Antonio Quintana - Acrylic, La Rampa Project c. 1963

ANTONIO QUINTANA (1919-1963) La Rampa Project (preparatory sketch) Acrylic and pencil on transparent paper 34" x 37 1/2" sheet; image approximately: 28" x 28 1/2" Signed and dated lower right Various

LOLO SOLDEVILLA (1901-1971) La Rampa Project (preparatory sketch) Acrylic and pencil on transparent paper 34" x 34" sheet; image approximately: 29" x 29" Signed and dated lower right in pencil Various

Sandu Darie - Acrylic, La Rampa Project c. 1963 (Cuban) Acrylic and pencil on transparent paper 28.75 x 28.75 (image size)

Antonia Eiriz - Acrylic, La Rampa Project c. 1963 Cuban Measures 34.5 x 33 inches

AMELIA PELAEZ (1896-1968) La Rampa Project, Mosiac Tile (Prepatory draft) Acrylic on paper Draft for La Rampa Project, Havana, Cuba (1960's) 38" x 34" Signed lower side Private collection, acquired fr

Rene Portocarrero(La Rampa Project,)Acrylic Painting Measures 39 x 34 inches

Sam Gilliamb. 1933untitled, Hard-edge Abstractionc. 1963-1965acrylic on thick, gessoed paper18 1/2 x 18 inchessignedProvenance: Andre "Mickey" Ferrell , studio assistant to the a

George Nelson (1908-1986) for Nessen Studio, Beehive pendant lamp, USA, c.1963, polished aluminum, clear acrylic, unsigned, 15"dia x 12"h

Mexican retablo, depicting La Virgen de Apocalipsis, oil on copper, framed, circa 19th century sight: 16.5 x 12 in. / frame: 20 x 16 in. Provenance: a San Antonio, Texas collection We happily provi

after Antonio Lanzirotti (Italian, 1839-1921), signed "A.G. Lanzirotti Paris" and titled on base. 33"h

Mark Keathley (b. 1963), "Hill Country Morning", 1989. acrylic on board. sight: 8 x 12", frame: 15 x 19". Provenance: A San Antonio, Texas collection Mark Keathley grew up on the family farm in Eas

19th C. Painting Edouard Cortes "Rue de la Madelaine". About Artist: Cortes was born on August 6, 1882, in Lagny-sur-Marne, about twenty miles east of Paris. His father, Antonio Cortes, had been a pai

olio su tela, W. 73 - H. 61 Cm

C.F. Martin D21 Guitar Model D21. Serial #: 189353. c.1963. Brazillian Rosewood. Height: 104cm. A mid-century classic from the famed Martin workshop. C.F. Martin & Co. (often referred to as Martin) is

Charlotte Perriand (1903-1999) Two Pairs of Sconces,model no. CP1, c. 1963 Galerie Steph Simon, France enameled steel three examples with manufacturer's labels Largest | H 6 1/2 x W 5 x D 2 1/2 inches

c. 1961 Wandre "Spazial" guitar, in deep cobalt blue. Excellent-fine condition. A thin semi-hollowbody, with black-smoke point-stripes. Ivoroid pickguard, twin Davoli pick-ups, early square control pa

Claire Falkenstein Integrating Rectangle c. 1963welded bronze 36.5 h × 50.5 w × 31 d in (93 × 128 × 79 cm) Provenance: Esther Robles Gallery, Los Angel

Alessandro Pianon, Pulcini bird sculpture, c. 1963, Italy, handblown green Murano glass with blue and green murrine pattern, millefiori eyes, copper wire leg stands, for Vistosi, unsigned, approx. 10"

Alessandro Pianon Pulcini VistosiItaly, c. 1963glass with internal murrine decoration, copper9.5 h × 6.25 w × 3.5 d in (24 × 16 × 9 cm) Literature:

Inge and Luciano Rubino Butterfly dining chairs, set of eight Soro MobelfabrikItaly/Denmark, c. 1963teak, leather 32 h &times; 20.5 w &times; 19 d in (81 &times; 52 &times; 48 cm) <

Alessandro Pianon Pulcini VistosiItaly, c. 1963glass, murrine, copper 8.5 h x 5 w x 5.75 d in (22 x 13 x 15 cm) Literature: 20th Century Murano Glass, Heiremans,

Alessandro Pianon Pulcini VistosiItaly, c. 1963glass, copper4.25 w x 4.75 d x 9 h in (11 x 12 x 23 cm) Signed with applied foil manufacturer's label to reverse: [Made in Murano Italy]. <

Alessandro Pianon Pulcini VistosiItaly, c. 1963glass, copper 12.25 h &times; 3 w &times; 5.5 d in (31 &times; 8 &times; 14 cm) Literature: 20th Century Murano Glass</

T.H. Robsjohn-Gibbings for Saridis, Klismos chair, c. 1963, Greece, Greek walnut frame, leather cord seat, stamped with serial number to underside, by Saridis of Athens, 35"h x 28.5"w x 29"d, 17"h (to