Attributed to Thomas Faed, R.S.A. (1826-1900,

Attributed to Thomas Faed, R.S.A. (1826-1900, Scottish), "Fair Warbler, Sings't Thou Thus by Break of Day," oil on canvas, faint and partial signature lower right, framed, H.- 36 in., W.- 28 in.

exceptional pre raphaelite painting attributed to Thomas Faed (1826-1900) superbly rendered!!retaining presumably it's original frame! Possibly depicting "Evangeline" Previous conservation present.Age

ARTIST: ATTRIBUTED TO Thomas Faed (United Kingdom, Scotland, 1826 - 1900) TITLE: Parents with Baby YEAR: 1860 MEDIUM: oil on canvas CONDITION: Relined. Few minor paint losses. Minor stable craquelure.

Thomas Faed (1826-1900) Oil on Canvas, Signed Genre scene of parents with baby in bassinet. Oil on canvas. Thomas Faed; Signed "T. Faed." Dimensions: 17.5" x 13.5"; In Giltwood frame: 25" x 21" EF/B15

Lot 67 Thomas Faed Scottish (1826-1900) The Response oil on canvas signed lower right sight: 16 x 14 inches Provenance: A private Manhasset, NY Collection Acquired in 1999 from Days Gone By Antiq

Thomas Faed (United Kingdom, 1826-1900) oil on canvas landscape genre scene titled Maternal Joy, depicting a girl watching tenderly as a boy feeds baby birds in a nest. Signed faintly lower right T. F

ARTIST: Thomas Faed (United Kingdom, Scotland, 1826 - 1900) TITLE: The Choice MEDIUM: oil on canvas CONDITION: Relined. Some inpainting mostly along edges. Some craquelure. Normal wear to frame. ART S

ARTIST: Thomas Faed (United Kingdom, Scotland, 1826 - 1900) NAME: The Response (titled on verso) MEDIUM: oil on canvas CONDITION: Some craquelure. Very minor inpainting. Some damages to frame. SIGHT S

Attributed to Thomas Faed Head portrait of a Manchester terrier with a red collar Oil on board 27 x 22cm (10 5/8 x 8 5/8in.)

Epergne, Four Lily, White, Pink Cased Interior, 20.5" x 10", Heavy Green Ruffled Rigoree Rims, Attributed To Thomas Webb, Stourbridge, Circa 1900, Exactly As Featured In The Elegant Epergne, Page 133,

(Scottish, 1825-1900) Sir Walter Scott and His Literary Friends at Abbotsford, 1849, not apparently signed, watercolor and body color on paper wrapped on panel stretcher with remnants of red wax seals

Travelers On A Path At A Spring, Oil On Canvas, Unsigned, Paper Labels Verso With Attribution Including Joseph Sartor, Canvas 21 x 28, Frame 28 x 34.5 x 3.5 Inches, Canvas Relined, Varnish Layer Clean

FREDERIC EDWIN CHURCHNew York/Connecticut/Mexico, 1826-1900Allegorical scene with boys and walruses. Signed lower left "E".Pen and ink and wash on card, 2.5" x 4.75". Framed 17" x 14.5". Provenance:Mr

After Frederic Edwin Church (American, 1826-1900), 19th century oil on canvas depicting Niagara Falls, a rainbow arching from its mist, 34" x 72" canvas.

ARTIST: William Penn Morgan (British, New York, 1826 - 1900) NAME: Mother and Children MEDIUM: oil on canvas CONDITION: Very minor craquelure. Few small scattered inpaintings/touch ups. SIGHT SIZE: 39

Attributed to Thomas Sidney Cooper (British, 1803-1902) , "Cows Watering at Stream", oil on canvas, unsigned, handwritten label en verso, 48 1/4 in. x 78 1/4 in., unframed . Provenance: Property deacc

(British, 1738–1806) Portrait of a Smiling Boy in a Landscape with a Greyhound, unsigned, oil on canvas, 53-3/4 x 41 in.; original English 18th century Maratta carved and gilt wood frame, 61-3/

Marilyn Monroe Suite: OLD MASTER PORTRAIT OF A LADY ATTRIBUTED TO THOMAS SULLY

Attributed to Thomas Chambers (American, 1808-1866) Oil on canvas. 18 x 24 in. Ex. Edward Cornwell (1936 - 2002) collection Rochester, NY.

ATTRIBUTED TO THOMAS GAINSBOROUGH (BRITISH 1727-1788), OIL ON CANVAS, UNSIGNED, H 29", W 24", PORTRAIT OF ELIZABETH GOODIN-HAUGHTON TAYLOR :A Thomas Gainsborough (British 1727-1788), a portrait of Eli

Attributed to Thomas Phillips (Dudley 1770-1845 London) Study of a young lady oil on canvas 58.8 x 50.6cm (23 1/8 x 19 15/16in). Footnotes: Provenance Private Collection, USA This lot is

ATTRIBUTED TO THOMAS WHITCOMBEUnited Kingdom, c. 1760-1824"English Frigates". Unsigned. Titled and attributed to Whitcombe on frame plaque.Oil on canvas, 12" x 17". Framed 22"

(British, 1803-1902) Cows Resting by a River, signed lower right "T. Sidney Cooper.R.A./1877", oil on canvas, 17-7/8 x 24-1/4 in.; gilt wood and composition frame, 25-1/4 x 1-5/8 in.

Oil on canvas. Approx. 50" x 40" unframed, 55" x 45" framed. Relined. Flecking.