Herman van Swanevelt (Woerden circa 1600-1665 Paris), and Jan Asselijn (Dieppe 1610-1652 Amsterd...

Herman van Swanevelt (Woerden circa 1600-1665 Paris), and Jan Asselijn (Dieppe 1610-1652 Amsterdam) A wooded landscape with a huntsman and his dogs resting on a rock oil on canvas 90.2 x 117.5cm (35 1

Van Avont, Pieter (Mecheln 1600–1652 Antwerpen) Umkreis Anbetung der Hirten. Öl auf Holz. 58,7x51 cm.

A pair of gold and diamond leaf earclips, Van Cleef & Arpels, Paris, circa 1970's. Each set with a central line of five modern brilliant cut diamonds. 18ct yellow gold. Weight 13.26 grams. Len

Attributed to Jan Olis (Gorinchem circa 1610-1676 Heusden) Soldiers playing a game and smoking in an interior oil on panel 36.6 x 42.2cm (14 7/16 x 16 5/8in). Footnotes: Provenance With Thom

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

(or Peeter, Flemish, 1600-1652) The Abduction of Europa, unsigned, oil on panel, 16-1/4 x 23-1/2 in.; 20th century black-painted reverse-profile frame,. Condition: visible underdrawing, light retouch,

Rotterdam: Abraham Migoen, 1610. Small 4to, second edition, many woodcut illustrations (no volvelles are called for in the second edition), 17th century vellum, early ownership inscription (dated 1676

Beautifully engraved gold case, covered with stingray on exterior case, attached to an 18KG chatelaine marked Jan van Aken, Amsterdam 1781. A very rare pocket watch, 53 mm. in diameter.

circa 1979 oil on canvas signed lower right signed, titled, and dated on stretcher verso Exhibited: Galerie Morantin-Nouvion, Paris [February 6, 1979] 45 x 31 inches

Circa 1600 Zhangzhou Swatow Vase decorated with iron red and cobalt blue writhing dragons on two sides, set in fields of flame and symbols of fortune, the form having a broad neck with slightly flared

A 17th century German silver-gilt 'snakeskin' tankard Paul Hübner, Augsburg circa 1610, also later stamped with Austrian Freistempel 1809/10 Plain tapering cylindrical form, the hinged flat-dome

A LARGE ICON SHOWING CHRIST'S DESCENT INTO HELL Greek, circa 1600 Tempera on wood panel. Executed on a gold ground. The panel depicts the Descent into Hell, showing Christ holding the cross symbolizin

A RARE AND MONUMENTAL ICON SHOWING ST. SIMEON THE STYLITE Russian, circa 1600 Tempera on wood panel with kovcheg. The saint is portrayed frontally half-length. The facial features are executed in grea

Pierre Jan van der Ouderaa (Belgian, 1841-1915) Foor in de Oude Buers te Antwerpen signed and dated 'P.VANDER OUDERAA/Antwerpen 1892' (lower right) oil on canvas 138 x 203.5cm (54 5/16 x 80 1/8in).

Ray and Charles Eames (1912-1988 and 1907-1978)Model 420 storage unit for Herman Miller, circa 1950sDesigned circa 1950sWith Herman Miller label to interior of one drawer: Designed by / Charles EamesF

Oil on canvas. Military Scene. Signed lower left. From a New Rochelle, NY collection. - Dimensions: 20.75" high x 32.5" wide

olio su rame, W. 28 - H. 20 Cm

olio su rame, W. 28 - H. 20 Cm

Born in the Zeeland village of Middelharnis, Jan van Os was first apprenticed to the decorative painter Aert Schouman in The Hague. His early specialisation was in seascapes, but after turning to the

Louis XV style ormolu mounted commode, in the manner of Stockel and Benneman. Paris, circa 1900. Shaped marble top above three drawers with center lion mask above cabinet doors with large ormolu mount

Jan van Che?mi?ski (Polish, 1851-1925), Bavarian Military Officersoil on canvas, signed at lower right, presented in a later frame. Stretcher size 23 1/4 x 33 1/4 in.; Frame dimensions 28 1/4 x 38 1/2

Jan Van Munster Dutch 1939 - Impressionist Seascape Painting With Figures. Oil on Canvas.16" x 20" Framed.

Y A FRENCH ORMOLU, JAPANESE LACQUER-MOUNTED, EBONY, EBONISED AND HARDWOOD CENTRE TABLEAFTER ADAM WEISWEILER, BY HENRY DASSON, PARIS, CIRCA 1880The underside stamped 'HENRY DASSON', one leg with herm m

François Linke (French, 1855-1946) French Ormolu-Mounted Kingwood & Vernis Martin Vitrine Paris, circa 1900. Louis XV Style. Signed 'Linke'. 87 x 57 x 17 in.