RAYMOND PETTIBON, Untitled (I started wetting...),

Raymond Pettibon Untitled (I Saw Xenophanes in My Acid Trip) 1987watercolor on paper22 h × 17.25 w in (56 × 44 cm) Signed, titled and dated to front 'Nelson 87 I Saw Xenophanes in My

RAYMOND PETTIBON (American, b. 1957)Untitled (Play Ball), 1989Silkscreen.Number 4 out of the printer's proof edition of 5.Signed and dated at lower right and "P/P" and "4/5" to

RAYMOND PETTIBON Untitled (I'm Losing the Big Picture In the Full Story of My Life). Set of 4 lithographs on Rives BFK, 2010. Each 240x195 mm; 9½x7 inches (sheets), full margins. Each signed or i

Raymond Pettibon Untitled (from the Thinking of You portfolio) 1998watercolor and graphite on printed paper (double-sided) sight: 11 h × 8.5 w in (28 × 22 cm) This work is a unique

RAYMOND PETTIBON (B. 1957) Untitled Print in Colors 9" x 11"

RAYMOND PETTIBON (B. 1957) Untitled Print in Colors 9" x 11 1/4"

Raymond Pettibon (1957) Untitled (I Thought California Would Be Different),1989 Screenprint Signed lower right: 'Raymond Pettibon' Unnumbered/outside the edition of 65 Diana Zlotnick Collection acquir

Raymond Pettibon (b.1957)Untitled (We Still Have Something Easy to Destroy)Screenprint, signed and numbered from the edition of 120 in pencil, on wove paper, the full sheet, 915 x 610mm (36 x 24in)

Unique ink and watercolor on paper Signed and dated in ink on verso Sheet: 14 x 12 inches; Framed: 24.375 x 22 inches

Silkscreen From the numbered edition of 25 Signed and numbered in pencil on recto Sheet: 22.25 x 15 inches; Framed: 25.75 x 18.75 inches

Raymond Pettibon (b. 1957): Untitled Lithograph in colors on Somerset, 2017, signed and dated in pencil, numbered 3/50. 24 x 18 in. (sheet), 27 1/4 x 22 in. (frame). 

Raymond Pettibon (born 1957) Untitled (From 12 Prints by Raymond Pettibon), 1991 Silkscreen Publishers proof edition of 3 aside from the numbered edition of 40 Signed and numbered in pencil on recto I

Untitled (Open Wide) silkscreen by Raymond Pettibon, 1988. Signed and numbered in pencil.

Untitled (VAVOOM With the support of a formidable body of German philosophy.), 1987; Ink on paper (framed); Signed and dated; 22 1/2" x 17 1/2" (sheet); Provenance: Private Collection

Raymond Pettibon No Title (Knowing that it) pen and ink on paper 18 h × 23.5 w in (46 × 60 cm) Sold with a digital copy of the original invoice from Regen Projects. Proven

Raymond Pettibon No Title (There are times) 2006pen and ink on paper 18.75 h × 23 w in (48 × 58 cm) Sold with a digital copy of the original invoice from Regen Projects.

Raymond Pettibon No Title (I see the...), 2019 2020inkjet in colors on paper over skateboard polyptych 31.5 h × 48 w × 1.5 d in (80 × 122 × 4 cm) Signed to one skateboa

Raymond Pettibon No Title (The bright flatness) 2003inkjet in colors on paper over 7-ply maple wood skateboard triptych 32 h × 24.25 w × 2 d in (81 × 62 × 5 cm) Printed

Raymond Pettibon Owl 2006rice paper bonded to Hobie skimboard 55.25 h × 20.75 w × 1.25 d in (140 × 53 × 3 cm) Signed twice, dated and numbered to underside 'Raymond Pet

Raymond Pettibon (born 1957) No Title (I see the...), 2019 Inkjet in colors on paper over six skateboards, signed on one skateboard, numbered from the edition of 50 on the reverse of each board, publi

Raymond Pettibon No Title (Use the Moon) 1991screenprint image: 24.375 h x 14.625 w in (62 x 37 cm) sheet: 30.25 h x 22.25 w in (77 x 57 cm) Signed and numbered to lower edge 'Raymond Petti

Raymond Pettibon WOW (Works on Whatever) Project Beach Towel 2013digital print on brushed cotton towel 54 h × 62.5 w in (137 × 159 cm) Fabric manufacturer's label to edge 'Works on

USA, 1988 handprinted silkscreen 26” x 20” I Value This for Its Associations by Raymond Pettibon, a silkscreen in an edition of 50, as part of Helter Skelter: LA Art in the 1990s at MOCA,

Raymond Pettibon Assorted 'zines and a comic (15) 1978-1980s Offset lithograph on paper; each staple-bound The Cloud of Unreading: #55 of 100; The Language of Romantic Thought: #84 of 100 Published by