"GEORGIUS AGRICOLA DE RE METALLICA" BY HOOVER.

"Georgius Agricola de re Metallica" translated from the first Latin edition of 1556 by (president) Herbert Clark Hoover and Lou Henry Hoover. Published by The Mining Magazine, 1912. Vellum bound hard

[Metallurgy] Georgius Agricola. DE RE METALLICA. Herbert Clark Hoover and Lou Henry Hoover translators. Mining Magazine, 1912. Folio. Orig vellum. Front joint partly split, rear joint brittle, covers

1912 Herbert Clark Hoover & Lou Henry Hoover translated reprint of 1556 Georgius Agricola de re Metallica- inscribed by H C hoover, bound in vellum

Georgius Agricola: De re metallica libri XII Basel, Froben, 1556 538 Seiten mit zahlreichen, teils ganzseitigen Holzdrucken, zuzüglich einem umfangreichen Index von 72 Seiten. Holzdeckel mit geprägt

3 woodcuts from Georgius Agricola's De Re Metallica. One leaf in Latin, framed with an identical leaf in German, and an additional leaf in German. Circa 16th century. Pair, each 8" x 6" (with frame 15

Mining & Metallurgy.- [Agricola (Georgius)] [De re metallica libri XII], second edition in Latin, 95ff. only, woodcut illustrations in text by Hans Rudolf Manuel Deutsch after Blasius Weffring, some f

European, likely Switzerland, ca. 16th to 17th century. A pair of woodcut engravings, possibly from "De re metallica" (Latin for "On the Nature of Metals/Minerals") by Georgius Agricola (published in

Leaf from Agricola treatise, De Re Metallica, 1456 17.5"H * 13"W

16th C Engraved leaf from De Re Metallica, printed at Basel. Very Good, light discoloration, measures 8 x 12.5". Reserve: $30.00 Shipping: Domestic: Flat-rate of $5.00 to anywhere within the contiguou

3. Agricola, Georgius. De Animantibus subterraneis liber. 79 pages, [30], [4] pages, including colophon and printer's device. Small 8vo, old pasteboard; covers detached, front inner joint conserved, i

Ɵ The 'Harpenden codex' of Palladius, De re rustica, in the earliest Italian translation of the work, that attributed to the scholar-translator Andrea Lancia, decorated manuscript on paper [Italy

Agricola Georg, De mensuris & ponderibus... Basileae: ex officina Frobeniana, 1533. In-4° (mm 210x150). Pagine 292, [4]. Marca tipografica a frontespizio e colophon, alcuni capilettera in xil

VEGETIUS RENATUS (FLAVIUS) De re militari libri quatuor, full-page woodcut portrait of the author on verso, some repairs to title-page resulting to small loss to printer's device and portrait and tou

Agricola, Georgius (1494-1555) Trans. Philipp Bech. "Vom Bergkwerck XII Bucher... (On The Nature of Metals / Mining)". Basel: H. Froben and N. Bischoff 1557. First Edition in German, Gothic type with

Bottom reads in grimio matrix sedet sapientia patris-"potrait of the miraculous image of the Madonna de Re of Valle Vigezzo". Art 20 x 15.5 inches

JEAN-BAPTISTE HENRI DESHAYS (French, 1729-1765). Paysage de Rivière avec des Pêcheurs Paysage de Rivière avec des Pêcheurs (River Landscape with Fishermen), Oil on canvas. Framed. Alternat

DIAMANTS, SIGNÉES CARTIER le corps de panthère pavé de diamants, numérotée 637572, poinçon 750 et poinçon d'or franÃ&

As you wear this Bracelet, you'll be transported into the realm of elegance and sophistication that Cartier is renowned for. The PANTH?RE DE CARTIER collection is a celebration of the powerful and gra

Panthère de Cartier watch, small model, quartz movement. Case in 18K yellow gold and steel, dimensions: 22 mm x 30 mm, thickness: 6 mm, crown set with a synthetic blue spinel, silvered dial, blued-

Group of Three Chinese Export Famille Rose Porcelain European Subject Wares Unmarked. Comprising: A tea caddy decorated with Les Pélérins de l"ile de Cythère and a replacement silver cover A

Lady's Stainless Steel and Gold Panthère de Cartier Watch, Cartier quartz movement, the square case with gold bezel, the signed white dial with black Roman numeral hour markers and with blued steel

This is a very fine rare authentic Antique French Louis XV Tapestry made with very fine silk on a wool border. This exceptional piece is signed: MANUF RE ROYAL DE BEAUVAIS1773.This would have been par

Edmond Marie Petitjean (French, 1844-1925), "Bords de la Rivière", oil on canvas, signed lower left, 15 1/2 in. x 22 1/2 in., framed

the white enamel dial painted with Arabic numerals and swags, signed 'Denière/ Fd de Bronzes/ A Paris', in an arched marble case on a stepped base of breakfront outline, with gilt bronze cornucopia