Arazzo/Aubusson Needl Point 514x400

Joseph Yoakum. (1891-1972). The Junction Point of South Atlantic Ocean and South Pacific Ocean Near Delfulgo, Argentina and Pairgona. Signed and titled. Ink, colored pencil and graphite on paper. Mast

Height: 27 cm, width: 14.5 cm, weight: 186 g

Height: 36 cm, width: 24 cm, weight: 457 grams

(American, b. 1942). Oil on linen, #1369 1986, signed "Gonske" lr, signed, titled and dated on verso, further identifying information affixed on verso, 36 x 30 in., framed. From the Estate of Eleanor

"View From Sabbath-Day-Point, Lake George, N.Y." Oil on canvas, signed W.R. Miller 1876 bottom right, also signed, titled, and inscribed 806 Broadway S on stretcher verso. During the cataloging proces

QING DYNASTY GILT BRONZE FILIGREE POINT EMERALD HAT AND CROWN; H:24cm W:28cm Wt:900g

Frame Size : 44 in L x 32 in H - Painting: 35 in L x 23 in H *** Dead horse point by Morris GreenOil on canvas by famous Albuquerque artist Maurice Green who lived and worked in Albuquerque until he p

Wendell Macy (1845-1913) Oil on Canvas "Brant Point - Nantucket", early view of the point with lighthouse and shoreline, luminous sky, signed and dated lower left "Wendell Macy '94", in original ornat

Dave McGary (American, 1958-2013) Point of No Return, edition 49/50, 2000 bronze signed Dave McGary, numbered and dated (verso) height 19 1/4 x width 19 x depth 8 1/2 inches

Muss-Arnolt, Gustav (American 1858 - 1927), Setter on Point, 1923, oil on canvas, 7.25 x 10 inches, signed and dated lower right, framed in a period wood frame with Acanthus leaf reliefs in the corner

Shane Guffogg At the Still Point #8 2010oil on canvas 28.5 h x 28.5 w in (72 x 72 cm) Signed, titled and dated to verso 'Guffogg 2010 At the Still Point #8'. Provenance:

Anthony Thieme, Holland/America (1888-1954). Oil painting on lined canvas signed lower right. Hand carved gilt frame with museum nameplate. Provenance Pocock Fine Art & Antiques, receipt included. Mea

Robert Stark Jr. (1933-2014) Oil on Canvas "Tugboat Rounding Brant Point, Nantucket", signed lower left R. Stark, in molded gilt frame 7 in. x 9.5 in. Overall 17 in. x 19 in.

rated 8.5, 16.5"x13.5"x7", the metal counter display has excellent color and shine, has light wear, has a couple dings and paint chips in the field, back door is missing, is from Sioux Falls, South Da

rated 8.5, 9"x11"x6", the metal base has good color and shine, has nice graphics, in good condition. TAC #039594

Jon Kuhn (b. 1949) 'Gemini's Point', 2000 ground, polished, and laminated glass, brushed stainless steel signed 'Jon Kuhn 2000 Gemini's Point' H 46 1/2 x W 11 x D 21 inches, overall Property from the

Canary Star 18kt Gold and Diamond Four Point Ring. Ring features an oval ring head with four points at each cardinal direction. Ring head holds 24 round cut diamonds, four pear cut diamonds, and one o

Paul Jenkins (American, 1923-2012) "Phenomena Point 7" Signed lower left: "Jenkins" 1975 Watercolor on Arches paper Image: 30" x 42" Framed: 40" x 52" Provenance: Campbell Ewald, acquired the artwork

English Art Glass Epergne - 30" X 14" (Widest Point) Cranberry Opalescent Two-Tier Epergne with Nine Baskets and One Lily

Attributed to Thomas Chambers (American, 1808-1866). A Hudson River School oil on canvas depicting a view of West Point. Unsigned. Gilt framed. Canvas: 18in x 24in.

GENERAL SHERMAN'S ANNOTATED WEST POINT REGISTRY. Major General George W. Cullum. (1809-1892). Biographical Register of the Officers and Graduates of the U.S. Military Academy, at West Point, N.Y. New

A small pine diamond point armoire with each door featuring a St. Andrews cross on both the upper and lower half of the door. Each side of the cupboard features a St. Andrews cross in the lower half a

cabinet rated 7.5, finial rated 8.9, 26"T. overall, the finial has very good color and shine, light wear, one of the nicer ones that we have seen, cabinet has some fading, has light wear and fine scra

William Trost Richards (American 1833-1905) Westport Point Connecticut oil on board 10 x 20"Titled Westport Point on the reverse. Painted around 1888, the year it was likely exhibited at Doll & Richar