Raymond Pettibon (1957) Untitled (I Thought California Would Be Different), 1989

Raymond Pettibon (1957) Untitled (I Thought California Would Be Different),1989 Screenprint Signed lower right: 'Raymond Pettibon' Unnumbered/outside the edition of 65 Diana Zlotnick Collection acquir

RAYMOND PETTIBON (American, b. 1957)Untitled (Play Ball), 1989Silkscreen.Number 4 out of the printer's proof edition of 5.Signed and dated at lower right and "P/P" and "4/5" to

Unique ink and watercolor on paper Signed and dated in ink on verso Sheet: 14 x 12 inches; Framed: 24.375 x 22 inches

Silkscreen From the numbered edition of 25 Signed and numbered in pencil on recto Sheet: 22.25 x 15 inches; Framed: 25.75 x 18.75 inches

Raymond Pettibon (b. 1957): Untitled Lithograph in colors on Somerset, 2017, signed and dated in pencil, numbered 3/50. 24 x 18 in. (sheet), 27 1/4 x 22 in. (frame). 

Raymond Pettibon (born 1957) Untitled (From 12 Prints by Raymond Pettibon), 1991 Silkscreen Publishers proof edition of 3 aside from the numbered edition of 40 Signed and numbered in pencil on recto I

Raymond Pettibon (b.1957)Untitled (We Still Have Something Easy to Destroy)Screenprint, signed and numbered from the edition of 120 in pencil, on wove paper, the full sheet, 915 x 610mm (36 x 24in)

RAYMOND PETTIBON (B. 1957) Untitled Print in Colors 9" x 11"

RAYMOND PETTIBON (B. 1957) Untitled Print in Colors 9" x 11 1/4"

Untitled (VAVOOM With the support of a formidable body of German philosophy.), 1987; Ink on paper (framed); Signed and dated; 22 1/2" x 17 1/2" (sheet); Provenance: Private Collection

Raymond Pettibon Untitled (I Saw Xenophanes in My Acid Trip) 1987watercolor on paper22 h × 17.25 w in (56 × 44 cm) Signed, titled and dated to front 'Nelson 87 I Saw Xenophanes in My

RAYMOND PETTIBON Untitled (I'm Losing the Big Picture In the Full Story of My Life). Set of 4 lithographs on Rives BFK, 2010. Each 240x195 mm; 9½x7 inches (sheets), full margins. Each signed or i

Raymond Pettibon (born 1957) No Title (I see the...), 2019 Inkjet in colors on paper over six skateboards, signed on one skateboard, numbered from the edition of 50 on the reverse of each board, publi

Raymond Pettibon (American, b. 1957) Works On Whatever project limited edition beach towel, 2013 Digital print on cotton. Produced by the Art Production Fund and Target, USA. Seam with cotton tag with

Larry Bell Untitled (from in Barcelona Suite/Portfolio California) 1989 Color lithograph on paper #6 of 9 collaborator's proofs aside from the edition of 75 Published by Ediciones Polígrafa, Barc

Untitled (Open Wide) silkscreen by Raymond Pettibon, 1988. Signed and numbered in pencil.

Dana Bartlett (1882-1957) Untitled Autumn Landscape. Circa 1925. Signed lower left. Sight size measures 9.75 x 7.5 with a frame of 17.5 x 15.5 inches. Provenance: The Evonne K. English Conservatorship

Raymond Pettibon Assorted 'zines and a comic (15) 1978-1980s Offset lithograph on paper; each staple-bound The Cloud of Unreading: #55 of 100; The Language of Romantic Thought: #84 of 100 Published by

Don Worth, Untitled (Leaves), c. 1957, Vintage gelatin silver print, 10.25" x 13.5". Artist's credit stamped on verso. Crop marks and notations in pencil on verso. Orientation marked in pen on verso.

Paul P. Untitled 2020watercolor on paper 11.125 h x 8.625 w in (28 x 22 cm) Provenance: Queer Thoughts, New York | Private Collection, California This work

Raymond Pettibon No Title (Knowing that it) pen and ink on paper 18 h × 23.5 w in (46 × 60 cm) Sold with a digital copy of the original invoice from Regen Projects. Proven

Raymond Pettibon No Title (There are times) 2006pen and ink on paper 18.75 h × 23 w in (48 × 58 cm) Sold with a digital copy of the original invoice from Regen Projects.

Raymond Pettibon No Title (I see the...), 2019 2020inkjet in colors on paper over skateboard polyptych 31.5 h × 48 w × 1.5 d in (80 × 122 × 4 cm) Signed to one skateboa

David Klamen (American, b. 1961) Untitled, 1989 oil on linen signed Klamen and dated (verso) 83 1/8 x 71 1/8 inches From the Machura Estate Provenance: The artist and Marianne Deson Gallery, Chicago M