18TH/19TH CENTURY FRUITWOOD LOW TABLE 16 1/2 X 46 1/4 X 20 3/4

18TH/19TH CENTURY FRUITWOOD LOW TABLE 16 1/2 X 46 1/4 X 20 3/4

Italian School 18th-19th century hand written document with hand colored turtle, ink and watercolor, image size 12 ¼ x 16 ¾

A SIMILAR 18TH/19TH CENTURY CHINESE HARDWOOD LOW TABLE, 17.5in(44.5cm) x 14.4in(36.7cm) x 20.5in(52cm) high.

A GOOD PAIR OF 18TH/19TH CENTURY CHINESE HARDWOOD LOW TABLES, each with a rattan panel to its top surface, each with a plain frieze, 17.7in(45cm) x 14.3in(36.5cm) x 20.25in(51.5cm) high.

A mid century modern teakwood table lamp with filigree metal panels on front and rear, circa 1970. Measures 34"H x 9"W x 6"D - the shade measures 20" x 14" x 16"H - the interior of shade needs cleanin

End Tables. From a Rowayton, CT estate. Dimensions: low table, 36" x 36" x 14" h, end tables, 12" x 16"x 31" h, 18" x 18" x 20" h and 13" x 18" x 26" h. Condition: scuffs, scratches.

MAN & WOMAN, ink drawing on paper, signed lower right, sight 9 ¼ x 7 ¼”, gold leaf frame 16 ½ x 14 ¾” with glass. From the collection of Marian Brown.

Mid-Century Modern Low Glass & Chrome Side Table. Rectangle glass top sits in a polished metal frame that is supported by thin cylindrical rods for legs.Dimensions are 16.5 in h x 20 in w x 14.5 in d.

WOMAN AT TABLE; PERSON HOLDING GLASS, two, each an oil painting on panel, no signatures found, each 8 ¼ x 6 ¾”, framed 15 x 13 ½ x 2”. (2)

BRITTON, Sylvester (American, 1926-2009). Abstract Squares. [20th century]. Multimedia on paper. Signed at lower right corner. 5 ¾ x 6 ½”. Frame 20 ¼ x 16 ¼”. Excellent

(3) Chinese style occasional tables, 20th c., including a black painted Kang side table, 28"h x 23"l x 15"w, an elm Kang table, 20"h x 16"l x 12"w, and a red paint Ming low table with drawer, 14"h x 1

VILLAGE, oil painting on panel, signed lower left, 15 ¾ x 19 ¼”, frame 24 ½ x 28 ½ x 3 ¼”, weight 16 pounds.

MONTMARTRE, oil painting on canvas, signed lower right, 13 x 16 ¼”, discardable frame 18 ½ x 21 ¾”, old auction chalk marks on verso.

FRANK ZAPPA VANCOUVER 3/14/74, signed and titled and numbered 16/75 in ink, blind stamp lower right margin, image 16 ½ x 13”, full margins, frame 26 ¾ x 22 ¾” with gla

CARTER THE GREAT, color lithograph poster, printed by The Otis Litho Co. Cleveland, sight 20 x 13 ½” with margins, frame 22 ¾ x 16 ¼” with glass.

MAIDEN IN THE WOODS, oil painting on canvas, signed lower right, 24 ¼ x 16 ¼”, frame 31 ½ x 23 ½ x 3”.

UNTITLED (floating shoes), 2000, four acrylic paintings on Masonite, all signed and dated on verso upper right, frames 13 ¼ x 11 ¼”, 8 x 8”, 10 ½ x 8 ¾” &

INDUSTRIAL LANDSCAPE, 1946, oil painting on Albemarle canvas panel, signed and dated lower left, 10 x 14”, frame 15 ¾ x 19 ½”; Dwight Frankgin LANDSCAPE, 1913?, oil painting

YELLOW CHUKKER STUDY, 1989, acrylic painted metal variegated sculpture, 12 x 14 x 2”. Provenance Kiyo Higashi Gallery, Los Angeles. Sold for $1200. in 1990.

19th century, rectangular form, relief carved and shaped skirt with intricately carved dragons and foliate decoration, raised on tall straight legs with conforming relief carving. 34.25 x 47 x 14.75 i

PACKAGE DEAL IN PALOMINO VALLEY, 1977, color screenprint, signed and dated and numbered 1/5 in pencil, sheet 29 x 22 ¼”, frame 33 ½ x 27” with plexiglass.

67, 2001, acrylic painted wood construction, signed and titled and dated on interior, 13 x 5 ¼ x 4 ¾”. From the Stephen Cohen Collection, Los Angeles.

POMPEII SCENES, two gouaches on paper, each signed lower right, images 2 ½ x 10 ¾”, frames 5 ½ x 1`4” with glass. (2)

Gerard Dillon (1916-1971) Clown Dreaming Oil on board, 41 x 51cm (16 ¼ x 20) Signed, inscribed verso Provenance: With The Dawson Gallery, Dublin, label verso A fantastically imaginative and sli