FRIEDRICH EGERMANN LITHYALIN CUT GLASS TAZZA

Bohemian late 19th century lithyalin agate art glass vase with 15 cut panels in very naturalistic earth tone coloration. Vase is unsigned. C. 1900. Glass technique developed by Friedrich Egermann (177

Lithyaline flask glass Neuwelt, Friedrich Egermann (refinement), around 1830 Rottwelsch glass with roll and peel cut. Exterior light and dark brown marbled, partial gold decoration. H. 9 cm. Mouth and

Bohemian Lithyalin Glass Decanter - 7.5" Pink Marbled "Stone" Design, Panel Cut Design - Matching Stopper - Attributed to Friedrich Egermann, Circa 1840's

A fine and large example of Lithyalin glass attributed to Friedrich Egermann - Bohemian, 19th Century. Hand-blown and hand-polished overall. Graceful form and beautiful colors. Unsigned, as is usual f

Bohemian Lithyalin Art Glass Compote Dark Brown and Pink Marbled "Stone" Design - Attributed to Friedrich Egermann, Circa 1840's

French Second Empire Revival gilt bronze and cut glass tazza, last quarter 19th century, in the manner of Baccarat, finely cast with lambrequin motif frieze supported by three birds and seated female

A MID 19TH CENTURY FRENCH ORMOLU AND CUT GLASS TAZZA modelled as three young children holding aloft an acanthus capped column. 1ft 2ins x 11ins.

Great example of J. Hoare Marquise - shown in the catalog. This is a very large size for a tazza and shows off this great design perfectly. It is signed very faintly on the base with the J. Hoare trad

A pair of French silver plate mounted cut glass tazzalate 19th centuryheight 7in (18cm); diameter 9in (23cm)

hallmarked for .800 silver, the Rococo style base engraved "Lenz. Zeifs / Gläsel Maager / 2. März / 1867-1892", the shallow cut glass bowl held aloft by a young fairy. 11.25 x 10.5 in. diameter

This is one of the finer examples of Hawkes Gravic I’ve had the opportunity to sell. As a general rule, when thereÂ’s polished Gravic engraving, with this type of vine around the edge, youÂ’re

Great example of Pitkin and Brooks work cut in their imperial design - has a heavy/paper-weight style base - very unusual double miter cane/hobnail featured in the pattern.

This tazza was cut in J. Hoare’s Yucatan design. I think the shape of this piece is one of the more exotic blanks for a vase/compote/tazza – with a good bit of both elegance and heft.The main moti

Large Tazza by J. Hoare cut in their highly collectible Hindoo design.2947

Joseph B Mayo (American (New Jersey) 1868-1896). A gilded silver tazza or compote having ruby stained crystal inset bowl on dolphin supports. Stamped to underside "JOS. B MAYO QUADRUPLE PLATE". Approx

Empire-Style Gilt Bronze and Cut Glass Tazza , late 19th/early 20th c., splayed acanthine foot, shaped base, engine-turned feet, h. 4 3/4 in., dia. 6 in . Provenance: Harbor View Antiques, Stamford, C

A Baccarat Silvered Bronze and Cut Glass Tazza  stamped for maker to underside of base. Height 9 x diameter 8 3/4 inches. This lot is located in Chicago. Cond

Antique Silver Plate Jugenstil Cut Glass Tazza Circa 1910 probably AustrianAntique Silver Plate Jugenstil Cut Glass Tazza Circa 1910 probably Austrian10"H x 11.5" dia

Cut glass tazza vase, pinwheels, hobstars, and strawberry diamond cutting, hobstar base, 10 1/4" ht. PROVENANCE: Cummings Collection NOTE: Pinhead size flake on one pinwheel- damage is circled in phot

Bronze Putti & Cut Glass Tazza Centerpiece. Cut glass is removable from base. Measures approx 7.75 x 5 inches. Surface wear is consistent with age and use. Tazza centerpiece, bronze putti base, bronze

Modern hand-blown purple amethyst cut glass tazza or compote with circular faceted decoration to cup upon a ribbed round foot, apparently unsigned. 8.25" H x 6.5" diameter. Provenance: Property from a

9" X 8" American Brilliant Cut Glass Tazza Hobstar, Strawberry Diamond and Fan Motif - Hobstar Foot

7 3/4" Tall.

Pair of cut glass tazza, in the Classical taste, the shallow bowls cut with flowers, berries, and garlands raised on stems of tapered form, illegibly marked to bases. 7.5” H x 8.5” diamete