Attributed to Vincenzo Carducci (Florence 1585-1638)

Oil on canvas (unframed) 73.7cm x 58.4cm; (framed) 88.9cm x 73.7cm. Carducho was one of the greatest artists of the Spanish Baroque period and his influence continued for many decades after his death

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An attributed to Florence Knoll early credenza with a bleached maple case and two compartments with drop-front doors with tab pulls, on an ebonized tapering base. Unmarked. 32 in tall x 72 in wide x 1

Vincenzo Campi (Italian, 1532-1591). Portrait of Marchese Ambrogio Spinola (1569 - 1630). Medium: Oil on Canvas. Size: 60 x 46.5 cm. (23.6 x 18.3 in.) Private collection Vienna. Purchased at Auctionho

Attributed to Florence Knoll Rosewood Double Chest of Drawers Mid-century modern, veneered, 6-drawer double dresser, with the upper 4 drawers having compartments, raised on a chromed steel base Proper

(Attributed to) Florence Knoll Table Desk Mid 20th century, oval gray painted oak top over chrome and black painted steel pedestal base, unmarked Height: 27 3/4 inches, Length: 77 3/4 inches, Width: 4

Ettore Sottsass (attributed), H. 75 cm (max.), L. 73 cm. Made by Targetti Sankey s.p.A., Florence (attributed). Sheet steel, painted white and black, tubular steel, painted red, clear glass.

Florence Knoll (attrib) coffee table, Mid 20th c., attributed to Florence Knoll, teak or rosewood on brass base, unmarked, 18.5"h x 44"l x 32"w

Attributed to Florence Knoll, these unmarked, Vintage, Early Design of Florence Knoll Slipper Chairs upholstered in a french cornflower blue wool are low profile and chic.W 24" x D 30" x seat height 1

probably Knoll Associates, unsigned, chromed steel and wool upholstery, 28 x 90 x 32 in. Provenance: Collection from Blue Haven, designed by Carter Williams, Raleigh, North Carolina

Walnut frames. Upholstered. 24" h x 30" w x 29 1/2" d. Seat height 15 1/2".

Pair of Florence Knoll Attributed End Tables, having glass and chrome, height 19 1/2 inches, 30" x 30". Provenance: In response to current scholarship and study, the Yale University Art Gallery has an

Lot 74 Vincenzo Irolli (attributed) Italian (1860-1949) L'erba alla Pecorella (The Sheep's Grass) oil on canvas board 10 x 7 3/4 inches frame dimensions: 18 x 20 x 3 1/2 inches, in ornately carved gil

Florence Knoll attributed rosewood credenza with chrome base. Dimensions in Inches 31.7x77.5x18

Heading: Author: Cruveilhier, Jean and Pietro Banchelli Title: Atlante Generale della Anatomia Patologica del Corpo Umano Place Published: Florence Publisher:Vincenzo Batelli Date Published:

A Florence Knoll attributed credenza with laminate top. 29.5 x 72 x 18 Height x Width x Depth (Inches)

Old Master Work The saints adoring the crucifix are Augustin of Hippo, holding a heart, and Jerome, with a book and a lion. Attributed to Massimo Stanzione ( 1585-1656 ) Oil on Wood, It is unsigned. O

Francesco BartolozziFlorence 1728 - 1815 Lisbon, attributed"Annunciation angel"Colored pencil drawing on paperRepresentation size 27,5 x 20 cm

Francesco BartolozziFlorence 1728 - 1815 Lisbon, attributed“Portrait”Colored pencil drawing on paperRepresentation size 27,5 x 20 cmSigned b.l.

Francesco BartolozziFlorence 1728 - 1815 Lisbon, attributed"Daydream"Colored pencil drawing on paper20 x 30 cmSigned b.l.Damage/crack approx. 4 cm t.l.

Attributed to Meindert Hobbema (Dutch, 1638-1709) "Country Landscape with a Pond, Figures and a Cottage" oil on canvas unsigned. Presented in a giltwood and gesso frame affixed with artist plaque. 33-

ATTRIBUTED TO EUGENIO CECCONI (Livorno, 1842 - Florence, 1903) Peasant with wheelbarrow Oil on board, 18 x 12 cm Good conditions, slight yellow patina on the surface

Attributed to Adriaen Brouwer (Flemish 1605-1638), seated woman with figures behind her, oil on panel, work 8 1/4" x 6 1/2". Plaque on front of frame reads "Adrian Brouwer 1608-1640".

James I Sterling Silver Apostle Spoon hallmarked London, 1616-1617, attributed to William Lovejoy (fl. 1615-1638/39), depicting St. Matthew. l. 7-3/8", w. 2"; 1.97 t. oz. Literature: Piers Percival, "