17th Century - 1658 - Southwark / Half Moon - Unlisted Token Farthing

Dated [16]58 A.D. London, Southwark, Half Moon Inn. Obv: double crescent moon with YE HALFEMOON INN legend. Rev: initials W over B A with IN SOUTHWARKE 58 legend. 7.86 grams total. (). Found Gussage A

Approximately Sixty-five 17th and 18th Century English Coins and Tokens. Including half pennies, farthings, six pence coins, shillings, an 1878 Victoria half Sovereign with added suspension loop, and

17th-19th century A.D. Group comprising: mixed pennies, halfpennies and farthings; with a Victoria half farthing and a 19th century token penny. 270 grams total. By inheritance.Property of an Essex la

17th century A.D. Group comprising: Kent (Maidstone, Rochester); Suffolk (Hadleigh), Richmond and another. 4.17 grams total. From an old English collection formed before 2000. Acquired on the UK art m

17th century A.D. Cambridge, George Fellsted. Obv: mortar and pestles with GEORGE FELLSTED legend. Rev: F over G A in two lines with IN CAMBRIDGE legend. Williamson/Dickinson, Cambridgeshire 41; SCBI

17th century A.D. Group comprising: halfpennies (3), farthings (23); mixed types. 23 grams total. Found Berkshire, UK. [26, No Reserve]

Dated 1668 and 1669 A.D. Group comprising town tokens for: Kings Lynn (4; 1668, 1669(3)). 7.63 grams total. Ex UK collection. Property of a Portsmouth, UK gentleman.[4]

Having a 35-1/2" straight blade (probably 17th Century) with three median fullers. Both sides inscribed with half-moons. Straight crossguard with integral languets. Leather-wrapped lozenge pommel. Lea

17th-19th century A.D. Group comprising: Charles I, rose farthings (3); 17th century private issues (4); 19th century, uniface Staffordshire Co-Operative Society, bread token. 8.7 grams total, 13-24 m

17th century AD. Group comprising: Gloucestershire, Cirencester, farthing (William Constable); Oxfordshire, Oxford, farthing (Richard Tutton, 1668) and Somerset, Frome, halfpenny (Iohn Sanders, 1671)

Italian School, first half of the 17th Century, "Immaculate Conception".Oil on copper.Measurements: 29 x 20,5 cm.The devotional image presents the Virgin within a break of glory, with the moon under h

United States Early 20th Century Half moon top over single drawer over two doors opening to two shelves supported by spade feet. Mahogany,33" t x 38" w x 19" d. From the collection of a Cranston, Rhod

Full title: A Flemish walnut refectory table, 2nd half 17th C. Description: H 80,5 x L 234 x D 72,5 cm

Oil on copper Interesting work, with a curious iconography, in which the scene in the foreground of Saint Anthony stands out on a tribune before a large group of characters, who are represented in a i

FLEMISH MASTER Active 2nd half 17th century LANDSCAPE WITH HUNTING PARTY Oil on oak wood panel. 59 x 77,5 cm (F. 69 x 88 cm). Verso: On the panel the antwerp hand and tower as well as an old label 'Fr

Second half 17th century, 175 x 127 cm, West Anatolia, Manisa Province This red-ground double niche carpet of the Transylvanian group presents a floral blue-ground central medallion and a cartouche bo

Early Transylvanian Rug Anatolia c. second half 17th century, Romania is home to one of the most impressive collections of surviving antique Oriental rugs from the Ottoman Empire. This vibrant antique

second half 17th century, 167 x 123 cm, West Anatolia, Manisa Woven in workshops in the West Anatolian province of Manisa, these carpets were highly popular in 17th century Europe and frequently depic

First half 17th century, 44 x 101 cm, North East China, Beijing This rectangular horizontal fragment with two peonies on a golden, originally deep red ground constitutes part of the lateral field sect

British, second half 17th century, oak throughout with old mellow dark color, central balustrade door flanked by stylized flowers in carved relief, shelved interior, iron butterfly hinges, 30 x 35-1/2

A Flemish Baroque tapestrysecond half 17th centuryapproximately 8ft 11in x 6ft (270 x 164cm)

A FINE TRIPTYCH SHOWING THE PRESENTATION OF CHRIST TO THE TEMPLE, THE ASCENSION OF CHRIST AND THE TRANSFIGURATION Russian, 2nd half 17th century Tempera on wood panels. Finely executed in great detail

A MONUMENTAL ICON OF ST. GEORGE KILLING THE DRAGON North Russian, 2nd half 17th century Tempera on wood panel with double kovcheg. At the side of a mount the Saint upon a rearing white horse plunging

Oil on canvas, cm. 123x92,5