SESAR (pseud. SERGIO SARRI) (1938) - Der Blaue Engel

SeSar (Sergio Sarri) - "Psycho", 1984 ITA tecnica mista su cartoncino - 23,5 x 31,5 cm Tavola originale realizzata da SeSar per "Psycho", page 3 di questa storia in omaggio a Rita Hay

Marlene Dietrich Der Blaue Engel Framed German Film Poster. German lithographic poster for the film Der Blaue Engel (The Blue Angel). In a green painted wood frame with a label on the back from The Pi

No Reserve! Sergio Sarri (Turin, 1938) Containment Chamber Screenprint on paper Dimensions 70.5 x 73 cm Signed and dated lower right Year 1972 Title and numeration at the bottom left Sample 71/75 Dry

No Reserve! Sergio Sarri (Turin, 1938) Space Ballet Original poster of the exhibition held at Villa Argentina, Viareggio (Italy) From 23/07/2017 to 10/09/2017 Offset printing on cardboard Dimensions 3

Warrior, 1961. Signed, dated mid-left, reverse with gallery/exhibition label, Galleria Tornabuoni, Firenze, Collection of Mr. Frank Patalano, NY watercolor. Charcoal on Paper. 19.5 by 12.5 in., overal

(Sergio Sarri) SeSar - Che fine ha fatto Selma Todd? Original art #19 for the series on Hollywood's mysteries published on Corto Maltese. Acrylic colors on thin cardboard. Signed (Sergio Sarri) SeSar

Sergio Sarri (Italian, B.1938) Abstract composition signed and dated 62, Oil on Canvas, signed lower left, 20 X 27 inches

Sergio Sarri (Italian, b.1938) Grupo Alterra, 1962, oil on canvas, signed lower left, inscribed verso, framed. Gallery labels verso. 20 x 27 in. canvas size, 28 x 36.5 in. as framed Condition: Surface

Sarri, Sergio (Italian, born 1938), La Citta (The City) 1963 an early abstract cityscape, entitled "The City", oil on canvas, signed and dated lower left, with artist and gallery label on reverse from

REMBRANDT HARMENSZOON VAN RIJN (NACH) 1606 Leiden - 1669 Amsterdam DER ENGEL VOR DER FAMILIE DES TOBIAS VERSCHWINDEND Radierung auf Papier; Abzug von Basan, Paris (Ende 18./Anfang 19. Jh.). BM 14 x 18

''Der Blaue Reiter'', R. Piper & Co. Verlag , Munich, 1912, 4to, soft cover, age and light toned, spine and joint loose with some paged detached, slightly rough page edges from normal handling.

ATTRIBUTED TO JEAN GRANDJEAN 1752 Amsterdam - 1781 Rome THE ANGEL APPEARS TO HAGAR AND ISHMAEL Pen-and-ink drawing in black and grey, brown ink wash on blue hand-made paper. 29,1 x 21,3 cm (visible si

AVENTURO GRAMMATICA 1571 Siena - 1626 Rom (attr.) MARIA MAGDALENA UND DER ENGEL AM GRAB CHRISTI Öl auf Leinwand (doubl.). 114,5 cm x 148 cm. Part. altrest. Rahmen.

Group of 12 books "Derriere le Miroir," Paris, France: Maeght Éditeur between 1952-1963. Featuring Alexander Calder, Marc Chagall, German avant-garde group Der Blaue Reiter, Pierre Rever

Frame: 20" x 17" Shipping in USA $ 90 Béla Kádár was a Hungarian painter influenced by Der Blaue Reiter, Cubism, Futurism, Neo-Primitivism, Constructivism, and Metaphysical painting. KádÃ

Private Collection 19.5" x 13.5" Attrib. with certificate Bela Kadar was a Hungarian painter influenced by Der Blaue Reiter, Cubism, Futurism, Neo Primitivism, Constructivism and Metaphysical painting

Frame: 20" x 17" Shipping in USA $ 85 Alexej Georgewitsch von Jawlensky was a Russian expressionist painter active in Germany. He was a key member of the New Munich Artist's Association, Der Blaue Rei

Private Collection 11.75" x 11" Attrib. with certificate. Béla Kádár was a Hungarian painter influenced by Der Blaue Reiter, Cubism, Futurism, Neo-Primitivism, Constructivism, and Metaphysical pain

Private Collection 14" X 11" Attrib. with certificate. Béla Kádár was a Hungarian painter influenced by Der Blaue Reiter, Cubism, Futurism, Neo-Primitivism, Constructivism, and Metaphysical paintin

Private Collection 14" X 11" Attrib. with certificate.Béla Kádár was a Hungarian painter influenced by Der Blaue Reiter, Cubism, Futurism, Neo-Primitivism, Constructivism, and Metaphysical painting

Oil on board, nursing woman and her child, signed and attr. Bela Kadar (Hungarian, 1877-1956); 24 inch x 19 inch. A Hungarian painter influenced by Der Blaue Reiter, Cubism, Futurism, Neo-Primitivism,

Ernst Barlach (German, 1870-1938) Der Erste Tag (plate # 1 from Die Wandlugen Gottes), 1920 woodcut signed in pencil 10 x 14 inches. Provenance: Provenance: R.S. Johnson-International Gallery, Chicago

Teekännchen mit J-HenkelMeissen, um 1740-45.- Umlaufende Flusslandschaft -Porzellan, weiß, glasiert. In Purpur-Camaieu bemalt. Goldspitze. Goldrand. Unter der Glasur blaue Schwertermarke.

Mädchen im Spitzenkleid mit PfeilKönigliche Porzellan Manufaktur, Meissen um 1850. Porzellan, weiß, glasiert. Polychrom und Gold bemalt. Goldrand. Unter der Glasur blaue Schwertermarke. 1. Wahl. Ei