ATTRIBUTED TO JOHN HOPPNER (UK, 1758-1810)

Large oil on canvas portrait of a seated lady with roses attributed to John Hoppner (England 1758-1810). Site 50" x 39"

Attributed to John Hoppner (English, 1758-1810)Portrait of a gentlemanoil on canvas24 x 20in (61 x 51cm)

Magnificent oil painting on canvas attr. John Hoppner 1758-1810 showing the portrait of Jane Elizabeth Harley, countess of Oxford circa 1797. Not signed, showing on the back old label. Canvas measures

John Hoppner (1758-1810), a British portrait painter, trained at Royal Academy, and in 1789 he was appointed portrait painter to the Prince of Wales (later George IV) and after the death of Reynolds,

After John Hoppner (British, 1758-1810) William Jennens Peareth   oil on canvas 30 1/4 x 25 1/8 inches. This lot is located in Chicago. Property from the Pamela K. Hull Trust, Chicago, Illinois Prove

In the manner of John Hoppner (British, 1758-1810)Portrait of Master Robin Vaneckeoil on canvas54 1/2 x 36in (138 x 91.5cm)

Circle of John Hoppner (British, 1758–1810) Portrait of a Young Lady, Bust-Length Oil on canvas30 1/8 x 25 1/8 in. (76.5 x 63.8cm) Provenance Private Collection, Washington. Fr

after John Hoppner (British, 1758-1810), Portrait of Sir James Shaw (with Mezzotint)oil on canvas, unsigned, half-length, he holds a rolled paper inscribed "The King's Order of Precendence," the canva

After John Hoppner (English, 1758-1810) Pair of Portraits: Sarah Franklin Bache (1743-1808) and Richard Bache (1737-1811) Watercolor and gouache on paper, matted and framed. (9 1/4 in. x 7 in. (sight)

Circle of John Hoppner (English, 1758-1810), "Portrait of a Young Lady", oil on canvas, apparently unsigned, with graphite inscription to verso (later (Hoppner), with additional inscription to verso "

Follower of John Hoppner (English, 1758-1810) oil on canvas three-quarter length portrait of a a middle-aged man with white hair, dressed in a white cravat and a high-collared black coat against a dar

John Hoppner, R.A. (British, 1758-1810), "Portrait of a Gentleman Identified in the Dillon Collection as Hon. James William Dillon (1792-1812), Son of Charles Dillon, the 12th Viscount", ca. 1808, oil

John Hoppner R.A. (London 1758-1810) Portrait of a young girl, said to be a Stanley of the Derby family, seated three-quarter-length, with a basket of strawberries oil on canvas 76.6 x 62.8cm (30 3/16

School of John Hoppner R.A. (English 1758-1810). 'Portrait of William Pitt the Younger' (1759-1806), three quarter length - 19th century, oil on canvas, apparently unsigned. Framed. Note: He was the l

John Hoppner, United Kingdom (1758-1810) "Clearing In a Grove Trees" Gray Wash Applied on Wet Paper. Provenance En Verso. Good condition. Measures 6-1/2" H x 8-3/4" W, frame measures 13-1/4" H x 15-1/

19th C. oil on canvas - portrait of woman attrib. to John Hoppner dated 1810. (1758- 1870). 37 1/4" x 31 1/2".

John Hoppner, R. A. (British, 1758-1810)Portrait of Mrs. Charles Dunscomewatercolor and pencil on paper9 x 7in (23 x 28 cm) Provenance:The collection of Mrs. Leverton Harris.With A

John Zoffany (PA/UK/Germany, 1733-1810) oil on canvas portrait of John Murdock, Esquire, unsigned 29.5"H x 24"W

East Tennessee (Sullivan County) cherry pie safe with walnut top, poplar secondary. Case attributed to John Wolfe (Piney Flats, 1810-1891). Rectangular top with rounded edges over three dovetailed dra

Following the Hounds watercolor on paper h. 6 w. 8-3/4 in., sight overall: 15-1/4 x 17-1/4 in., framed attributed to John Collins (English, c. 1725-1758/9), Royal Academy, an autumn hunt scene showing

Attributed to John Frederick Taylor (1802-1889, UK), miniature oil on board, after "The Prince's First Ride", early 1800's, vibrant colors with gold painted border, label/tag verso The Philadelphia An

DESCRIPTION: Painting is unsigned and attributed to John Ferneley II. The consigner purchased this painting from Sotheby's in approximately 1995. PROVENANCE: MGM Studios, Hollywood. MEASUREMENTS: 22

John Foster (1810-1835), Banjo Clock, Haverhill, Massachusettscirca 1830-1835mahogany case with rounded frames, brass 8-day weight-driven movement attributed to Samuel Abbott, dial marked "John C

American (Tennessee), circa 1790-1810. Two-board top with applied raised rim over bulbous turned column with boxed frame. Top, 19"dia. Overall, 25.5"h. For related examples and attribution research, s