18TH/19TH C. JAPANESE COLOR WOODBLOCK

Inscription and signature chops. Dimensions: (Frame) H 16.75" x W 21.25", (Sight) H 8.25" x W 14" Condition: Toning to paper and matting. Handling marks. Traces of foxing.

Japanese School, (2) early woodcuts, Japanese School (18th/19th c.), Samurai battling a tiger, and Cloaked samurai pulling a maiden's obi, color woodblock prints on paper, 14.5"h x 19"w (sheet), 19.5"

Depicting a Japanese nobleman surrounded by geisha in an interior, sight size of each sheet: 13 3/4 x 9 in., framed

Monkey, approximate image size by sight 8 1/2" x 6 1/8", frame 12 1/2" x 10 1/8".

Signed lower right. Dimensions: (Frame) H 13" x W 17.25", (Sight) H 8" x W 12" Condition: Very light age toning. Rubbing to frame.

2 figures, signed, approximate image size by sight 9 3/8" x 6 7/8", frame 19 3/8" x 14 3/8".

Romantic scene with man playing flute while riding a cow. 8 x 5 1/2 inches (artwork only) Temp No 6085

19th c. Japanese Color Ukiyo-e Woodblock of a Courtesan and her Kamuro. Incredibly detailed kimonos. With kiwame censor. Professionally framed and matted. Measures in frame 20.50x25.50x1. Image area 9

JAPANESE COLOR WOODBLOCK PRINTS, C. 1900 TO 20TH C., 2, IMAGE: H 14", W 9 1/4", PAVILION & PAGODA IN THE SNOW:Each block signed by a different artist (unable to identify artists); each framed. Paper s

19/20th c. Japanese School Figures and Octopus (Shunga)- woodblock in colors, diptych, mounted to support sheet, soft creasing from handling, some soiling to paper. 14 1/4 x 23 1/2''

Unknown artist, depicting a landscape. Signature at top middle. Matted and framed behind glass, 14.75" H x 22.25" W.

Unknown, depicting a mother and child working, the top left with father and child butchering a monkey. Signature/caligraphy in top left box as well as left middle. 15" H x 10" W.

"The Moon on Mushashi Plain" from "The 100 Views of the Moon" by Yoshitoshi (1839-1892), signed and dated 1891. Two labels verso, one from the Kabutoya Galleries of San Francisco. Matted and framed un

"Spring Moon at Ninomiya Seashore" by Kawase-Hasui (1883-1957). Signed and dated 1832. Two labels verso, one from Shogun Gallery, Georgetown. Matted and framed under glass. Measures approximately 21"

"Looking Glass Hill in Shinano" by Ando Hiroshige (1797-1858) from "The 50 Odd Provinces" series. Signed and dated 1853. Two labels verso, one from the Shogun Gallery, Georgetown. Matted and framed un

"Maisaka at Sea of Imagiri" by Ando Hiroshige (1797-1858) from "The Famous Places of Tokaido, 53 Stations" series. Signed and dated 1855. Label verso from The Kabutoya Galleries of San Francisco. Matt

"Moon over Inabayama" from "100 Views of the Moon" by Yoshitoshi (1839-1892), signed and dated 1885. Label verso from the Kabutoya Galleries of San Francisco. Matted and framed under glass. Measures a

"Moonlight on the Ruin: Daruma (Thirty-fourth View)" from "The100 Views of the Moon" series by Yoshitoshi (1839-1892). Signed and dated 1886. Three labels verso. Matted and framed under glass. Measure

(3) Japanese woodblock prints, 18th & 19th c., Utagawa Toyokuni I (Japanese, 1769-1825), right panel from triptych "A Fashionable Parody of the Story of the Ataka Barrier", c. 1793; with, Angyusai Ens

(3) Japanese woodblock prints, 18th & 19th c., Kitagawa Utamaro. Okita and temple guardians, c. 1793, 10"h x 15"w; with, Utagawa Hiroshige, Tokimune caught by Goromaru in woman's kimono. c. 1843, 13.5

Two Japanese color woodblock prints of landscaped village, and another outdoor market scene. Measures 13"H x 18"W framed; 8"H x 13"W unframed. Common discoloration and strains throughout, please exami

**First Time At Auction** East Asia, Japan, 20th century. Six Shin Hanga color woodblock prints: (1) Kawese Hasui (1883-1957) "Morning at Ao Marsh" (2) Yoshida Horoshi (1876-1950) "Toshogu Shrine" (3)

Japanese Color Woodblock Print, Utagawa Kuniyoshi, (Japanese 1798-1861) "Traveling in a Snowstorm, " c.1830, matted and framed. Dimensions: 8.5 x 13 in. image size, 14 x 19 in. as framed. Condition: L

18th/19th C Japanese Painting of Fudo Myoo with two acolytes, in ink and color on paper, now mounted to gold thread brocade borders and framed. Appears in good condition with light age related wear, b