on paper, oval. Sight 9 1/4" x 7 1/4", overall 14 3/4" x 12 1/2". Provenance: Doyle, N.Y.C., English &

Framed oil on canvas painting, Country Scene with Children Fishing, signed with monogram lower left TW, attributed to Thomas Webster, R.A. (British, 1800-1886), dated 1864, sight: 16.5"h, 20.5"w, over

Attributed to Henry Thomas Alken, Sr. (British, 1785-1851)Over the fence, 1823watercolor on papersigned lower right H. Alken and dated13 x 18in (33 x 46cm)

Attributed to BENJAMIN WILSON (British, 1721-1788), Couple Portrait, oil on canvas, (approximate dimensions - canvas: 48 1/4 x 42 1/2 inches); unsigned, illegible writing on stretcher bars. Provenance

Oil on canvas, framed. Featuring landscape country lane scene. Signed and attributed to J. T. (John Thomas) Richardson (British, 1860-1942) on the lower right corner. 33.5 x 51 cm (13.2 x 20.1 inches)

Elisha Kirkall (around 1682 - 1742 ) after Thomas Baston (18th century): Sea battle of the British Navy, burning of the enemy fleet, c. 1720, Etching Technique: Etching on Paper Inscription: At the lo

Attributed to Thomas Barker of Bath (1769-1817) British, watercolor. Barker was heavily influenced by Gainsborough. He became highly popular in the first half of the19th Century and was extremely prol

Thomas Creswick (1811-1869) Fisher Boy and Dog at Crossing Third quarter of the 19th Century. The classic British School landscape depicting a pleasant summer day is nicely lit by the sun from left to

Lawrence, Sir Thomas [British, 1769-1830] fine watercolor portrait of Miss M. Bloxham (niece of Sir T. Lawrence) attributed to Sir Thomas Lawrence P.R.A. 9.5"h.x7.5"w.