Herman van Swanevelt (Dutch, 1620-1690) Four

Cupid and figures in an extensive landscape, attributed to Herman van Swanevelt (Dutch/French, 1600-1655) Some folds and tears. Sight size: 13"h x 15-3/4"w Overall: 15-3/8"h x 18-1/4"w Provenance. Pro

Lot of two Herman Van Swanevelt (Dutch, 1600-1665) original etchings. "Diane Asleep", and "Landscape". One etching is loose, while the other has been laid down to a new backing (affixed in a few scatt

1-Herman van Swanevelt (Dutch 1603 – 1655) Landscape with Mythical Figures Etching on laid paper Signed and inscribed in the plate Size-4 1/2x6 3/8 in. 2- Figure in a Landscape (The Sower) 17 th/18t

Abraham van Beyeren (Dutch, 1620-1690) still life of fruit, oil on canvas, unsigned, 23 1/2" x 31", framed 30 1/2" x 38". Provenance: Pico Rivera, Callifornia estate.

Herman van Swanevelt (after) (Dutch, 1603-1655) Lithograph or crayon on paper Imagecirca 1629-1641 11" x 16 3/4" A very old and fine Dutch Italianate landscape of nuns feeding the poor in

Herman Van Swanevelt (1600-1655) Dutch School Old Master. This famous painter and etcher was also called Herman d'Italy or Il Erimita. Born in the Netherlands, he first went to Paris and then to Rome

(Dutch, 1600-1655) Landscape with Distant Ruin, collector's stamp (L. 3561) lower right, sketch of trees verso, brown ink wash on laid paper, 7-3/8 x 10-1/4 in.; painted wood frame, 16-1/8 x 19-1/8 in

An important 17th century Dutch oil on canvas painting "still life", attributed to Abraham Van Beyeren (1620-1690), 22.8"x30.3"

Herman van Swanevelt (Woerden circa 1600-1665 Paris), and Jan Asselijn (Dieppe 1610-1652 Amsterdam) A wooded landscape with a huntsman and his dogs resting on a rock oil on canvas 90.2 x 117.5cm (35 1

Herman van Swanevelt (Netherlands) c. 1600-1655. Graveyard on the Appian Way. Etching, c. 1625. Bartsch 57. Dutuit 57, ii/II. A good later (18th century) impression. Initialed in the plate and inscrib

etching 1640-50 Herman van Swanevelt paper 11.625"wide x 8.5 high Pastoral image including Pan, a woman and child, and other animals New Jersey No Reserve: This lot starts at $1 and has no reserve as

**Originally Listed At $350** Hermann Van Swanevelt (Dutch, 1603-1655), two etchings entitled "Sepultura in Viea Apia" and "Hosteria a Priema Porta," ca. 1630s to 1650s. A wonderful pair of framed Old

Herman van Suanevelt (Dutch, c. 1600-1665) Flight to Egypt, etching. Size: 12.25" x 14.25", 31 x 36 cm (sheet).

Herman Louwenhoek Van Verger (Dutch, 1910-1983) , "Landscape with Hunter", oil on canvas, signed lower right, artist biography on reverse of frame, 24 in. x 36 1/8 in., framed with artist plaque Prove

Hermanus Franciscus Carolus "Herman" van den Anker (DUTCH / FRANCE / PARIS, 1832 - 1883) oil painting on canvas depicting a boy smoking a tobacco pipe. Mounted in a gold leaf wooden frame. Board measu

Herman Johannes van der Weele Dutch 1852-1930 Grazing Sheep watercolor on paper signed lower right Sight: 12 3/4 x 20 3/4 in. (32.4 x 52.7 cm.), Frame: 21 1/4 x 29 1/4 in. (54 x 74.3 cm.)

1761 Medicine & Surgery of Dutch Herman Boerhaave van Swieten Vellum CURES Together with his pupil Gerard van Swieten, Herman Boerhaave wrote this commentary on surgery and curing diseases in 1709. Th

Swanevelt, Hermann van (Dutch, 1603-1655), The Cardinal, etching on paper, c.1650, 6.5 x 10.5 inches, matted and framed 17 x 20 inches, this images is from a set made by Swanevelt of 12 Roman landscap

Adriaen Jansz. van Ostade (Dutch, 1610-1685) A Group of four etchings Three by van Ostade: 'The Pig Killers' (G.41), 1642, final eighth state, 117 x 115mm (4 5/8 x 4 1/2in)(PL), 'The Doll' (G.16), 167

Aelbert Jacobsz Cuyp (Dutch 1620-1691) Miniature Etchings, series with the corresponding title page "VI Stuks Koitjes Geetst door A. Cuyp"; images of cattle in landscape. Four with monogram in plate;

Four etchings after Rembrandt van Rijn (Dutch, 1606-1669) issued by Rembrandthuis / Rembrandt House, comprising three self portraits and a study of Saskia and others, Bartsch 320, 019, 021, 365, unfra

After Rembrandt, portrait painting, After Rembrandt van Rijn (Dutch, 1606-1669), Portrait of Herman Doomer, 1933, oil on canvas, unsigned, stamped verso "Copy, From the Original, The Metropolitan Muse

After Rembrandt, portrait painting, After Rembrandt van Rijn (Dutch, 1606-1669), Portrait of Herman Doomer, 1933, oil on canvas, unsigned, stamped verso "Copy, From the Original, The Metropolitan Muse

the first: Anthonie Waterloo (Flemish, circa 1610-1690), on laid paper with partial fleur-de-lis watermark; the second: Allaert van Everdingen (Dutch, 1621-1675), Sportsman Near a Large Tree, on laid