"Le Bon Genre", Etchings, Circa 1817

After Georges Jacques Gatine (French; circa 1773 – after 1841) hand-colored intaglio engraving on paper, Le Bon Genre, No. 109 La Danse du Schall. Circa: 19th century. Signed in the print lower

After Georges Jacques Gatine (French; circa 1773 – after 1841) hand-colored intaglio engraving on paper, Le Bon Genre, No. 109 La Danse du Schall. Circa: 19th century. Signed in the print lower

Les Chiens al Mode, colored engraving, 1817, From Pierre de la Mesangere's Le Bon Genre, Paris, hand-colored lithograph, framed under Plexiglas, 8"h x 11.5"w (sight), 13.5"h xc 17.25"w (frame)

France, early 19th century. An exceptional colored engraving titled Le Bon Genre n°98. On chain laid paper, dates to 1817. Overall good condition, light wrinkling and heavy plate marks.

Circa 1775-1817 etchings with aquatint by Claude Le (Gellee) Lorrain (1600 - 1682). Images measure approximately 7.5 in. x 10 in. - 11.75 in. and sheets measure 10.5 in. - 11 in. x 17 in. Unframed, lo

Leur Credulite Fait Toute Science, Le Bon Genre No. 6. Paris, ca. 1800. Satirical hand colored engraving of old woman reading the fortunes of two younger Parisian ladies with playing cards. Attributed

French, 19th century..#9 Le Retour du Bal, #17 Mademoiselle Pastel, #31 Le Vieux Style..laid paper, french mats..toning and some foxing / discoloration..sights approx 7H x 9W, frames 14H x 16W

19th C., French..hand colored, laid paper, french mats, toning, light foxing/discoloration..#33 Ravel, #35 Les Chiens a la mode, #84 Les Petites Marionettes..sights approx 7H x 9W, frames

French, 19th C..laid paper, French mats..toning and some foxing / discoloration..#85 Le Chien.., #91 Equilibre du Chandelier, #96 Anglaise..sights 7H x 9W, frames 16H x 16W

Five Le Bon GenreEngravingsIncluding, "Faut apprendre a souffrive pour etre Belle", "Le coucher des Grisettes", "Le Lever des Griselles", and "Cinq pour une".Pr

print in very good condition, 20" X 21"

French School, (4) 19th c. color engravings, French School (19th c.), "Le Bon Genre" and "Musee Grotesque", 9.5"h x 12"w (sight), 15.5"h x 19.5"w (with frame)

Le Supreme Bon Ton No.27 Etching - Proff. Matted w/ Glass Frame

Manuel Robbe (French, 1872-1936) Le Bon Cafe. Color aquatint, circa 1907, pencil signed lower right and numbered 'no. 23' from the edition of about 100. Ref: Perussaux/ Chase 14. Provenance: Gusfiled-

Claude Lorrain (1600-1682)Le Bouvier (The cowherd)Etching, circa 1650-1651, a well inked impression of Mannocci's fourth state (A), with tree study in black chalk verso tracing the etched tree, on lai

Adriaen van Ostade (Dutch, 1610–1685). The Breakfast (Le Gourmet en Compagne). Genre etching peasants in cottage. Sight 8" x 10", overall 12 1/2" x 14".

Charles-Francois Daubigny (1817-1878) Etching. "Le Gran Parc a Moutons" (edition out of 25 in this state). Label verso on framing. Sight Size: 8 5/8 x 14.75 in. Overall Framed Size: 21 x 25 in. Framed

AFTER GEORGES BRAQUE, FRENCH (1882-1963) CIRCA 1950 ETCHING AND AQUATINT, "LE NID VERT". PENCIL SIGNED LOWER RIGHT, NUMBERED 102/300 LOWER LEFT. TONING OTHERWISE GOOD CONDITION. MEASURES 9 INCHES TALL

Paul Signac (French, 1863-1935) Le Pont des Arts avec Remorqueurs. Etching, circa 1927, on Japan paper. Reference: Kornfeld/Wick 24 Sight: 5" x 7.5" Frame: 13.5" x 15.5"

After Joan Miro (Spanish, 1893-1983), "Le Chien Bleu," circa 1960, etching and aquatint in colors after the painting, pencil signed lower right, edition 41/300, printed by Crommelynck, Paris, publishe

Theo Tobiasse (French, 1927-2012). Le Reve de Jacob color etching with carborundum, circa 1984. Edition numbered 39/75, signed LR in graphite. paper margins with prominent pressed in design. Antiqued

Ash Parrot "Le Perroquet Cendre" Pl 100; Color Stipple Etching circa 1800 after Barraband by de Langlois from François Le Vaillant's Histoire Naturelle des Perroquets (Paris: 1801-1805); matted and f

Joan Miró (Spanish, 1893-1983). A limited edition color etching aquatint on paper titled "L'ecartelee," circa 1972. This abstract work is rendered in a bold, expressive style. The artist's signature

Georges Braque(1882-1963)"L'Oiseau bleu," (Invitation exposition Louis Broder pour le livre de Braque), circa 1960Etching and aquatint in blue on paper, watermark BFK RivesEdition: V/XSigned and numbe