BOWLES AND CARVER ENGRAVINGS

PHEASANT SHOOTING 1802" AND "PARTRIDGE SHOOTING 1800" - SEPIA COLOR 10 3/4" X 13 3/4

Acute pain 10, compassion 14, Simple Bodily Pain 11 Bowles Passion of the Soul 3 copper plate engraving After Charles Le Brun (1619-1690) Carrington Bowles London printed for Bowles & Carver No.69

After Thomas Bowles, 18th century, Engraving with hand colouring, A View of Somerset House with St. Mary's Church in the Strand London. Printed by Laurie & Whittle, 53 Fleet St, Bowles & Carver 69 St

Reserve Reduced! Title/Content of Map: 1753 Bowles & Carver Birds' Eye View of London -- Vue Generale de la Ville de Londres Date: 1753 Cartographer: Bowles & Carter Size: 8.9 X 15.1 in. An attractive

**Originally Listed At $50** Bowles and Carver - Carington II Bowles ; Henry Carington Bowles; Samuel Carver (British, active 1793-1832), "Bowles's New One-Sheet Map of the Kingdoms of Spain and Portu

ARTIST UNKNOWN (English, 19th century) A Collection of Four Works Hand colored engravings Published by Bowles & Carver, London, UK Each: H 11 x W 16 inches

[MAPS]. BOWLES, Carington (1724-1793). Bowles's Reduced New Pocket Plan of the Cities of London and Westminster… London: Bowles and Carver, 1798. Engraved map (fully opened, 394 x 552 mm) with c

Bowles's Universal Display of the Naval Flags of all Nations in the World. London, Bowles and Carver. 24pp. hardcover 1/4 leather bound 5 1/2 x 3 1/2 inches

published 1806, PRINTED for the PROPRIETORS, BOWLES and CARVER, No.69 St. Paul's Church Yard ... Roads and Distances ... agreeable to those given ... by Daniel Paterson, 69 cm x 68 cm, presented in th

2 18th C. Engravings, The Chinese House, The Rotunda & Company at Masquerade . The Rotunda at Ranelagh Gardens in Chelsea near (now in) London by Thomas Bowles, 1754; A General Prospect of Vaux Hall G

Pr of antique ship engravings printed for Carrington Bowles titled "A Gentle Breefe…" & "A First Rate…" published 1770 - overall framed size 12 3/4"x16 1/4"

Sadness 12, Weeping 13, Admiration with Astonishment 4, Desire 7 Bowles Passion of the Soul 4 copper plate engraving After Charles Le Brun (1619-1690) Carrington Bowles London printed for Bowles &

John Bowles (British 1709 - 1779) "A New and Exact Map of America Laid Down from the Latest Observations and Discoveries", circa 1750 Two sheet map engraving of the "Representation of the Customs and

18th-19th century engraving in an oval portrait in frame under glass "Sir Joshua Reynolds Pinx", frame by an Italian carver and gilder, with emblem on back. Provenance: Phyllis Lucas Gallery, NYC. [Ar

P. Canot, NYC color engraving, P. Canot (18th/19th c.), "South West View of the City of New York, in North America", published London, printed for John Bowles and Henry Parker, 14.5"h x 21"w (sight),

Edouard Manet (French 1832-1883) engraving titled 'La Parisienne'. Signed in the plate "Manet" lower right. Signed by the carver "“A Prunaire sc" lower left. Measures 11 1/4" (28.5cm) x 8 1/4" (21cm

A beautifully handcolored engraving entitled "The Inside of St. Peters Church at Rome", printed at London for John Bowles, 1749. The engraved image backed to paper board with the inscription pasted on

Printed for Carrington Bowles, St. Pauls Church Yard, London, 1771. Matted and framed. Visible image: approx. 6 1/4" x 4 3/4". Frame: approx. 13" x 10 1/4".

The Battle of Lonoshutz, in Bohemia, where the King of Prussia defeated Marshal Brown, on the 1st of October 1756. Sheet 14 x 19 inches. Printed for John Bowles at N. 13 in Cornhill.

Bowles, J. A VIEW OF THE TAKING OF QUEBEC. SEPTEMBER 13TH 1759. Coloured engraving. Size of image 32 x 46.5 cm in a modern frame. Proceeds to benefit the Royal Ontario Museum.

[Early New York View], after William Burgis (active 1722-1736), "Fort George with the City of New York from the SW.", c. 1794, hand-colored engraving by John Carwitham, published by Carington Bowles,

Bowles, J. A VIEW OF THE TAKING OF QUEBEC. c. 1760 Coloured engraving. Size of image 20 x 26.5 cm in a modern frame. Proceeds to benefit the Royal Ontario Museum.

Etching and engraving by John Sturt (1658-1730) after Robert Inglish (active 1714). Printed and sold by Thomas Bowles, London, also included in a later impression of Brittania Illustrata. Published 17

RASHID JOHNSON (B. 1977) Carver 2012 signed on the reverse burned red oak flooring, black soap, wax and spray enamel in artist's frame 184.2 by 125.7 cm. 72 1/2 by 49 1/2 in. This work was executed