2 Don Swann Etchings

5 etchings: (1) Winter Storm, ed. 17, 1955, etching 2 7/8 x 5, signed across bottom: Winter Storm, James Swann; (2) Valley Farm, ed. 100, 1941, etching 4 x 3, signed across bottom: Valley Farm, James

PAUL CADMUS (1904-1999) Nudo #1, #2 and #3. Set of 3 etchings. Each 222x195 mm; 8¾x7 inches, full margins. Each in the second state (of 2). Each signed, titled, inscribed "second state" and numbe

JOHN MARIN Woolworth Building, No. 2. Etching and drypoint, 1913. 330x265 mm; 13x10½ inches, full margins. Second state (of 2). Edition of approximately only 10. Signed in pencil, lower right. Pu

MJOHN MARIN Woolworth Building (The Dance) Etching and drypoint, 1913. 327x262 mm; 12x10 inches, full margins. Second state (of 2). Artist's proof, aside from the edition of 30. Inscribed "Artist's Pr

PAUL CADMUS (1904-1999) Two Boys on a Beach, No. 2. Etching on greenish gray laid paper. 162x230 mm; 6x9 inches, full margins. Edition of 151. Signed in pencil, lower right. Published by the Albany Pr

CHILDE HASSAM Washington's Birthday, Fifth Avenue and 23rd Street. Etching on antique cream laid ledger paper, 1916. 323x187 mm; 12¾x7 inches, full margins. Second state (of 2). Signed with the a

PABLO PICASSO (after)Intériour Rouge avec un Transatlantique Bleu.Color aquatint, 2 impressions, and 2 original copper etching plates, circa 1960. 405x325 mm; 16x12¾ inches, full margins. On

CHILDE HASSAM Washington's Birthday, Fifth Avenue and 23rd Street. Etching, 1916. 323x187 mm; 12¾x7 inches, full margins. Second state (of 2). Signed with the artist's cypher and inscribed "imp"

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

PETER DOIG Paragrand 2. Color aquatint and etching on Japan paper, 2013. 504x405 mm; 19¾x15¾ inches, full margins. Printer's proof, aside from the edition of 20. Signed, dated and inscribed

THOMAS MORAN The Much Resounding Sea. Etching, roulette and drypoint with sandpaper ground on Japan paper, 1886. 370x827 mm; 14¾x32 inches, wide margins. Second state (of 2), with the shark remar

REMBRANDT VAN RIJN Woman Bathing her Feet at a Brook. Etching and drypoint, 1658. 162x81 mm; 6½x3¼ inches, small margins. Usticke's second state (of 2); New Hollstein's second state (of 2).

PABLO PICASSO Deux Femmes nues dans un Arbre. Etching, 1931. 375x297 mm; 14¾x11¾ inches, full margins. Signed and numbered 2/100 in ink, lower margin. A very good impression of this large, e

EDGAR DEGAS Danseuse mettant son chausson. Etching on imitation Japan paper, circa 1892. 176x116 mm; 7x4¾ inches, full margins. Second state (of 2), after cancellation. A very good impression wit

KARA WALKER (1969 - )Lil Patch of Woods.Etching and aquatint on Mulberry chine collé on Rives BFK paper, 1997. 298x229 mm; 11 3/4x9 inches, full margins. Signed, dated and numbered 2/35 in pencil,

JOHN TAYLOR ARMS Venetian Filigree. Etching, 1931. 274x278 mm; 10¾x11 inches, full margins. Second state (of 2). Edition of 139. Signed, dated and dedicated in pencil, lower margin. A brilliant,

ÉDOUARD MANET Au Prado II. Aquatint and etching printed in black on cream laid Japan paper, 1863-67. 222x155 mm; 8¾x6 inches, full margins. Second state (of 2). The Porcaboeuf edition of app

JOHN SLOAN Hell Hole. Etching and aquatint, 1917. 204x253 mm; 8x10 inches, wide margins. Second state (of 2). Edition of 110 (from an intended edition of 100). Signed and titled in pencil, lower margi

REMBRANDT VAN RIJN The Raising of Lazarus: Small Plate. Etching, 1642. 151x115 mm; 6x4½ inches, narrow margins. Biörklund's second state (of 2); Usticke's second state (e) (of 3); White and

JOHN TAYLOR ARMS Early Morning, North River. Etching and aquatint, 1921. 240x190 mm; 9½x7½ inches, full margins. Second state (of 2). Edition of 100. Signed in pencil, lower right. Printed b

Better Mouse Traps. Etching, 1937. 100x150 mm; 4x6 inches, full margins. Second state (of 2). Edition of 75 (from an intended edition of 100). Signed, titled and inscribed "100 Proofs" in pencil, lowe

ANDERS ZORN Augustus Saint-Gaudens, I. Etching, 1897. 200x135 mm; 8x5¼ inches, wide margins. Second state (of 2). Signed in pencil, lower right. A very good impression of this scarce etching. We

JOHN SLOAN The Women's Page. Etching, 1905. 127x177 mm; 5x7 inches, full margins. Second state (of 2). Edition of 100. Signed, titled and inscribed "100 proofs" in pencil, lower margin. From New York

REMBRANDT VAN RIJN The Goldsmith. Etching and drypoint, 1655. 80x58 mm; 3¼x2¼ inches, narrow margins. Biörklund's second state (of 2); Usticke's third state (of 3); White and Boon's sec