Thomas Rowlandson: "Country Inn"

Two English Ink Washes one by THOMAS ROWLANDSON the other by WILLIAM TURNER OF OXFORDThomas Rowlandson (English 1756-1827) Country Landscape Cornwall red ink and wash signed T. Rowlandson lower right

Four O'Clock in the Country Etching with Aquatint after English caricaturist Thomas Rowlandson. Thomas Rowlandson, the originals, part of a "Country" series, was printed in 1788. This is a high qualit

Giclee print after Thomas Rowlandson, titled "Four O' Clock In The Country". Housed in gilt wood frame, originally published in 1788. Light discoloration. 18" H x 21" W Commensurate age and use. 18" H

Framed watercolor on paper, The Posting Inn, paper watermarked 1802, signed lower left Rowlandson (Thomas Rowlandson, England 1756-1827), M.A. McDonald NY label verso, sight: 7.25"h, 10.25"w, overall:

FOUR O'CLOCK IN THE COUNTRY AND "FOUR O'CLOCK IN TOWN". FRAMED UNDER GLASS. TOTAL SIZE 17" X 19 3/4". Terms: PLEASE READ CAREFULLY - Terms for Purchasing and Shipping of Auction Items. Please read car

(3) Small Caricatures, hand colored engravings, signed in plate, in matching burl walnut frames, newly matted and glazed, including: "Miseries of the Country", dated 1807, OS: 10 1/4" x 12", SS: 4 1/4

Thomas Vivares (b. 1744), after George Morland (1763 - 1804), Self-Portrait Beside a Country Inn, a pig, a dog and his easel by his side, From an original Drawing in the pofsefsion (sic) of John Graha

After Thomas Rowlandson (English, 1757-1827). 2 prints after engravings by Thomas Rowlandson. Four o'clock in Town and Four o'clock in the Country. Each 11 1/2" x 14 1/4" (with frames 19 1/4" x 22 1/4

Thomas Rowlandson (London 1756-1827) 'Human nature is fond of Novelty. Pliny' inscribed with title (lower centre) pen, grey and brown ink and watercolour on wove paper 29.3 x 22.5cm (11 9/16 x 8 7/8in

Thomas Rowlandson (London 1756-1827) Batchelor's fare, bread, cheese and kisses signed 'Rowlandson del' (lower right) and further inscribed along the trimmed lower edge pen, brown ink and watercolour

Thomas Rowlandson (London 1756-1827) Grand Place, Brussels signed and dated 'Rowlandson 1802' (lower right) and inscribed 'Grande Place à Brussells [sic]' (lower left) pencil, pen and watercolour

Thomas Rowlandson (London 1756-1827) Polson Bridge near Launceston with pack ponies on a road pen, ink and watercolour on paper 23.2 x 37.5cm (9 1/8 x 14 3/4in). Footnotes: Provenance Sale,

Thomas Rowlandson (London 1756-1827) Triton and nymphs signed 'T.Rowlandson' (lower left), pen, grey ink and watercolour on wove paper 15 x 23cm (5 7/8 x 9 1/16in). and another, of a winged figure ins

Thomas Rowlandson, attributed to. England. Round form satirical watercolor painting of men betting on dogs. Bull baiting a bull. On paper. Framed. Unsigned. Label on reverse. Overall framed diameter:

Thomas Rowlandson (1757-1827), 2 Grotesque Borders Portfolios (12 each), 24 works total, colored lithographs, measures 13.5 x 19.25" Condition: a few showing mold damage We happily provide seamless sh

Lot 2 Thomas Rowlandson British (1756 - 1827) The Elopement Interrupted pen, ink, watercolor, and wash on paper sight: 6 3/4 x 9 1/4 inches Provenance: From The Estate of Leonard Stone acquired

Thomas Rowlandson (British, 1756-1827) A horse with a pack of hounds resting pencil, pen and ink and watercolour on paper laid down on card 11.6 x 20.4cm (4 9/16 x 8 1/16in).

ROWLANDSON, Thomas (1756-1827). "Captain Barclay in his famous walking match against time, a thousand hours, a thousand miles." Watercolor on paper. Signed lower right. 8 5/8" x 13 3/8" sheet, 20 1/2"

THOMAS ROWLANDSON (1756-1827), BRITISHMAN SAMPLING GOODS IN A GENERAL STOREWatercolour and ink on paper; signed "Rowlandson" lower left.Sheet 7.75 ins x 8 ins; 19.7 cms x 20.3 cmsProvenance:Private Co

Thomas Rowlandson (London 1756-1827) Apeing their betters pen, brown ink and watercolour on laid paper 12.5 x 12.3cm (4 15/16 x 4 13/16in). Footnotes: Provenance Sale, Sotheby's, London, 3 N

Four Bound Volumes of Figures and Scenes. Watercolor and ink along with colored etchings on paper. Provenance: W.J. Funk. From a Riverside Ave, Manhattan, NY estate. (Fifty Eight Items). For additiona

Thomas Rowlandson (British, 1756-1827)A New Law of Keyes, Eat to Live, Not Live to Eatink on paper laid downtitled lower left11 1/2 x 9in (29 x 23cm) Provenance:With Salander O'Rei

ARTIST: Thomas Rowlandson (british, 1756 - 1827) NAME: Macasser Oil YEAR: 1819 MEDIUM: watercolor on paper CONDITION: Minor foxing. SIGHT SIZE: 11 x 8 inches / 28 x 20 cm MAT SIZE: 14 x 11 inches / 35

THOMAS ROWLANDSON (1756-1827), BRITISHMAN IN A BOAT ATTACKED BY A CROCODILEWatercolour and ink on laid paper; signed "Rowlandson" lower right.Sheet 7.25 ins x 9.25 ins; 18.4 cms x 23.5 cmsProvenance:P