Alfred Juergens (American, 1866-1934)

Alfred Juergens (American, 1866-1934) Children by a River oil on canvas signed Alfred Juergens (lower left) 25 x 27 inches.

Alfred Juergens (American, 1866-1934), Summer in the Garden, oil on canvas, signed lower left, canvas: 45.5"h x 36.5"w, overall (with frame): 53"h x 44"w

Alfred Juergens (American 1866-1934), Untitled (Spring Blossoms with Homestead in the Distance), oil on canvas board, signed lower right, board: 27.5"h x 25"w, overall (with frame): 30.75"h x 28.5"w.

Alfred Juergens (American, 1866-1934), Winter Snowfall (Oak Park, Illinois), oil on board, signed lower right, sight: 32"h x 24"w, overall (with frame): 36.5"h x 28.5"w

Alfred Juergens (American, 1866-1934), “Among the Mullein (Oak Park, Illinois),” oil on canvas, signed lower left, title label affixed verso, canvas: 27"h x 25"w, overall (with frame): 34"h x 32"w

lot of 3) Alfred Juergens (American, 1866-1934), Untitleds (Landscape Cloud Studies), oils on panel/board, two (2) signed, one (1) initialed, boards/panels: 9"h x 12"w, overalls (with frames): 12.75"h

Alfred Juergens (American, 1866 -1934). Antique oil painting on board. A floral garden landscape with farmhouse and trees. Artist signature lower right. Presented in gilt frame. Work Size: 9 x 12 in.S

Alfred Juergens, (American, 1866-1934), Graylings Back Fields, oil on board, signed lower left, 14.25" x 19"

Alfred Juergens (American, 1866-1934), "August Morning, Field Flowers, Grand Rapids," oil on board, signed lower right, titled and signed verso, board: 14.5"h x 19"w, overall (with frame): 18"h x 22.5

Alfred Juergens (American, 1866-1934), “Field Flowers/Golden Rod and Asters,” 1933, oil on panel, signed lower right, titled and dated verso, panel: 16"h x 20"w, overall (with frame): 19.5"h x 23.

ALFRED JUERGENS, OIL ON CANVAS BOARD, H 12", W 14", CHICAGO HARBOR:American artist 1866 - 1934.

Alfred Juergens Illinois (1866-1934) Rock Garden oil on masonite Initialed lower right. Exhibited: James C. Nichols Studio, MI Biography from the Archives of askART: Alfred Juergens was born in Chicag

Frank Alfred Bicknell (American, 1866-1943), New Hampshire street scene with houses, oil on board, 16" x 20", framed 23" x 27". Provenance: Westbury, New York collection.

Alfred Taplet (American, b. 1934) Be Bold I'll Make Soul Like Gold paint on roof tile signed A. Taplet (lower left) 11 x 14 inches. This lot is located in Chicago.

Reynolds Beal (American, 1866-1951) "Circus Scene", 1934 watercolor and colored pencil on paper signed and titled lower right. Matted, glazed and framed. sight 14-1/2" x 18-1/2", framed 26" x 30"

Alfred "Big Al" Taplet (American, B. 1934) Big Al's folk art sign.14 x 10 inches. This lot is located in Chicago. Condition Condition reports are

Frank Alfred Bicknell (1866 - 1943) Oil on board , Signed , measures 7" x 9.5" , w/frame 11" x 13"

Frank Alfred BICKNELL (1866-1943) American . 31 1/4 H x 39 1/4 W including frame. 18 H x 26 W without frame. TO SHIP THIS ITEM IN USA OR INTERNATIONAL, PLEASE CONTACT THE SHIPPERS : 1) UPS store1937-

Photographer: Alfred Stieglitz (American, 1879 - 1973) - Internationally renowned and historically significant. Title: Poplars, Lake George, Date Of Negative:1934 Type Of Print: Authentic Vintage Shee

Alfred Hutty (American 1877-1954)- ''By the River''- etching, ca. 1930, signed in pencil, included in 'Fine Prints of The Year, 1934', very good condition. 9 x 14 3/4''

George Kalbfus (19th Century) After Alfred Jacob Miller (American 1810 - 1874) "Crow Indian on the Lookout" 1866 Oil on canvas Signed and dated lower left G Kalbfus 1866 12" x 10" Provenance: M. Knoed

MORNING FRESHNESS, circa 1934, gouache on card, initialed lower right, 9 ¾ x 11”; LANDSCAPE, gouache on paper, sight 6 x 9”; Both framed with glass. (2)

Lot 84 Imogen Cunningham American (1883-1976) Alfred Stieglitz at An American Place, New York (1934) silver gelatin print, mounted to mat the photographer's 1331 Green Street, San Francisco studio lab

1866 Confederate 1ed Lost Cause Pollard Civil War White Supremacy SLAVERY CSA A rare first edition of a work written from the Confederate perspective of American author Edward Alfred Pollard soon afte