Attributed to Rembrandt Peale (American, 1778-1860)

Attributed to Rembrandt Peale (American, 1778-1860) "David Codwise (d. 1864)" oil on cradled wood panel unsigned, handwritten inscriptions and label identifying artist and sitter and his home address

after REMBRANDT PEALE (American 1778-1860) A PAINTING, "Portrait of a Gentleman," oil on canvas, circa 1830. 21" x 18 1/4"

Rembrandt Peale (American 1778-1860) oil on canvas portrait of Sarah Blake (1798-1869). Site 29.5" x 24.5".

Rembrandt Peale Quacker Woman Oil Painting on canvas in frame. Not signed but attributed to Rembrandt Peale, listed Pennsylvania artist born 1778-1860. Measurements in inches: 31 x 36, image: 24 x 29

Offset lithograph, after an 1846 painting by Rembrandt Peale, 1778 to 1860, an American artist and museum keeper. The artwork depicts a portrait of the first US President George Washington. Inscriptio

Artist: Rembrandt Peale (1778 - 1860) Title: Rubens Peale with a Geranium Medium: Poster on board Size: 32 x 23.75 in. (81.28 x 60.33 cm)

Framed autographed letter by Oliver Wolcott Jr. (United States, 1760-1833), framed together with a likeness of Wolcott after Rembrandt Peale (United States, 1778-1860), and a later plaque with biograp

Attributed Rembrandt Peale - Washington Portrait. Oil painting on canvas portrait of George Washington. Measures 32 x 37 inches. Plaque on front of frame and inscribed on back. Measures 32 x 37 inches

Attributed to Sarah Peale (American, 1800-1885), portrait of Helena Holmes Pennington, oil on canvas. size 24 x 17 1/2 (with frame 28 3/4 x 22 3/4) inches. Possibly painted together with Anna with ins

19th century O/C portrait of George Washington, attributed to either Rembrandt Peale or Jane Stuart, daughter of Gilbert Stuart, sight 25"W x 30"T, original oval gilded frame, 33"W x 38"T, New York Su

O/C Is copy of Rembrandt in 1860 American frame 26"x 3

attributed ARTHUR FRANK MATHEWS (American 1860-1945) and LUCIA KLEINHANS MATHEWS (American 1870-1955)A PAINTING, "Rolling Clouds," oil on canvas board. 40" x 34"

Attributed to Mary Jane Peale (American, 1827-1902), oil on canvas depicting a still life of a basket overflowing with pears and grapes, artist signed 'Mary J. Peale' in brown at lower left, 11.75"h x

Attributed to Charles Paul Gruppe (American, 1860-1940) oil on canvas painting depicting a figure dressed in a red coat steering a horse-driven cart along a beach with two sailboats and another group

ATTR. TO JOSEPH W. GIES (AMERICAN, 1860-1935), YOUNG WOMAN WEARING A BONNET, H 28 1/2", L 22":Attributed to Joseph W. Gies (American, 1860-1935). Depicting a young woman wearing a bonnet. Oil on canva

CHARLES PEALE POLK (AMERICAN, 1767-1822), ATTRIBUTED, SHENANDOAH VALLEY OF VIRGINIA, BRISCOE FAMILY PAIR OF PORTRAITS, (updated 6/17/22) oil on canvas laid to board, each a three-quarter length depict

Att. to Harriet Cany Peale (American, 1800-1869) Schooners in Rough Seas, after Schmidt. Oil on canvas. Unsigned, bears inscription on verso that reads "Mrs. Rembrandt Peale, after a painting by Schmi

!9th Century American Philadelphia School Portrait, the piece is captivating especially the eyes, it reminds me of the way Rembrandt Peale painted his eyes, signature not visible, 39 x 30", 46 x 37" F

(American, 1863-1939) both signed in pencil l.r., one after a Rembrandt Peale painting, copyright 1932. Overall: 30-3/4"h x 24"w and 28"h x 23"w Sight: 21-1/4"h x 15"w and 19-1/2"h x 15-1/4"w

(American, 1852-1925) All published by Charles Barmore, New York, one of Roger B. Taney, one of James Kent after Rembrandt Peale, and one of Elihu Root from copper plate. From: 12-3/4"h x 10-1/4"w to

Hollow New Jersey Canada goose decoy, maker unknown. Some have attributed the goose to HENRY GRANT (American, Barnegat, New Jersey, 1860 - 1924). It appears to have an early working overpaint which ha

Pencil and ink on paper, profile portrait of a distinguished gentleman. Reverse reads, from the collection of CJ and ML Larson, from a Philadelphia family. Attributed to Raphaelle Peale. Paper 3.25&#8

Set of three, attributed to John Henry Belter (American 1804-1863, Victorian era laminated rosewood parlor chairs in the Rococo Revival taste, circa 1860, comprising a single armchair and two side cha

Oil on canvas, framed. Attributed to Horace Pippin (1888 - 1946). The artwork encapsulates a vivid domestic scene, rendered in Pippin’s characteristic self-taught style that melds raw emotion and si