Attributed to Francesco Solimena (1657-1747) Italian

Circle of Francesco Solimena (Italian, 1657-1747), Giambattista Pittoni (Italian, 1687-1767) or Francesco Trevisani (Italian, 1656-1746), Baroque/Rococo, 18th century. A stunning 18th century painting

Francesco Solimena (Italian, 1657-1747) "Madonna and Christ Child" pencil drawing on laid paper, stamped on reverse: "Alexandre Ujlamy Antiquaire Paris," 18th century. Image: 12: H x 8" W; mat board:

Attributed to Francesco Solemena (Italian, 1657-1747) Study ink and wash on paper visible: 7 1/4" x 11 1/4"

Artist: Francesco Solimena (1657-1747), circle of Title: Medium: Oil on canvas Size: 25" x 20" (63.5 x 55.8 cm) canvas size Date: 17th century

Italian school, ca. 1700. Circle of Francesco SOLIMENA (1657-1747) "Saint Nicholas of Tolentino. Oil on canvas. Measurements: 65 x 52 cm; 95 x 82 cm (frame). In this canvas we see Saint Nicholas of To

Neapolitan School, After Francesco Solimena (1657-1747) "Saint Paul with the Word of God and the Sword by Which He Died" Oil on canvas Unsigned. Verso inscribed "Saint Paul ascending into Heaven, 18th

Workshop of Francesco Solimena (Canale di Serino, 1657 - Barra, Naples, 1747) "The Descent of Christ" Oil on canvas. Relined. 128 x 75 cm. Prince Eugene of Savoy commissioned various paintings by Soli

Attrib. to Francesco Solimena 1657-1747 Monks/Angels/Fresco gray pen and wash 15x12 Italian 17th cent drawing of a scene with angels and saints in the clouds attributed to Francesco Solimena. The draw

Attributed Francesco Spanghero (Italian, 1892-1945). Marble statue of a winged goddess, likely Nike, the goddess of victory. Signed along the base.Provenance: From the Estate of Horst Rechelbacher, Os

Attributed to: Francesco Guardi (Italian b.1712 -d.1793). Titled: “A Capriccio of Venetian Archway Ruin with Figures by Canal” Medium: Oil on Canvas. Image Size: 8-3/8” x 11-1/2" Framed: in peri

Attributed to Francesco Zuccarelli (Italian, 1702-1788) 'Idyll' Oil on Canvas Undated and unsigned, depicting a landscape having a falconing party, in a gold-tone carved wood frame having a brass info

Attributed to Francesco Albani (Italian, 1578-1660) Oil on Panel Undated and unsigned, depicting a mother and child, on a walnut panel in a gold lacquer on wood frame having attribution on paper label

Framed, under glass. Attribution on reverse. Frame: 20 x 16 inches Sight: 13 x 9 inches Condition: Good. Francesco Bartolozzi RA (21 September 1727, in Florence Š—– 7 March 1815, in Lisbon) was

DESCRIPTION: Attributed to Francesco Tosso (Italian, 1875-1890) Pair of 19th century Renaissance style walnut carved wooden life-size figural statues, depicting a pair of seated monkey figures holding

Attributed to Francesco Guardi (Italian, 1712–1793), oval floral still life with bird, oil on board, circa late 18th century, 39" h x 31 1/2" w (view), 40 1/2" h x 35" w (frame). Provenance: from th

Attributed to Francesco Antonio Simonini (Italian, 1686-1753) Battle Scene ink and wash 8 1/4 x 13 inches. Property from the Estate of Stephen B. Contro, Bassando del Grappa, Italy and Chicago, Illino

Attributed to Italian Francesco Albani oil painting on canvas depicting playful cherubs. Frame size: 38" x 32" Painting size: 31.5" x 25.75"

Attributed to Francesco Molon Classic (Italian, est 1960s), 20th century. An 18th century style burl wood kidney shaped desk with black decorative inlay. Marked to interior drawer Giemme Stile S.p.A.

Attributed to: Francesco Paolo Michetti, Italian (1851-1929) Charcoal drawing "Female Portrait". Unsigned. Measures 11-1/4" x 8-1/4" (sight), frame measures 16-3/4" x 13-3/4". Condition: Good conditio

Attributed to Guercino (Giovanni Francesco Barbieri, Italian, 1591-1666), Portrait of a man, red chalk on paper, 11X7.5 cm, apparently unsigned. Tears, minor creases. Not examined out of the frame.

Attributed to Pier Francesco (Il Ticinese) Mola (Italian, 1612-1666) Maddalena penitente oil on canvas 59 x 44 1/4 inches.

attributed SPOLVERINI, Ilario Mercanti, (Italian, 1657-1734): 17th/18th Century old master depiction between the Turkish and Christian cavalry, Oil/Canvas, no visible signature, several older labels v

One of the most successful Old Masters of the Neapolitan School of Painting during the early 18th century, Francesco Solimena was strongly influenced by the dramatic lighting and tenebrism of earlier

ATTRIBUTED TO GIOVANNI FRANCESCO BARBIERI, BETTER KNOWN AS GUERCINO (Italian, 1591 - 1666). Study of a Child, Pen and dark brown ink, brush with brown wash. With an inscription "Il Guercino fece" uppe