Carlo Hauner e Martin Eisler,

Due poltrone, tondino di ferro smaltato, multistrato curvato lastronato in legno di noce, ottone, terssuto imbottito. Produzione Forma 1960 ca. Timbro del produttore cm 81x70x72 Domus, n. 362, gennaio

CARLO HAUNER, MARTIN EISLER, FORMA, 1959. Due poltrone. Ferro verniciato, compensato curvato impiallacciato in palissandro, imbottiture rivestite in tessuto. Altezza cm 85, larghezza 70, profondita' 8

CARLO HAUNER + MARTIN EISLERMagazine rack, ca. 1950Hammered copper, painted metal. Manufactured by Forma, Brazil.14.5" H × 20.5" W × 5" D

Carlo Hauner (1927-1997)& Martin Eisler (1913-1977)CostelaPair of lounge chairsWood, lacquered metal, brass and fabricEdited by Forma di Brescia, ItalyModel created circa 1965H 83 × L 70 × W

Forma Mompiano production armchair, 1959. Teak wood, painted metal and fabric.. Cm 80,00 x 82,00 x 70,00. Literature: Aric Chen, Brazil Modern: The Rediscovery of Twentieth-Century Brazilian Furniture

Fauteuil dit Costela Bois, métal, suédine 83 x 70 x 84 cm. Forma, circa 1959 Références : - Maria Cecilia Loschiavo dos Santos, Modern furniture in brazil, Olhares, 2015, p. 234. -

Martin Eisler and Carlo Hauner chaise lounges, pair FormaAustria/Italy / Brazil, c. 1955enameled steel, rattan25.5 w × 56 d × 34 h in (65 × 142 × 86 cm) Prov

CARLO HAUNER, MARTIN HEISLERCoppia di poltrone mod. CostelaStruttura in ferro laccato e legno massello. Prod. Forma 1950 ca. cm 70x70x84

Poltrona in compensato curvato di teak e ferro verniciato.Prod. Forma anni '60cm 80x70x72

Rare rosewood sofà with iron’s tube legs and original woven, for Forma Brescia 50’s. Literature; catalog Forma’s cover.. . Cm 265,00 x 62,00 x 70,00.

CARLO HAUNER Un tavolino a scomparti per FORMA, anni '60. Fianchi impiallacciati in noce, 6 scomparti dotati di coperchi, di cui 2 in cristallo e ottone, 3 in legno impiallacciato in zebrano reversibi

Costela sofa for Forma Mompiano Brescia . 1960. Teak wood and painted metal.. Cm 136,00 x 81,00 x 64,00. Literature: Domus n. 362, January 1960, p.20

E. Martin Hennings (american, 1886-1956) Portrait of Helen, circa 1930, oil on canvas laid on board, signed E. Martin Hennings (lower left) 14 x 14 inches Estimate $2,000-3,000

Bench for Forma. Teak wood and painted metal.. Cm 200,00 x 30,00 x 35,00. 1950s.

(THE NEW YORKER) CHARLES E. MARTIN (1910-1995) Modern Art Eggs in a Basket.Cover art. Cover for The New Yorker published April 13, 1963. Watercolor, gouache, and charcoal on paper. 432x305 mm; 17&#188

Martin Eisler Style Pair of 'Costela' chairs, 2000s Chrome-plated steel, solid walnut. Undersides with manufacturer's metal roundel. Each: 36" H x 27.75" W x 30" D

Tappeto in pura lana vergine. Prod. Minorca, Italia, 1960 ca. cm 225x149

Ernest Martin Hennings (1886-1956) Beneath The Cottonwoods 1940s Number 5 print from an edition of 100, as indicated in pencil lower left, signed by the artist lower right. A rare version of this imag

E. Martin Hennings (american, 1886-1956) Frozen Stream , etching, edition #40/100, signed E. Martin Hennings (lower right) 10 x 10 inches Estimate $800-1,200

Four chairs for Reguitti. Beech.. Cm 57,00 x 74,00 x 70,00. 1970s, manufacturing label.

Hennings, E. Martin (1886 - 1956) The Frozen Stream lithograph in sepia, 17 / 50 10 x 10 inches 19 5/8 x 19 5/8 x 1 inches signed lower right: E. Martin Hennings_x000D_ editioned and titled lower left

E. Martin HenningsAmerican, (1886-1956)The Frozen Streametching, #14/100signed, titled and numbered in pencil lower margin, framed.10 x 10 inches

Curvaceous midcentury chair, attributed to Martin Eisler, Brazil, circa 1950s. Retains its original yellow boucle upholstery and original patina to the iron base. Measurements: 28" H x 29" W x 19" D x

Scuola lombarda sec.XVIII "San Carlo e gli angeli" olio cm. 73x98