19th c Italian School, Two Putti With Garland

"Sorrento" and "Roman Ruins" 4 x 5 1/2 inches gouache. framed

In the manner of Pompeo Girolamo Batoni (Italian, 1708-1787), early 19th century Continental oil on canvas depicting Esther before King Ahasuerus, the swooning biblical heroine attended by two maidens

In the manner of Pompeo Girolamo Batoni (Italian, 1708-1787), early 19th century Continental oil on canvas depicting Esther before King Ahasuerus, the swooning biblical heroine attended by two maidens

E. Battiglia (Italian/19th Century) "Primavera" carved marble two jubilant putti with flowers, incised signature and inscribed "Firenze" along back edge. h. 33", w. 16", d. 10" Provenance: Private col

A pair of late 19th century French gilt bronze figural six light garniture candelabra in the Louis XVI style the flowering lily branches supported by two standing putti, raised on floral garland mount

Louis XVI Trompe L Oeil Architectural Panel With Putti And Floral Garlands, Oil On Canvas Painting, 19 X 64 Inches, Giltwood Frame 26 X 72 X 2.5 Inches, Relined And Cleaned, Attractive Rubbed Surface

An Italian Neoclassical carved gilt-wood mirror, early to mid 19th century. Beaded and molded frame surmounted by two birds among a floral garland and scrolling leaves and vines. Nice diminutive size,

Italian School 18th-19th-Century Mount Vesuvius and Night on the Bay of Naples: Two Oil on copper, tondi Each diameter 5 7/8 inches (15 cm) Provenance: Felix Kuranda, Vienna (1852-1917) His daughter,

Two Italian Carved and Painted Putti second half 19th century, the smaller example holding a gilt cornucopia set with a candle pricket, h. 21-1/4", w. 7-1/2", d. 5", and the larger winged example in a

A pair of Victorian figural putti wall sconcesLate 19th centuryEach two-arm and three-light polished bronze wall sconce with a winged putti half-figure with acanthus scrolls, electrified2 piecesEach:

19th century. brilliantly carved white marble sculpture of putti feeding fruit to one another atop 19th century gilt-bronze and marble oval base. atop Corinthian wood classical style stand. figure: H1

(19th century) Two Donkeys at a Trough, unsigned, oil on canvas, 11-3/4 x 20-1/2 in.; modern reverse profile frame,. Condition: lined, restretched on old stretcher. Provenance: Collection of Anne and

French or Italian School, marble bust of Flora, 18th/19th c., white statuary marble, in the Baroque style, the goddess modeled as a young beauty with floral garland draped at her breast and flowers in

Italian Louis XV style giltwood mirror, 19th c., an open shell and foliate crest over the two plate mirror with gilt garlands at each side, some wood loss, the back is wood enclosed, approx: 90.5"h, 3

Hand mirror with portrait of a lady : A. 19th c. With putti depictions on the handle, the mirror framed by twisted garlands and crowned by two cupids and flower vase, reverse side with enamel miniatur

Italian silvered wood and iron putto sconces, 19th/20th c., Italy, modeled as two cherubs in gold skirts, each holding aloft a three-arm candelabra, mounted to pivoting wall bracket, unmarked, 20"h x

Italian school white marble bust sculpture, after the antique statue, of Apollo Belvedere wearing a cloak looking over his shoulder. Circa: 19th Century. Measures: 15" W x 17-3/4" H x 9" D. From a Mia

A fine pair of mid 19th century oil on canvas paintings, each companion piece a harbor view through architectural ruins populated by nobles and various figures, unsigned paintings in shaped, molded fr

19th century Italian School oil on canvas, Neoclassical scene depicting figures in interior, possibly depicting an episode in the life of a saint or other Image: 42.75" H x 34" W; frame: 45.75" H x 37

Painting after, Peter Paul Rubens' "Consequences of War", circa 1637. Giltwood framed, oil on canvas, mounted on panel. Signed on lower left corner, and inscribed Fiorenze.With Frame: L: 81 in. H: 54

Reception in the Iliad Room, Pitti Palace, Of a group of famous artists below their paintings in the Iliad room in the Pitti Palace, Florence. Oil on canvas Signed "Leon" in a cypher lower ri

1894 oil on canvas signed "[illegible]caratti", dated and inscribed "Venezia" lower right Condition: approximately ten patches to verso. 51 x 29 inches canvas; 57 1/2 x 36 inches frame

Oil on copper, copper measurements: 72 x 57, framed measurements: 81 x 65 cm

Scene. Housed in a highly carved and gilded wood frame. From a Stamford, CT home. Dimensions: canvas - 9.5" high x 7.25" wide; frame - 18.5" high x 15.5" wide.